The first short story collection from the author of several iconic graphic novels and comic-book series.
When a comic-book writer switches to prose only, they might have trouble conjuring the fleshed-out descriptions usually provided by pictures. But Moore, creator of such legendary graphic works as Watchmen and V for Vendetta, has never had this problem. His works typically include several picture-light text extracts, and if Moore’s debut novel—the sprawling Jerusalem (2016)—is anything to go by, the difficulty is getting him to stop his flow of words. One might hope, then, that the restrictive length of a short story would provide some necessary structure. This collection definitely includes some tight, clever, and vivid entries, including “Not Even Legend,” about a cabal of mythological creatures prepared to go to any lengths to ensure that ordinary humans never get a hint of their existence; “Hypothetical Lizard,” which chronicles a brothel worker’s nasty revenge on his former lover; “Location, Location, Location,” concerning a real estate agent officially signing over a house to Jesus after the Rapture; and “And, at the Last, Just To Be Done With Silence,” a creepy tale of madness-inducing penance in the late 12th century. The title story, in which a man longs to recapture his youth, and “Cold Reading,” which features a successful fake medium who learns the perils of disbelief, have an entertaining if slightly derivative Twilight Zone vibe. But Moore goes off the rails with “What We Can Know About Thunderman,” the book's longest work, taking up fully half the pages. It’s a self-indulgently savage lampoon of the comic-book industry, wandering over several decades, taking the occasional clever potshot, very occasionally affirming the way that comic books and comic-book conventions can bring lonely nerds together, and frequently veering into the grotesque, petty, and bizarre. The story never has any clear destination other than to suggest that the industry is a cesspool that’s impossible to escape in any clean way. The well-informed reader will infer that Moore is still extremely angry at DC for a number of intellectual property issues, remains upset with the way Warner Brothers adapted his works for film, and isn’t exactly happy with Marvel, either.
A mixed bag with a misshapen boulder in it.Pub Date: Oct. 11, 2022
ISBN: 978-1-63557-880-5
Page Count: 464
Publisher: Bloomsbury
Review Posted Online: Aug. 17, 2022
Kirkus Reviews Issue: Sept. 1, 2022
Categories: FANTASY | SCIENCE FICTION | SHORT STORIES | GENERAL SCIENCE FICTION | GENERAL FANTASY | GENERAL SCIENCE FICTION & FANTASY
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SEEN & HEARD
Magic, dragons, and prophecy are welcome threads in a fantasy that extols the power of motherhood, friendship, and self-love to change the world.
This prequel to Shannon’s The Priory of the Orange Tree (2019) has a similar scope to that 800-page fantasy, but dragon lore is less important here than the stories of people and events that become catalysts for The Priory's tale. Each chapter is grounded by a cardinal direction, lest you lose your bearings, with the four corners of the world home to central characters whom readers will get to know intimately. In the West lives Glorian, heir to the queendom of Inys. Her rule is based on the sacred Berethnet bloodline, whose power originates from the knight Galian Berethnet's banishing of the Nameless One, a giant fire-breathing wyrm birthed from the world’s core. In the East, Dumai lives on a mountain peak and trains as a godsinger, someone who harbors a human connection to the dragons the East worship as gods. In the South, Tunuva is a warrior of the Priory, a sisterhood that worships the Mother who is seen as the true banisher of the Nameless One. Their beliefs are so different and their societies so distanced that they don't know of the others' existence. And yet, when the balance of nature starts to waver, bringing whispers of new fire-breathing threats like the Nameless One, these women find themselves united by a common cause to save their people and seek truth about the higher powers at war with one another. This story is epic in scope, but its density is the sort that pulls you in. The biggest pull comes from the humanity displayed by the central characters, whose hearts ache for their children and their futures in a world fraught with turmoil. The fire-breathers bring more than destruction in their wake; they also bring a plaguelike sickness that will elicit sharp parallels to the Covid-19 pandemic. The very real struggles these characters face, whether they ride dragons or bear the suffocating rules of monarchy, make this a consuming read. While some fantasy tropes feel like they've only been added to the story's surface, the pages keep turning because of the heart-wrenching reasons that characters are driven to action. The heroes shine in their uniqueness, with diverse family dynamics interwoven throughout and representation ranging from queer lords and warriors to genderfluid alchemists. This prequel stands on its own, but a word of warning to people who have read The Priory: You'll want to reread it in order to benefit from the deeper knowledge of what came before.
Prepare yourself for the long haul. This is expansive, emotionally complex, and bound to suck you in.Pub Date: Feb. 28, 2023
ISBN: 978-1-63557-792-1
Page Count: 880
Publisher: Bloomsbury
Review Posted Online: Jan. 12, 2023
Kirkus Reviews Issue: Feb. 1, 2023
Categories: FANTASY | EPIC FANTASY | GENERAL SCIENCE FICTION & FANTASY | GENERAL FANTASY
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A tale that’s at once familiar and full of odd and unexpected twists—vintage King, in other words.
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Narnia on the Penobscot: a grand, and naturally strange, entertainment from the ever prolific King.
What’s a person to do when sheltering from Covid? In King’s case, write something to entertain himself while reflecting on what was going on in the world outside—ravaged cities, contentious politics, uncertainty. King’s yarn begins in a world that’s recognizably ours, and with a familiar trope: A young woman, out to buy fried chicken, is mashed by a runaway plumber’s van, sending her husband into an alcoholic tailspin and her son into a preadolescent funk, driven “bugfuck” by a father who “was always trying to apologize.” The son makes good by rescuing an elderly neighbor who’s fallen off a ladder, though he protests that the man’s equally elderly German shepherd, Radar, was the true hero. Whatever the case, Mr. Bowditch has an improbable trove of gold in his Bates Motel of a home, and its origin seems to lie in a shed behind the house, one that Mr. Bowditch warns the boy away from: “ ‘Don’t go in there,’ he said. ‘You may in time, but for now don’t even think of it.’ ” It’s not Pennywise who awaits in the underworld behind the shed door, but there’s plenty that’s weird and unexpected, including a woman, Dora, whose “skin was slate gray and her face was cruelly deformed,” and a whole bunch of people—well, sort of people, anyway—who’d like nothing better than to bring their special brand of evil up to our world’s surface. King’s young protagonist, Charlie Reade, is resourceful beyond his years, but it helps that the old dog gains some of its youthful vigor in the depths below. King delivers a more or less traditional fable that includes a knowing nod: “I think I know what you want,” Charlie tells the reader, "and now you have it”—namely, a happy ending but with a suitably sardonic wink.
A tale that’s at once familiar and full of odd and unexpected twists—vintage King, in other words.Pub Date: Sept. 6, 2022
ISBN: 978-1-66800-217-9
Page Count: 608
Publisher: Scribner
Review Posted Online: June 22, 2022
Kirkus Reviews Issue: July 15, 2022
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