Dark, sordid, gritty, thrilling, and gorgeous in its own peculiar way.
In 1949 London, a bookseller’s clerk stumbles into a secret, exceptionally dangerous aspect of his city.
Physically and emotionally awkward Dennis Knuckleyard is negotiating for a job lot of books written by occult author Arthur Machen when he falls into a weird sort of trap. One of those books is a dangerous metafiction: It’s an imaginary book that Machen refers to in one of his stories, but which shouldn’t exist independently. The unreal volume represents a breach into Long London, aka the “Great When” of the title, a theoretical landscape populated by archetypes and other strange, dangerous beings, and the philosophical foundation of material London. Finding both peril and assistance in unexpected places, Dennis must get the book back to Long London, and also facilitate a meeting between a crime kingpin and one of Long London’s denizens, the embodiment of crime itself. As always, Moore’s prose harks back to the New Wave movement of speculative fiction so prevalent in the 1960s and ‘70s; it’s strongly reminiscent of Michael Moorcock’s more experimental work. The style is well suited to the more hallucinatory passages depicting Long London; and yet, this novel is actually plotted more straightforwardly than one might expect of Moore, who usually delights in elaborate tangents. Though still grounded in cynicism, it also displays more faith in people than is typical for the author; while the setting is a grim post-war London featuring both human and inhuman monsters, the protagonist, Dennis, discovers multiple instances of kindness from complete strangers who have no obvious motivation to help him as much as they do. Moore is certainly far from the first to write about a magical London or a parallel London, but his evocation is well drawn and unique. This first installment of a projected series is clearly a prelude to something interesting—whatever it turns out to be—and solid indication that Moore, who is still mostly known for his iconic graphic novels (Watchmen, 1987, etc.), does not require an artist to paint a picture.
Dark, sordid, gritty, thrilling, and gorgeous in its own peculiar way.Pub Date: Oct. 1, 2024
ISBN: 9781635578843
Page Count: 336
Publisher: Bloomsbury
Review Posted Online: Oct. 26, 2024
Kirkus Reviews Issue: Dec. 1, 2024
Who is victorious? The author and the readers.
The conclusion to the Villains trilogy asks, In a world where there are no heroes, what does victory really mean?
Schwab’s world is one where violent near-death experiences can engender ExtraOrdinaries, people who come back to life with a new superpowered ability, but lacking empathy, patience, and a variety of other, gentler qualities. In this installment, Victor Vale is becoming increasingly desperate; ever since Sydney Clarke used her power to bring him back from the dead, control over his own ability to cause and dampen pain has been slipping. Sydney herself is chafing against her life on the run with Victor’s protective ex-cellmate, Mitch Turner, and struggling with missing both Victor and her dead sister, Serena, whom she might not be able to resurrect—and definitely shouldn’t. Meanwhile, a psychiatrist, Dr. Gabriel Gray, discovers the existence of ExtraOrdinary people and seeks to harness their power for himself with tragic consequences for himself and many other people. Because the narrative skips around in time, it becomes clear fairly early that a final conflict is looming at EON, a high-tech facility where ExtraOrdinaries are imprisoned and experimented upon. This series has really lived up to its title; while antiheroes and villains have been popular protagonists for quite some time, not every writer is willing to lean into the darkness as hard as Schwab does. Some of her characters were psychopaths even before their near-death traumas, which means they didn’t have much moral fiber to begin with. And even the people who are basically good do a lot of bad and often foolish things when faced with a crisis…and there are a lot of crises. The strength of this series lies in Schwab’s ExtraOrdinary power to make you care for many of these incredibly rash, ethically dubious—some verging on irredeemable—characters anyway. As a result, the story rises above the usual grimdark cynical slog; instead, this is a gripping and nuanced saga with an ending that feels both inevitable and well earned.
Who is victorious? The author and the readers.Pub Date: Oct. 6, 2026
ISBN: 9781250192233
Page Count: 592
Publisher: Tor
Review Posted Online: Sept. 25, 2026
Kirkus Reviews Issue: Nov. 1, 2026
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Read this for the action-packed plot, not character development or worldbuilding.
On the orders of her mother, a woman goes to dragon-riding school.
Even though her mother is a general in Navarre’s army, 20-year-old Violet Sorrengail was raised by her father to follow his path as a scribe. After his death, though, Violet's mother shocks her by forcing her to enter the elite and deadly dragon rider academy at Basgiath War College. Most students die at the War College: during training sessions, at the hands of their classmates, or by the very dragons they hope to one day be paired with. From Day One, Violet is targeted by her classmates, some because they hate her mother, others because they think she’s too physically frail to succeed. She must survive a daily gauntlet of physical challenges and the deadly attacks of classmates, which she does with the help of secret knowledge handed down by her two older siblings, who'd been students there before her. Violet is at the mercy of the plot rather than being in charge of it, hurtling through one obstacle after another. As a result, the story is action-packed and fast-paced, but Violet is a strange mix of pure competence and total passivity, always managing to come out on the winning side. The book is categorized as romantasy, with Violet pulled between the comforting love she feels from her childhood best friend, Dain Aetos, and the incendiary attraction she feels for family enemy Xaden Riorson. However, the way Dain constantly undermines Violet's abilities and his lack of character development make this an unconvincing storyline. The plots and subplots aren’t well-integrated, with the first half purely focused on Violet’s training, followed by a brief detour for romance, and then a final focus on outside threats.
Read this for the action-packed plot, not character development or worldbuilding.Pub Date: May 2, 2023
ISBN: 9781649374042
Page Count: 528
Publisher: Red Tower
Review Posted Online: Jan. 12, 2024
SEEN & HEARD
BOOK TO SCREEN
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