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FOR THE SINS OF MY FATHER

A MAFIA KILLER, HIS SON, AND THE LEGACY OF A MOB LIFE

Heartfelt and capably written, but a distinctly minor contribution to mob lit.

Or, Papa was an Al Capone.

Roy DeMeo was not a nice man. A loan shark and auto thief, he graduated to contract murder in the 1970s, becoming a capo of the Gambino family and racking up a toll of more than 200 victims. Yet, in the eyes of his young son Albert, “No one could have asked for a better father than mine. . . . He could pick me up and throw me around as effortlessly as a cotton ball, and he often did. . . . I wasn’t exactly sure what my father did for a living, and I didn’t care. I just liked being with him.” Gradually, he acquired more than a few inklings of what his father did in fact do for a living: the expensive gifts and $100 bills at his first communion and the looks of fear on neighbors’ faces eventually tipped Albert off, and adolescence brought more than the usual amount of rejection of the previous generation’s mores. After his father died—“shot seven times in the face and hands,” a helpful policemen tells Albert’s mother—and his old crew moved in to divide the spoils, Albert began to look more closely into his father’s life, seeking some explanation for who murdered him and why. Pressured by federal agents to cooperate in their investigation and turn informant, hounded by mobsters fearful that he would do just that, 18-year-old Albert developed bleeding ulcers and a profound dislike for the Mafia. Some of what he reveals in this so-so memoir will be of interest to students of organized crime, but there are many better insider accounts available; and while writing it must have been a cathartic experience, the reader will not forgive such mawkish moments as when Albert puts on a pair of his father’s old shoes and concludes, “I had my own shoes to wear, my own journeys to take.”

Heartfelt and capably written, but a distinctly minor contribution to mob lit.

Pub Date: Aug. 20, 2002

ISBN: 0-7679-0679-9

Page Count: 288

Publisher: Broadway

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: July 1, 2002

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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