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ONE WAY OUT

THE INSIDE HISTORY OF THE ALLMAN BROTHERS BAND

The author doesn’t pull punches, but all involved should find it fair as well as comprehensive.

Awards & Accolades

Our Verdict

  • Our Verdict
  • GET IT


  • Kirkus Reviews'
    Best Books Of 2014


  • New York Times Bestseller

“I have viewed everything with the eyes and ears of a journalist but the heart and soul of a fan,” writes Guitar World senior writer Paul (Big in China: My Unlikely Adventures Raising a Family, Playing the Blues, and Becoming a Star in Beijing, 2011), who spent decades and hundreds of interviews earning the trust of musicians who didn’t always trust each other.

“The Allman Brothers Band, I believe, has no equal.” One need not share the author’s belief in the band’s supremacy to find its story engrossing. The majority of the book takes the form of oral history, which on other projects might sometimes seem slapdash and lazy but here proves crucial, for there are so many different perspectives—on everything from the band’s name to leadership and songwriting credits—that having dozens of different voices serves readers well. Nobody disagrees on the overwhelming talent, inspiration and legacy of guitarist Duane Allman, who formed the band, saw it coalesce into something special, and died recklessly and young before the music reached its popular peak. Explains one fellow musician, “Duane died just on the downstroke of the diving board, as the band was about to launch.” The loss of Duane and founding bassist Berry Oakley a year later would have brought an end to a less determined band, but the ABB somehow flourished despite a leadership void and decades of tensions exacerbated by drugs and alcohol. Perhaps the most complex relationship was between Gregg Allman and Dickey Betts, as the former was never considered an equal partner with his brother, and the latter resented the implications of the band’s name as he attempted to fill the guitar void and rule more by dictatorship than the universal respect Duane commanded. In the wake of Betts’ departure and Gregg’s sobriety, the responsibility has largely shifted to a new generation of guitarists, as the band improbably boasts its strongest dynamic since its original leader’s death.

The author doesn’t pull punches, but all involved should find it fair as well as comprehensive.

Pub Date: Feb. 18, 2014

ISBN: 978-1-250-04049-7

Page Count: 416

Publisher: St. Martin's

Review Posted Online: Nov. 25, 2013

Kirkus Reviews Issue: Dec. 15, 2013

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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GENGHIS KHAN AND THE MAKING OF THE MODERN WORLD

A horde-pleaser, well-written and full of surprises.

“The Mongols swept across the globe as conquerors,” writes the appreciative pop anthropologist-historian Weatherford (The History of Money, 1997, etc.), “but also as civilization’s unrivaled cultural carriers.”

No business-secrets fluffery here, though Weatherford does credit Genghis Khan and company for seeking “not merely to conquer the world but to impose a global order based on free trade, a single international law, and a universal alphabet with which to write all the languages of the world.” Not that the world was necessarily appreciative: the Mongols were renowned for, well, intemperance in war and peace, even if Weatherford does go rather lightly on the atrocities-and-butchery front. Instead, he accentuates the positive changes the Mongols, led by a visionary Genghis Khan, brought to the vast territories they conquered, if ever so briefly: the use of carpets, noodles, tea, playing cards, lemons, carrots, fabrics, and even a few words, including the cheer hurray. (Oh, yes, and flame throwers, too.) Why, then, has history remembered Genghis and his comrades so ungenerously? Whereas Geoffrey Chaucer considered him “so excellent a lord in all things,” Genghis is a byword for all that is savage and terrible; the word “Mongol” figures, thanks to the pseudoscientific racism of the 19th century, as the root of “mongoloid,” a condition attributed to genetic throwbacks to seed sown by Mongol invaders during their decades of ravaging Europe. (Bad science, that, but Dr. Down’s son himself argued that imbeciles “derived from an earlier form of the Mongol stock and should be considered more ‘pre-human, rather than human.’ ”) Weatherford’s lively analysis restores the Mongols’ reputation, and it takes some wonderful learned detours—into, for instance, the history of the so-called Secret History of the Mongols, which the Nazis raced to translate in the hope that it would help them conquer Russia, as only the Mongols had succeeded in doing.

A horde-pleaser, well-written and full of surprises.

Pub Date: March 2, 2004

ISBN: 0-609-61062-7

Page Count: 320

Publisher: Crown

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Dec. 1, 2003

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