A potent, vigorous coming-of-age tale featuring themes of identity, sexual liberation, and introspection.
A Canadian man wrestles with his family heritage and his adult life as a gay man in this debut novel.
Ned Baldwin, the lead character in Scott’s dynamic story, has graduated from Trinity, the Canadian college where he’s spent the last half-decade unraveling the mysteries of English literature, his future, and varying aspects of himself. With his college years behind him, Ned swiftly moves to London to get out from under his family’s thumb. It’s the mid-1980s, and he knows there’s work to do on himself, particularly accepting his sexuality in positive terms since he has self-loathingly admitted: “I wake up and it’s the first thing I think of, the last thing before I go to bed, that I’m this…faggot. That I’ll always be this faggot.” At a post-graduation “last supper,” he comes out to his best friend, Daniel. The scene is stiff and subdued, but nothing compares to Ned’s ordeal of revealing his sexuality to his upper-crust parents right after a car accident. Though London is enticing to Ned, it also harbors the potential to be lonely. Luckily, his bohemian aunt Cordelia is nearby, as is a wide rainbow of gay nightclubs and drag shows Ned ventures into. As he spreads his wings in the urban playground, he starts to fully acknowledge his gay feelings and separate himself from his privileged youth growing up in the stiflingly conservative and religiously pious confines of a wealthy family. He instantly embraces the city’s eccentric artist culture, an environment affording him numerous opportunities for diverse friendships and, as with the seductive Italian Luca, a first chance at sex and love. But Ned’s new life isn’t without darkness; a suicide attempt and the specter of AIDS hang over his yearlong exploration of London.
Scott is a clever writer, luxuriating in the meticulous details of his characters and elaborating on the wisps of gossip overheard at dinner parties. While maintaining the book’s brisk pacing and solid focus on its compelling protagonist, the author allows Ned to share the narrative stage with other characters who will draw readers in with their great impact on the hero’s life and future. Ned’s mother, Helena, is portrayed as a confidante who loves her son but remains at odds with his life choices, and his father, Oliver, just wants better things for him, the kind not found in the gay community in London. Ned is also haunted by the voice of an internal saboteur who “sometimes adopted his mother’s arguments, but gave them its own nasty twist.” Fond references to the works of Evelyn Waugh, Oscar Wilde, and others lend the narrative an acute sense of literary sophistication. Ultimately, Scott’s novel paints a vivid portrait of a man riding the first big wave of self-awareness based not on the legends of those tortured souls of the past but on the thrilling potential of what lies ahead. Readers of any sexual orientation will find Ned’s voyage of discovery a vibrant reminder of life’s multicolored bounty.
A potent, vigorous coming-of-age tale featuring themes of identity, sexual liberation, and introspection.Pub Date: July 1, 2022
ISBN: 978-1-77751-399-3
Page Count: 259
Publisher: AOS Publishing
Review Posted Online: April 20, 2022
Kirkus Reviews Issue: June 15, 2022
Review Program: Kirkus Indie
An affecting portrait of a prickly woman.
A lifetime’s worth of letters combine to portray a singular character.
Sybil Van Antwerp, a cantankerous but exceedingly well-mannered septuagenarian, is the titular correspondent in Evans’ debut novel. Sybil has retired from a beloved job as chief clerk to a judge with whom she had previously been in private legal practice. She is the divorced mother of two living adult children and one who died when he was 8. She is a reader of novels, a gardener, and a keen observer of human nature. But the most distinguishing thing about Sybil is her lifelong practice of letter writing. As advancing vision problems threaten Sybil’s carefully constructed way of life—in which letters take the place of personal contact and engagement—she must reckon with unaddressed issues from her past that threaten the house of cards (letters, really) she has built around herself. Sybil’s relationships are gradually revealed in the series of letters sent to and received from, among others, her brother, sister-in-law, children, former work associates, and, intriguingly, literary icons including Joan Didion and Larry McMurtry. Perhaps most affecting is the series of missives Sybil writes but never mails to a shadowy figure from her past. Thoughtful musings on the value and immortal quality of letters and the written word populate one of Sybil’s notes to a young correspondent while other messages are laugh-out-loud funny, tinged with her characteristic blunt tartness. Evans has created a brusque and quirky yet endearing main character with no shortage of opinions and advice for others but who fails to excavate the knotty difficulties of her own life. As Sybil grows into a delayed self-awareness, her letters serve as a chronicle of fitful growth.
An affecting portrait of a prickly woman.Pub Date: May 6, 2025
ISBN: 9780593798430
Page Count: 304
Publisher: Crown
Review Posted Online: Feb. 15, 2025
Kirkus Reviews Issue: March 15, 2025
Fans of Stockett’s bestselling debut will love this engaging follow-up.
Stockett heads to Mississippi for another historical novel about feisty women.
This time, perhaps recalling criticisms of cultural appropriation in The Help (2009), she sticks to feisty white women, with one exception. The setting is Oxford in 1933. For two miserable years, 11-year-old Meg has lived in “the Orphan,” a county asylum for parentless girls. Chairlady Garnett—a villain so one-note she’d twirl a mustache if she had one—makes it her mission to ostracize the older girls she deems unadoptable, stigmatizing them as offspring of the “feebleminded” mothers who abandoned them. She particularly has it in for smart, sassy Meg, who refuses to believe her mother’s mysterious disappearance was deliberate. Elsewhere in Oxford, Birdie Calhoun comes to visit her sister Frances, who married a wealthy banker, to ask for money on behalf of their mother and grandmother back in Footely. Frances isn’t thrilled by this reminder of her impoverished small-town origins. But she’s trying to climb up in Oxford society by volunteering at the Orphan, the asylum’s books need to be done before the state inspector shows up in a few weeks, and Birdie is a bookkeeper. Having neatly arranged to keep Birdie in town and draw these two storylines together, Stockett goes on to spin a compulsively readable yarn with enough plot for a half-dozen novels. Birdie and Meg become friends, Meg is adopted despite Garnett’s best efforts, Meg’s mother turns up at the Orphan demanding to know where her child is—and that’s less than a quarter of the way through a long, winding narrative that keeps piling on more dramatic developments until all loose ends are neatly, if hastily, wrapped up in the final pages. Stockett might be making a point about Southern women facing facts and standing up for themselves, but mostly this is just a satisfyingly twisty tale that should make a great miniseries.
Fans of Stockett’s bestselling debut will love this engaging follow-up.Pub Date: May 5, 2026
ISBN: 9781954118812
Page Count: 656
Publisher: Spiegel & Grau
Review Posted Online: Feb. 2, 2026
Kirkus Reviews Issue: March 1, 2026
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