Quirky, often relatable workplace riffing, although its grievances aren’t always persuasive.
In this debut memoir, a Trinidad-born engineer/programmer shares stories of discrimination and absurdity during his U.S. career.
“Whatever happened to standard operating procedures for hiring?” Aaron says several times in this memoir, a collection of anecdotes about his perplexing experiences in corporate America. A native of Trinidad, he earned an MBA and a Master of Science in Engineering in industrial and operations engineering, both from the University of Michigan, in the late 1970s. Although he was clearly as accomplished as other job candidates, he says that he often encountered outright racism; one interviewer turned red in his presence because, Aaron says, he was “not used to outstanding black students, especially one from a poor-ass third-world country.” Recruiters and managers weirdly focused on his Caribbean education credentials rather than on “what I did at Michigan and afterwards.” He also relates an array of other head-scratching incidents, including taking a test for a job and getting a rejection letter nearly instantaneously. Aaron paraphrases pop-music lyrics throughout his narrative, including a chapter titled “What Does My High School Name Got To Do, Got to Do With It,” a reference to the persistent puzzlement about his Caribbean high school being called a “College.” He also uses many abbreviations and acronyms to make fun of and/or mask managers’ and companies’ names (such as a hiring manager he calls “JW—Just Wrong”). The book concludes with facsimile pages of his transcripts and diplomas. Aaron’s feelings of anger, confusion, and bemusement about his treatment in the workplace will certainly resonate with many readers. He thankfully keeps his tales on the short side, providing about 60 quick stories that offer an engaging scope of experiences. Their tone ranges from Office Space–type ridiculous to truly disheartening. However, some of Aaron’s complaints seem one-sided and incomplete; it seems quite understandable, for example, that employers would be hesitant to hire him before he had his green card.
Quirky, often relatable workplace riffing, although its grievances aren’t always persuasive.Pub Date: Sept. 16, 2014
ISBN: 978-1-4809-1053-9
Page Count: 218
Publisher: Dorrance Publishing Co.
Review Posted Online: June 27, 2016
Review Program: Kirkus Indie
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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