Overstatement detracts from this compassionate depiction of hard times.
In Ardglas, a small Irish town, women are struggling with their marriages and their choices in the mid-1990s.
Three wives in particular are the focus of Murrin’s debut, which looks empathetically on the women’s cramped lives and options. Izzy Keaveney has been fighting, off and on, with her husband, James, for more than 20 years and suffers periods of depression. Frustrated that James gave away the lease to her florist business and now refuses to buy it back, she’s recently found a more simpatico male presence in the form of parish priest Father Brian Dempsey. Dolores Mullen, mother of three and pregnant again, has long endured the cruelty and promiscuity of her husband, Donal, who constantly demeans and criticizes her. Poet Colette Crowley took the unusual step of leaving her husband, Shaun, and their three sons to have an affair in Dublin. But now she’s back, regretful, short of cash, and keen to make amends with the children. (The unavailability of divorce in Ireland during the main part of the book is intrinsic to the story.) The friendship that forms between Izzy and Colette also becomes a vehicle for Colette to spend time secretly with her youngest child, but when Shaun finds out, he strikes back. Meanwhile, Donal is sleeping with Colette, and James, threatened by the intimacy between Izzy and Brian, uses his heft as a politician to have the priest removed from the parish. The wives are the fuller characters in Murrin’s gloomy depiction of a stifling, gossipy, traditional community, whereas the men, Brian excepted, emerge badly and more thinly. Colette, falling apart, and Izzy, taking a stand, personify the extremes of their options, one ultimately tragic, the other more accommodating, in a downbeat story, closely observed but shaded with a heavy hand.
Overstatement detracts from this compassionate depiction of hard times.Pub Date: June 4, 2024
ISBN: 9780063336520
Page Count: 320
Publisher: HarperVia
Review Posted Online: April 19, 2024
Kirkus Reviews Issue: May 15, 2024
An affecting portrait of a prickly woman.
A lifetime’s worth of letters combine to portray a singular character.
Sybil Van Antwerp, a cantankerous but exceedingly well-mannered septuagenarian, is the titular correspondent in Evans’ debut novel. Sybil has retired from a beloved job as chief clerk to a judge with whom she had previously been in private legal practice. She is the divorced mother of two living adult children and one who died when he was 8. She is a reader of novels, a gardener, and a keen observer of human nature. But the most distinguishing thing about Sybil is her lifelong practice of letter writing. As advancing vision problems threaten Sybil’s carefully constructed way of life—in which letters take the place of personal contact and engagement—she must reckon with unaddressed issues from her past that threaten the house of cards (letters, really) she has built around herself. Sybil’s relationships are gradually revealed in the series of letters sent to and received from, among others, her brother, sister-in-law, children, former work associates, and, intriguingly, literary icons including Joan Didion and Larry McMurtry. Perhaps most affecting is the series of missives Sybil writes but never mails to a shadowy figure from her past. Thoughtful musings on the value and immortal quality of letters and the written word populate one of Sybil’s notes to a young correspondent while other messages are laugh-out-loud funny, tinged with her characteristic blunt tartness. Evans has created a brusque and quirky yet endearing main character with no shortage of opinions and advice for others but who fails to excavate the knotty difficulties of her own life. As Sybil grows into a delayed self-awareness, her letters serve as a chronicle of fitful growth.
An affecting portrait of a prickly woman.Pub Date: May 6, 2025
ISBN: 9780593798430
Page Count: 304
Publisher: Crown
Review Posted Online: Feb. 15, 2025
Kirkus Reviews Issue: March 15, 2025
Still, a respectful and absorbing page-turner.
Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.
In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.
Still, a respectful and absorbing page-turner.Pub Date: Feb. 3, 2015
ISBN: 978-0-312-57722-3
Page Count: 448
Publisher: St. Martin's
Review Posted Online: Nov. 19, 2014
Kirkus Reviews Issue: Dec. 1, 2014
BOOK TO SCREEN
SEEN & HEARD
BOOK TO SCREEN
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