by Alex Pavesi ‧ RELEASE DATE: Aug. 4, 2020
A satisfying mystery for the casual reader, even more so for the careful one.
Mathematician and first-time novelist Pavesi creates a metamystery that could as easily go in a bookstore’s puzzle section as on the crime shelves.
In 1930s Spain, Megan, Henry, and Bunny are alone in a house when Bunny is found stabbed to death. There must be an intruder, but there can’t be. Windows and doors are sealed, so it’s a locked-room mystery. Megan and Henry accuse each other, and of course they both know the truth—but does the reader? It’s the first in a collection of seven stories titled The White Murders written by mathematician-turned-novelist Grant McAllister, who lives in seclusion on a Mediterranean island. In the 1970s, book editor Julia Hart travels to the island to visit McAllister and talk about his book, which everyone knows editors do for obscure authors. McAllister had earlier written a research paper, “The Permutations of Detective Fiction,” on the mathematical structure of murder mysteries and the specific criteria that must be met. That sounds like as much fun as analyzing a joke, but his requirements make perfect sense: a victim, at least two suspects, a killer, and a detective. And there are combinations, such as the detective being the killer or multiple guilty parties or even—wait for it—the victim solving his own murder. In one story, a restaurateur tells customers “I am sad to say there has been a death on the premises,” and Miss Garrick, a teacher, is left to protect the crime scene. Elsewhere, McAllister and Hart exchange bloodless comments like “They never managed to find her killer.” “How unpleasant.” “Yes, it is rather.” Enclosing all the stories like a Russian doll is the question of why the editor visits the author at all. But both hold back secret motivations that drive the grand plot. The book abounds with complications and twists, and puzzle lovers will have fun predicting the endings of the stories. In one case, McAllister says readers have “enough evidence to solve this mystery for themselves.” Perhaps, perhaps.
A satisfying mystery for the casual reader, even more so for the careful one.Pub Date: Aug. 4, 2020
ISBN: 978-1-250-75593-3
Page Count: 304
Publisher: Henry Holt
Review Posted Online: June 2, 2020
Kirkus Reviews Issue: June 15, 2020
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by Anthony Horowitz ‧ RELEASE DATE: April 28, 2026
Yes, it has its playfully witty moments, but it’s a distinctly minor work in the author’s brainteasing canon.
Murder disrupts the filming of—what else?—The Word Is Murder, based on the first novel starring author Horowitz and his sometime partner, ex-copper Daniel Hawthorne.
With commendably dramatic timing, gofer Izzy Mays bursts into the middle of a pivotal shot on location at The Stade in Hastings to announce that Hawthorne’s been murdered. Of course, what she means (though Horowitz takes his time clarifying this ambiguity) is that David Caine, the rising star playing Hawthorne, has been fatally stabbed in the neck. Suspicion falls on James Aubrey, the agent Caine had just fired; Izzy, because Caine had caused her to be fired, too, though he ended up making his exit first; Ralph Seymour, the washed-up actor who’d returned from New Zealand to play Horowitz opposite Caine, his mortal enemy; and producer Teresa de León, who’s abruptly lost an important source of funding for the project; director Cy Truman; and screenwriter Shanika Harris, because why not? After Hawthorne builds meticulous hypothetical cases against several of these suspects, provoking Teresa’s apt rejoinder, “All those questions in the script and now you’re asking them for real,” he responds to Horowitz’s theory that he may have been the intended target after all by sharing a story from his early days as a private investigator in what ends up looking like the most elaborately extended red herring in the history of detective fiction. The two plots, past and present—or, to be more precise, past and present-day-adaptation-of-a-story-from-the-less-distant-past, are eventually woven together in ways only Horowitz’s most devoted fans will celebrate.
Yes, it has its playfully witty moments, but it’s a distinctly minor work in the author’s brainteasing canon.Pub Date: April 28, 2026
ISBN: 9780063305748
Page Count: 608
Publisher: Harper/HarperCollins
Review Posted Online: Jan. 19, 2026
Kirkus Reviews Issue: Feb. 15, 2026
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edited by Anthony Horowitz ; series editor: Otto Penzler
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by Kathy Reichs ‧ RELEASE DATE: March 17, 2020
Forget about solving all these crimes; the signal triumph here is (spoiler) the heroine’s survival.
Another sweltering month in Charlotte, another boatload of mysteries past and present for overworked, overstressed forensic anthropologist Temperance Brennan.
A week after the night she chases but fails to catch a mysterious trespasser outside her town house, some unknown party texts Tempe four images of a corpse that looks as if it’s been chewed by wild hogs, because it has been. Showboat Medical Examiner Margot Heavner makes it clear that, breaking with her department’s earlier practice (The Bone Collection, 2016, etc.), she has no intention of calling in Tempe as a consultant and promptly identifies the faceless body herself as that of a young Asian man. Nettled by several errors in Heavner’s analysis, and even more by her willingness to share the gory details at a press conference, Tempe launches her own investigation, which is not so much off the books as against the books. Heavner isn’t exactly mollified when Tempe, aided by retired police detective Skinny Slidell and a host of experts, puts a name to the dead man. But the hints of other crimes Tempe’s identification uncovers, particularly crimes against children, spur her on to redouble her efforts despite the new M.E.’s splenetic outbursts. Before he died, it seems, Felix Vodyanov was linked to a passenger ferry that sank in 1994, an even earlier U.S. government project to research biological agents that could control human behavior, the hinky spiritual retreat Sparkling Waters, the dark web site DeepUnder, and the disappearances of at least four schoolchildren, two of whom have also turned up dead. And why on earth was Vodyanov carrying Tempe’s own contact information? The mounting evidence of ever more and ever worse skulduggery will pull Tempe deeper and deeper down what even she sees as a rabbit hole before she confronts a ringleader implicated in “Drugs. Fraud. Breaking and entering. Arson. Kidnapping. How does attempted murder sound?”
Forget about solving all these crimes; the signal triumph here is (spoiler) the heroine’s survival.Pub Date: March 17, 2020
ISBN: 978-1-9821-3888-2
Page Count: 352
Publisher: Scribner
Review Posted Online: Dec. 22, 2019
Kirkus Reviews Issue: Jan. 15, 2020
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