Gaius is in limbo after the Iroquas' near destruction of the Cahokian city, which promises more adventure in the Hesperian...
Smale debuts with an intriguingly original alternate history supposing that the Roman Empire never collapsed.
It’s A.D. 1218. Pax Romana extends from the Indus to Hispania. After Rome captures a Viking pirate ship packed with riches found across the great ocean, Imperator Hadrianus decides to send "scouting parties into New Hesperia." Praetor Gaius Marcellinus, a veteran warrior, leads the 33rd Legion from Mare Chesapica across Appalachia to the great river called Mizipi, "a grueling trek with hunger, discomfort, and danger." Smale’s thesis, grounded in solid research into Roman history and pre-Columbian native societies, has a believable foundation, at least until he sails toward the fantastical. The Iroqua—"a confederation of five tribes: Seneca, Caiuga, Onondaga, Onida, and Mohawk"—and their enemies, the Cahokian Mizipi mound-builders, have aircraft. Think modern hang gliders made of deer hide from which warriors rain liquid fire. The Romans are bombed from the air by guerrilla Iroqua in Appalachia, and then the legion’s wiped out in a set piece air/land battle with the Cahokians. That tribe’s Catanwakuwa clan flies 12-man Thunderbirds and single-pilot Hawks. The legion’s sole survivor, Gaius, is captured, with Smale craftily outlining how Cahokian curiosity allows him to integrate the Latin language and Roman technology into Cahokian life. The author’s best work comes with descriptions and characters, both in legion life, "a bit of muscle and the willingness to shed blood were crucial in keeping an Imperium strong," and Cahokian society, "the calmest and most pragmatic people he had ever lived among." Romance looms as Gaius becomes smitten with "the most magnificent woman he’d ever known," Sintikala, all "liquid flame, a razor sharp ax, a Coliseum lioness."
Gaius is in limbo after the Iroquas' near destruction of the Cahokian city, which promises more adventure in the Hesperian Trilogy’s next volume.Pub Date: March 17, 2015
ISBN: 978-0-8041-7722-1
Page Count: 416
Publisher: Del Rey/Ballantine
Review Posted Online: Jan. 7, 2015
Kirkus Reviews Issue: Jan. 15, 2015
BOOK REVIEW
BOOK REVIEW
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
A strict report, worthy of sympathy.
A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.
"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….
A strict report, worthy of sympathy.Pub Date: June 15, 1951
ISBN: 0316769177
Page Count: -
Publisher: Little, Brown
Review Posted Online: Nov. 2, 2011
Kirkus Reviews Issue: June 15, 1951
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
APPRECIATIONS
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