written and illustrated by Alberto Ledesma ‧ RELEASE DATE: Sept. 22, 2017
Affecting, highly charged, and deserving of broad attention.
Mexican-American scholar/writer/artist Ledesma (Graduate Diversity Director/Univ. of California) recounts his own experience of “the immigrant experience,” with its tiers of risk and layers of aspiration.
Drawing on a mix of prose, sketches, and other drawings that commemorates his emergence as a “critical cartoonist” to match his work in literary critical theory, the author describes his long years “underground” as the undocumented child of undocumented immigrants from Mexico, a “dreamer” who wanted nothing more than to go to college and have a chance at success. “Being undocumented,” he writes, “as I’m sure you can imagine, meant that we always lived with the fear of being caught, that any misstep we took could endanger the entire family.” This fear is why undocumented immigrants tend to be very law-abiding, and when they’re caught, they have developed skillful strategies, sometimes keeping silence, sometimes talking a strange patter of doublespeak. None of that helps in the end; Ledesma writes of his own father saying that no matter how well he spoke English, he still was a target: “la migra will still get you.” A good chunk of Ledesma’s text is given over to an ABC of immigrant life—for example, “R is for the resilience of undocumented immigrant mothers”; “B is for the back pay that was withheld from your father’s paycheck those few years when he worked as a bracero”; “M is for machine, the inevitable result of an immigrant worker’s metamorphosis from human being to mechanical instrument.” Ledesma and his family have been legal residents of the United States since the 1980s, but the old fears remain, he writes, especially given the anti-immigrant sentiment of the new administration. As he writes in closing, “President Trump? Even thinking about the phrase feels as if I am uttering an uncouth incantation. He has stood in front of Weimar multitudes, ratcheting up jack-booted antagonisms targeted towards my people.”
Affecting, highly charged, and deserving of broad attention.Pub Date: Sept. 22, 2017
ISBN: 978-0-8142-5440-0
Page Count: 120
Publisher: Mad Creek/Ohio State Univ. Press
Review Posted Online: July 2, 2017
Kirkus Reviews Issue: July 15, 2017
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by Ta-Nehisi Coates ‧ RELEASE DATE: July 8, 2015
This moving, potent testament might have been titled “Black Lives Matter.” Or: “An American Tragedy.”
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The powerful story of a father’s past and a son’s future.
Atlantic senior writer Coates (The Beautiful Struggle: A Father, Two Sons, and an Unlikely Road to Manhood, 2008) offers this eloquent memoir as a letter to his teenage son, bearing witness to his own experiences and conveying passionate hopes for his son’s life. “I am wounded,” he writes. “I am marked by old codes, which shielded me in one world and then chained me in the next.” Coates grew up in the tough neighborhood of West Baltimore, beaten into obedience by his father. “I was a capable boy, intelligent and well-liked,” he remembers, “but powerfully afraid.” His life changed dramatically at Howard University, where his father taught and from which several siblings graduated. Howard, he writes, “had always been one of the most critical gathering posts for black people.” He calls it The Mecca, and its faculty and his fellow students expanded his horizons, helping him to understand “that the black world was its own thing, more than a photo-negative of the people who believe they are white.” Coates refers repeatedly to whites’ insistence on their exclusive racial identity; he realizes now “that nothing so essentialist as race” divides people, but rather “the actual injury done by people intent on naming us, intent on believing that what they have named matters more than anything we could ever actually do.” After he married, the author’s world widened again in New York, and later in Paris, where he finally felt extricated from white America’s exploitative, consumerist dreams. He came to understand that “race” does not fully explain “the breach between the world and me,” yet race exerts a crucial force, and young blacks like his son are vulnerable and endangered by “majoritarian bandits.” Coates desperately wants his son to be able to live “apart from fear—even apart from me.”
This moving, potent testament might have been titled “Black Lives Matter.” Or: “An American Tragedy.”Pub Date: July 8, 2015
ISBN: 978-0-8129-9354-7
Page Count: 176
Publisher: Spiegel & Grau
Review Posted Online: May 5, 2015
Kirkus Reviews Issue: July 1, 2015
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by Elie Wiesel & translated by Marion Wiesel ‧ RELEASE DATE: Jan. 16, 2006
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
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