An astute and gripping sci-fi-tinged mystery.
After a terrible accident, a British soldier grapples with the severity of his injuries in this debut novel.
Royal Air Force pilot Dan Stewart is sent into a coma following a horrific plane crash. When he awakens, his body is morbidly charred, and he has no memory of the accident. He’s told by his wife that he’s been unconscious for about six months, but he becomes suspicious when he realizes some of his injuries are relatively recent, and that others were simply impossible to survive. Furthermore, he’s now having vivid hallucinations and painful bouts of paranoia. He begins to suspect that the hospital ward that houses him is actually designed for the treatment of a profound neurological disorder, and he even begins to wonder if he was in a plane crash at all. He’s certain that his doctors are lying to him and to his family—but what kind of condition requires such mendacity? Dr. Adams, Dan’s supervising physician, admits that his treatment methods are unconventional; he also notes that at some point, Dan stopped taking a red pill that was designed to cure him. It’s up to Dan to investigate what that red pill did, and why he chose to discontinue taking it. Author Birri shows how Dan’s mind becomes fractured as the line between reality and fantasy blurs: “I mean, I could understand if it took another thirty-six years to destroy what’s taken thirty-six years to create, but how does just one moment of madness end everything?” This is the first installment in a planned trilogy by the author, who served in the United Kingdom’s Armed Forces for more than a quarter-century. He slowly, tantalizingly divulges each detail of the plot, pulling readers in while always leaving them hungry for more. Part of the story is a thought-provoking medical thriller—a style that’s particularly emphasized in the second half of the book—which explores the pharmaceutical possibilities for improving mankind. This is a well-explored theme in fiction, but Birri tackles it intelligently and artfully.
An astute and gripping sci-fi-tinged mystery.Pub Date: Jan. 4, 2017
ISBN: 978-1-78589-968-3
Page Count: 288
Publisher: Troubador Publishing Ltd.
Review Posted Online: March 9, 2017
Review Program: Kirkus Indie
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.
Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).
A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.Pub Date: June 16, 2020
ISBN: 978-1-9848-2678-7
Page Count: 304
Publisher: Del Rey/Ballantine
Review Posted Online: Feb. 9, 2020
Kirkus Reviews Issue: March 1, 2020
BOOK REVIEW
BOOK TO SCREEN
Suspenseful, full of incident, and not obviously necessary.
Atwood goes back to Gilead.
The Handmaid’s Tale (1985), consistently regarded as a masterpiece of 20th-century literature, has gained new attention in recent years with the success of the Hulu series as well as fresh appreciation from readers who feel like this story has new relevance in America’s current political climate. Atwood herself has spoken about how news headlines have made her dystopian fiction seem eerily plausible, and it’s not difficult to imagine her wanting to revisit Gilead as the TV show has sped past where her narrative ended. Like the novel that preceded it, this sequel is presented as found documents—first-person accounts of life inside a misogynistic theocracy from three informants. There is Agnes Jemima, a girl who rejects the marriage her family arranges for her but still has faith in God and Gilead. There’s Daisy, who learns on her 16th birthday that her whole life has been a lie. And there's Aunt Lydia, the woman responsible for turning women into Handmaids. This approach gives readers insight into different aspects of life inside and outside Gilead, but it also leads to a book that sometimes feels overstuffed. The Handmaid’s Tale combined exquisite lyricism with a powerful sense of urgency, as if a thoughtful, perceptive woman was racing against time to give witness to her experience. That narrator hinted at more than she said; Atwood seemed to trust readers to fill in the gaps. This dynamic created an atmosphere of intimacy. However curious we might be about Gilead and the resistance operating outside that country, what we learn here is that what Atwood left unsaid in the first novel generated more horror and outrage than explicit detail can. And the more we get to know Agnes, Daisy, and Aunt Lydia, the less convincing they become. It’s hard, of course, to compete with a beloved classic, so maybe the best way to read this new book is to forget about The Handmaid’s Tale and enjoy it as an artful feminist thriller.
Suspenseful, full of incident, and not obviously necessary.Pub Date: Sept. 10, 2019
ISBN: 978-0-385-54378-1
Page Count: 432
Publisher: Nan A. Talese
Review Posted Online: Sept. 3, 2019
Kirkus Reviews Issue: Sept. 15, 2019
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
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