Dark, sordid, gritty, thrilling, and gorgeous in its own peculiar way.
In 1949 London, a bookseller’s clerk stumbles into a secret, exceptionally dangerous aspect of his city.
Physically and emotionally awkward Dennis Knuckleyard is negotiating for a job lot of books written by occult author Arthur Machen when he falls into a weird sort of trap. One of those books is a dangerous metafiction: It’s an imaginary book that Machen refers to in one of his stories, but which shouldn’t exist independently. The unreal volume represents a breach into Long London, aka the “Great When” of the title, a theoretical landscape populated by archetypes and other strange, dangerous beings, and the philosophical foundation of material London. Finding both peril and assistance in unexpected places, Dennis must get the book back to Long London, and also facilitate a meeting between a crime kingpin and one of Long London’s denizens, the embodiment of crime itself. As always, Moore’s prose harks back to the New Wave movement of speculative fiction so prevalent in the 1960s and ‘70s; it’s strongly reminiscent of Michael Moorcock’s more experimental work. The style is well suited to the more hallucinatory passages depicting Long London; and yet, this novel is actually plotted more straightforwardly than one might expect of Moore, who usually delights in elaborate tangents. Though still grounded in cynicism, it also displays more faith in people than is typical for the author; while the setting is a grim post-war London featuring both human and inhuman monsters, the protagonist, Dennis, discovers multiple instances of kindness from complete strangers who have no obvious motivation to help him as much as they do. Moore is certainly far from the first to write about a magical London or a parallel London, but his evocation is well drawn and unique. This first installment of a projected series is clearly a prelude to something interesting—whatever it turns out to be—and solid indication that Moore, who is still mostly known for his iconic graphic novels (Watchmen, 1987, etc.), does not require an artist to paint a picture.
Dark, sordid, gritty, thrilling, and gorgeous in its own peculiar way.Pub Date: Oct. 1, 2024
ISBN: 9781635578843
Page Count: 336
Publisher: Bloomsbury
Review Posted Online: Oct. 26, 2024
Kirkus Reviews Issue: Dec. 1, 2024
A headbanging beginning to what could be a remarkable urban fantasy series—heavy metal playlist sadly not included.
After being murdered and inexplicably reborn, a heavy metal musician sets out on a journey of self-discovery with nothing short of the future of humankind at stake in the first installment of Sanderson and Orullian’s Strata Wars saga.
Jack Solomon is not having a good day. After moving to London from the mean streets of Los Angeles and starting a metal band called the Hounds of Winter, he’s been kicked out of the group just weeks before they’re scheduled to open for Black Sabbath at Wembley Stadium. While Jack is walking with his good friend Henry Wilkinson—a father figure of sorts who has mentored Jack over the years and owns the music venue the Iron Horse—they are both shot and (seemingly) killed. Then Jack regains consciousness and finds himself in a hellscape with a massive mountain of fire in the distance and countless human statues everywhere. After Henry appears in the vision, telling Jack, “You’ve got more to do,” Jack awakens in front of Henry’s flat, unharmed but covered in blood. With Henry’s body missing, Jack begins to understand his new reality: He’s a thanatist (don’t call him a necromancer) and Henry’s venue hides an entrance to the Strata—“several long periods of London history that have coalesced to form layers of the past.” The Strata are inhabited by gruesome creatures and millions of memories, and Jack discovers that someone wants to take over the Iron Horse, with its staircase to every level of the Strata, and begin a revolution where music (curated by a madman) can change the future of humanity. The many shoutouts to legendary bands notwithstanding, this novel is powered by two elements: the exceptional worldbuilding of the subterranean Strata, whose potential is virtually limitless; and Jack’s deeply personal healing journey, which includes forgiving others—like his mother, who abandoned him—and himself. Jack’s story arc is comparable to his adventures in the Strata: The deeper he descends into the Strata, the deeper he delves into himself.
A headbanging beginning to what could be a remarkable urban fantasy series—heavy metal playlist sadly not included.Pub Date: June 16, 2026
ISBN: 9781668068144
Page Count: 464
Publisher: Saga/Simon & Schuster
Review Posted Online: April 6, 2026
Kirkus Reviews Issue: May 1, 2026
BOOK REVIEW
BOOK REVIEW
PERSPECTIVES
PERSPECTIVES
Although the melodrama sometimes is a bit much, the superb worldbuilding and intricate plotline make this a must-read.
Using mystery and romance elements in a nonlinear narrative, SenLinYu’s debut is a doorstopper of a fantasy that follows a woman with missing memories as she navigates through a war-torn realm in search of herself.
Helena Marino is a talented young healer living in Paladia—the “Shining City”—who has been thrust into a brutal war against an all-powerful necromancer and his army of Undying, loyal henchmen with immortal bodies, and necrothralls, reanimated automatons. When Helena is awakened from stasis, a prisoner of the necromancer’s forces, she has no idea how long she has been incarcerated—or the status of the war. She soon finds herself a personal prisoner of Kaine Ferron, the High Necromancer’s “monster” psychopath who has sadistically killed hundreds for his master. Ordered to recover Helena’s buried memories by any means necessary, the two polar opposites—Helena and Kaine, healer and killer—end up discovering much more as they begin to understand each other through shared trauma. While necromancy is an oft-trod subject in fantasy novels, the author gives it a fresh feel—in large part because of their superb worldbuilding coupled with unforgettable imagery throughout: “[The necromancer] lay reclined upon a throne of bodies. Necrothralls, contorted and twisted together, their limbs transmuted and fused into a chair, moving in synchrony, rising and falling as they breathed in tandem, squeezing and releasing around him…[He] extended his decrepit right hand, overlarge with fingers jointed like spider legs.” Another noteworthy element is the complex dynamic between Helena and Kaine. To say that these two characters shared the gamut of intense emotions would be a vast understatement. Readers will come for the fantasy and stay for the romance.
Although the melodrama sometimes is a bit much, the superb worldbuilding and intricate plotline make this a must-read.Pub Date: Sept. 23, 2025
ISBN: 9780593972700
Page Count: 1040
Publisher: Del Rey
Review Posted Online: July 17, 2025
Kirkus Reviews Issue: Aug. 15, 2025
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