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AN AMERICAN SUMMER

LOVE AND DEATH IN CHICAGO

A fiercely uncompromising—and unforgettable—portrait.

A chronicle of dreams and gun violence one summer in the city of Chicago.

In 1991, Kotlowitz (Journalism/Northwestern Univ.; Never a City So Real: A Walk in Chicago, 2004, etc.) published the modern classic There Are No Children Here (1991), which told the story of brothers Lafeyette and Pharoah and their experiences in one of Chicago’s violent housing projects. Years later, the author received a call in the middle of the night and learned that Pharoah may have been involved in a murder. In his latest powerful sociological exploration, the author masterfully captures the summer of 2013 in neglected Chicago neighborhoods, rendering intimate profiles of residents and the “very public” violence they face every day. One example is Eddie Bocanegra, who killed a rival gang member as a teenager. “Eddie did the unimaginable,” writes Kotlowitz. “He took another human life. I suppose for some that might be all you need to know. For others, it may be all you want to know about him. And that’s what Eddie fears the most, that this moment is him. That there’s no other way to view him.” We also meet Anita Stewart, a dedicated social worker who watched one of her favorite students get murdered and another struggle with the aftermath. Heartbreakingly, the author writes early on, “I could tell story after story like this, of mothers who drift on a sea of heartache, without oars and without destination.” Throughout, Kotlowitz raises significant issues about the regions where violence has become far too routine. “After the massacre at Newtown and then at Parkland we asked all the right questions,” he writes. However, “in Chicago neighborhoods like Englewood or North Lawndale, where in one year they lose twice the number of people killed in Newtown, no one’s asking those questions.” Kotlowitz offers a narrative that is as messy and complicated and heart-wrenching as life itself: “This is a book, I suppose, about that silence—and the screams and howling and prayers and longing that it hides.”

A fiercely uncompromising—and unforgettable—portrait.

Pub Date: March 5, 2019

ISBN: 978-0-385-53880-0

Page Count: 304

Publisher: Nan A. Talese

Review Posted Online: Dec. 2, 2018

Kirkus Reviews Issue: Jan. 1, 2019

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THE LAST OF THE PRESIDENT'S MEN

Less a sequel than an addendum, the book offers a close-up view of the Oval Office in its darkest hour.

Four decades after Watergate shook America, journalist Woodward (The Price of Politics, 2012, etc.) returns to the scandal to profile Alexander Butterfield, the Richard Nixon aide who revealed the existence of the Oval Office tapes and effectively toppled the presidency.

Of all the candidates to work in the White House, Butterfield was a bizarre choice. He was an Air Force colonel and wanted to serve in Vietnam. By happenstance, his colleague H.R. Haldeman helped Butterfield land a job in the Nixon administration. For three years, Butterfield worked closely with the president, taking on high-level tasks and even supervising the installation of Nixon’s infamous recording system. The writing here is pure Woodward: a visual, dialogue-heavy, blow-by-blow account of Butterfield’s tenure. The author uses his long interviews with Butterfield to re-create detailed scenes, which reveal the petty power plays of America’s most powerful men. Yet the book is a surprisingly funny read. Butterfield is passive, sensitive, and dutiful, the very opposite of Nixon, who lets loose a constant stream of curses, insults, and nonsensical bluster. Years later, Butterfield seems conflicted about his role in such an eccentric presidency. “I’m not trying to be a Boy Scout and tell you I did it because it was the right thing to do,” Butterfield concedes. It is curious to see Woodward revisit an affair that now feels distantly historical, but the author does his best to make the story feel urgent and suspenseful. When Butterfield admitted to the Senate Select Committee that he knew about the listening devices, he felt its significance. “It seemed to Butterfield there was absolute silence and no one moved,” writes Woodward. “They were still and quiet as if they were witnessing a hinge of history slowly swinging open….It was as if a bare 10,000 volt cable was running through the room, and suddenly everyone touched it at once.”

Less a sequel than an addendum, the book offers a close-up view of the Oval Office in its darkest hour.

Pub Date: Oct. 13, 2015

ISBN: 978-1-5011-1644-5

Page Count: 304

Publisher: Simon & Schuster

Review Posted Online: Oct. 20, 2015

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21 LESSONS FOR THE 21ST CENTURY

Harari delivers yet another tour de force.

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  • Kirkus Reviews'
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  • New York Times Bestseller

A highly instructive exploration of “current affairs and…the immediate future of human societies.”

Having produced an international bestseller about human origins (Sapiens, 2015, etc.) and avoided the sophomore jinx writing about our destiny (Homo Deus, 2017), Harari (History/Hebrew Univ. of Jerusalem) proves that he has not lost his touch, casting a brilliantly insightful eye on today’s myriad crises, from Trump to terrorism, Brexit to big data. As the author emphasizes, “humans think in stories rather than in facts, numbers, or equations, and the simpler the story, the better. Every person, group, and nation has its own tales and myths.” Three grand stories once predicted the future. World War II eliminated the fascist story but stimulated communism for a few decades until its collapse. The liberal story—think democracy, free markets, and globalism—reigned supreme for a decade until the 20th-century nasties—dictators, populists, and nationalists—came back in style. They promote jingoism over international cooperation, vilify the opposition, demonize immigrants and rival nations, and then win elections. “A bit like the Soviet elites in the 1980s,” writes Harari, “liberals don’t understand how history deviates from its preordained course, and they lack an alternative prism through which to interpret reality.” The author certainly understands, and in 21 painfully astute essays, he delivers his take on where our increasingly “post-truth” world is headed. Human ingenuity, which enables us to control the outside world, may soon re-engineer our insides, extend life, and guide our thoughts. Science-fiction movies get the future wrong, if only because they have happy endings. Most readers will find Harari’s narrative deliciously reasonable, including his explanation of the stories (not actually true but rational) of those who elect dictators, populists, and nationalists. His remedies for wildly disruptive technology (biotech, infotech) and its consequences (climate change, mass unemployment) ring true, provided nations act with more good sense than they have shown throughout history.

Harari delivers yet another tour de force.

Pub Date: Sept. 4, 2018

ISBN: 978-0-525-51217-2

Page Count: 400

Publisher: Spiegel & Grau

Review Posted Online: June 26, 2018

Kirkus Reviews Issue: July 15, 2018

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