Albert Camus, esteemed author of The Plague, The Stranger, and other works outstanding in the contemporary literary scene, clarifies and expands his philosophy in an essay which is at least as literary as it is philosophical. Camus attempts to understand this era through exploring the act of rebellion, and draws from his outlay of historical landmarks a provisional hypothesis which he feels accounts partly for the direction and almost wholly for the frenzy of our time. The history of metaphysical and political revolt, the one a rebellion against creation and the human condition and for order, the other of the slave against the master, merge in our time in the nihilistic Russian revolution and Hitler regime. M. Camus reviews the histories of these movements with a brilliant and fertile interpretation of the concepts of the Marquis de Sade, Baudelaire and the Dandys, Dostolevsky, Nietzsche, Hegel, Marx, and others. He conceives of revolt as an essentially positive act, at once against and for something. Through it man is preparing a renaissance beyond the limits of nihilism. Man's hope lies in the rebel who revolts in the name of moderation and life, who joins through his act in the common fate, who tempers his revolt with a restraint that leads away from the vicious circling to successive dictatorships. This exploration into nihilism and rebellion in which Camus spins the globe of ideas to point out new and stimulating areas of thought will be appreciated by the literary and intellectual as an expression of contemporary thought in the world of letters on the world at large.
Pub Date: June 15, 1954
ISBN: 0679733841
Page Count: 324
Publisher: Knopf
Review Posted Online: Sept. 19, 2011
Kirkus Reviews Issue: June 15, 1954
If the authors are serious, this is a silly, distasteful book. If they are not, it’s a brilliant satire.
The authors have created a sort of anti-Book of Virtues in this encyclopedic compendium of the ways and means of power.
Everyone wants power and everyone is in a constant duplicitous game to gain more power at the expense of others, according to Greene, a screenwriter and former editor at Esquire (Elffers, a book packager, designed the volume, with its attractive marginalia). We live today as courtiers once did in royal courts: we must appear civil while attempting to crush all those around us. This power game can be played well or poorly, and in these 48 laws culled from the history and wisdom of the world’s greatest power players are the rules that must be followed to win. These laws boil down to being as ruthless, selfish, manipulative, and deceitful as possible. Each law, however, gets its own chapter: “Conceal Your Intentions,” “Always Say Less Than Necessary,” “Pose as a Friend, Work as a Spy,” and so on. Each chapter is conveniently broken down into sections on what happened to those who transgressed or observed the particular law, the key elements in this law, and ways to defensively reverse this law when it’s used against you. Quotations in the margins amplify the lesson being taught. While compelling in the way an auto accident might be, the book is simply nonsense. Rules often contradict each other. We are told, for instance, to “be conspicuous at all cost,” then told to “behave like others.” More seriously, Greene never really defines “power,” and he merely asserts, rather than offers evidence for, the Hobbesian world of all against all in which he insists we live. The world may be like this at times, but often it isn’t. To ask why this is so would be a far more useful project.
If the authors are serious, this is a silly, distasteful book. If they are not, it’s a brilliant satire.Pub Date: Sept. 1, 1998
ISBN: 0-670-88146-5
Page Count: 430
Publisher: Viking
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 15, 1998
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This a book of earlier, philosophical essays concerned with the essential "absurdity" of life and the concept that- to overcome the strong tendency to suicide in every thoughtful man-one must accept life on its own terms with its values of revolt, liberty and passion. A dreary thesis- derived from and distorting the beliefs of the founders of existentialism, Jaspers, Heldegger and Kierkegaard, etc., the point of view seems peculiarly outmoded. It is based on the experience of war and the resistance, liberally laced with Andre Gide's excessive intellectualism. The younger existentialists such as Sartre and Camus, with their gift for the terse novel or intense drama, seem to have omitted from their philosophy all the deep religiosity which permeates the work of the great existentialist thinkers. This contributes to a basic lack of vitality in themselves, in these essays, and ten years after the war Camus seems unaware that the life force has healed old wounds... Largely for avant garde aesthetes and his special coterie.
Pub Date: Sept. 26, 1955
ISBN: 0679733736
Page Count: 228
Publisher: Knopf
Review Posted Online: Sept. 19, 2011
Kirkus Reviews Issue: Sept. 1, 1955
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