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MR. BLEWITT’S NOSE

When helpful young Primrose Pumpkin finds a human nose on a park bench—“something you rarely see on an average street in a normal town on a humdrum sort of day. At least, not on its own”—she naturally sets out to find its careless owner. Her quest is complicated by the fact that her dog Dirk stinks—and, in the bright, daubed acrylic illustrations, often looks—like a fresh pile of dung, because everyone the pair meets immediately staggers away. Ultimately, though, it’s Dirk who facilitates the reunion of nose and noggin, by clearing a stadium full of spectators, except for the olfactory-oblivious Blewitt. Though the vagrant schnoz recalls such tales as Saxton Freymann’s Dr. Pompo’s Nose (2000) and the Gennady Spirin–illustrated version of Gogol’s absurdist The Nose (1993), this is more likely to draw its most appreciative audience from the clouds of fanning fans surrounding Lisa Kopelke’s Excuse Me! (2003) or William Kotzwinkle’s and Glenn Murray’s Walter the Farting Dog (2001). (Picture book. 6-8)

Pub Date: May 30, 2005

ISBN: 0-618-42353-2

Page Count: 32

Publisher: Houghton Mifflin

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: May 1, 2005

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BERRY MAGIC

Sloat collaborates with Huffman, a Yu’pik storyteller, to infuse a traditional “origins” tale with the joy of creating. Hearing the old women of her village grumble that they have only tasteless crowberries for the fall feast’s akutaq—described as “Eskimo ice cream,” though the recipe at the end includes mixing in shredded fish and lard—young Anana carefully fashions three dolls, then sings and dances them to life. Away they bound, to cover the hills with cranberries, blueberries, and salmonberries. Sloat dresses her smiling figures in mixes of furs and brightly patterned garb, and sends them tumbling exuberantly through grassy tundra scenes as wildlife large and small gathers to look on. Despite obtrusively inserted pronunciations for Yu’pik words in the text, young readers will be captivated by the action, and by Anana’s infectious delight. (Picture book/folktale. 6-8)

Pub Date: June 1, 2004

ISBN: 0-88240-575-6

Page Count: 32

Publisher: N/A

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: May 1, 2004

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RAPUNZEL

Rapunzel, Rapunzel, let down your dreads! Isadora once again plies her hand using colorful, textured collages to depict her fourth fairy tale relocated to Africa. The narrative follows the basic story line: Taken by an evil sorceress at birth, Rapunzel is imprisoned in a tower; Rapunzel and the prince “get married” in the tower and she gets pregnant. The sorceress cuts off Rapunzel’s hair and tricks the prince, who throws himself from the tower and is blinded by thorns. The terse ending states: “The prince led Rapunzel and their twins to his kingdom, where they were received with great joy and lived happily every after.” Facial features, clothing, dreadlocks, vultures and the prince riding a zebra convey a generic African setting, but at times, the mixture of patterns and textures obfuscates the scenes. The textile and grain characteristic of the hewn art lacks the elegant romance of Zelinksy’s Caldecott version. Not a first purchase, but useful in comparing renditions to incorporate a multicultural aspect. (Picture book/fairy tale. 6-8)

Pub Date: Oct. 1, 2008

ISBN: 978-0-399-24772-9

Page Count: 32

Publisher: Putnam

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: Sept. 1, 2008

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