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SECRET IDENTITY

A triumph.

A secretary at a comic book company tries to track down a co-worker's killer in this taut thriller.

For nearly as long as she can remember, Carmen Valdez has loved comic books. The superhero stories sustained her during her rough childhood in Miami—they were “an intangible thing that got her through her own day-to-day.” When she moves to New York in 1975 and finds a job at Triumph Comics, she sees a chance to get her big break in the industry, but it doesn’t turn out well—her co-workers turn out to be “a squad of over-the-hill assholes,” and her boss has no interest in letting her try her hand at a writing gig. When a writer named Harvey Stern approaches her to collaborate with him on a project, unbeknownst to their boss, she warily accepts; they come up with an idea they think will surely be a hit. And it is, but Harvey is murdered, and Carmen finds out that he failed to credit her for her work before his bloody demise. So she sets out to track down his killer, all the while trying to figure out how to be recognized for her work by her oblivious, sexist boss. Meanwhile, she’s forced to deal with the sudden reappearance of her ex-lover, who’s shown up in New York under mysterious circumstances. Segura’s book works on so many levels, it’s almost hard to keep track—as a love letter to comic books, it’s as powerful as anything since Michael Chabon’s The Amazing Adventures of Kavalier & Clay (2000). And as a thriller, it’s smart, perfectly paced, and wonderfully atmospheric—Segura captures the intense, grimy milieu of 1970s New York with aplomb. You don’t have to be a comics fan to love this novel; it’s a masterful book filled with real heart and soul.

A triumph.

Pub Date: March 15, 2022

ISBN: 978-1-250-80174-6

Page Count: 368

Publisher: Flatiron Books

Review Posted Online: Jan. 11, 2022

Kirkus Reviews Issue: Feb. 1, 2022

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AN INSIDE JOB

A rather flat entry in a generally excellent series.

The 25th novel featuring Silva’s legendary protagonist.

During his intersecting careers as art restorer and Israeli spy, Gabriel Allon has tangled with Russian gangsters and al-Qaida terrorists. He has become well-acquainted with operatives in multiple security agencies and befriended a paid assassin. He has busted art thieves and created passable forgeries by Renaissance masters and abstract Modernists. This latest installment centers around his relationship with the pope and a newly discovered painting by Leonardo da Vinci that has gone missing from the Vatican. Silva’s novels tend to fall into two categories: books that reflect the politics of the day and books that don’t. His latest is one of the latter, which could be a treat for readers looking for escape, but it falls flat for a variety of reasons. Luxury has always been part of Gabriel Allon’s universe. It used to be an aspect of tradecraft, though. Allon would be wearing a very expensive suit and driving a very expensive car because he was posing as a client at a Swiss bank. Here, his wife is hosting a catered lunch for 150 of their daughter’s classmates in their apartment overlooking the Grand Canal in Venice. What once felt like a scintillating peek into the world of the obscenely wealthy now just feels…kind of obscene. Similarly, Allon goes chasing after a missing painting as a civilian—he retired from Mossad in Portrait of an Unknown Woman (2022)—the same way another man his age might buy a speedboat or get hair plugs. As the story progresses, the stakes are raised, but it’s hard to forget that Allon is now a middle-aged man pursuing a dangerous hobby, rather than a spymaster leading his intrepid team to prevent a disaster that will disrupt the global order.

A rather flat entry in a generally excellent series.

Pub Date: July 15, 2025

ISBN: 9780063384217

Page Count: 416

Publisher: Harper/HarperCollins

Review Posted Online: July 17, 2025

Kirkus Reviews Issue: Aug. 15, 2025

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NEVER FLINCH

Even when King is not at his best, he’s still good.

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  • New York Times Bestseller

Two killers are on the loose. Can they be stopped?

In this ambitious mystery, the prolific and popular King tells the story of a serial murderer who pledges, in a note to Buckeye City police, to kill “13 innocents and 1 guilty,” in order, we eventually learn, to avenge the death of a man who was framed and convicted for possession of child pornography and then killed in prison. At the same time, the author weaves in the efforts of another would-be murderer, a member of a violently abortion-opposing church who has been stalking a popular feminist author and women’s rights activist on a publicity tour. To tell these twin tales of murders done and intended, King summons some familiar characters, including private investigator Holly Gibney, whom readers may recall from previous novels. Gibney is enlisted to help Buckeye City police detective Izzy Jaynes try to identify and stop the serial killer, who has been murdering random unlucky citizens with chilling efficiency. She’s also been hired as a bodyguard for author and activist Kate McKay and her young assistant. The author succeeds in grabbing the reader’s interest and holding it throughout this page-turning tale of terror, which reads like a big-screen thriller. The action is well paced, the settings are vividly drawn, and King’s choice to focus on the real and deadly dangers of extremist thought is admirable. But the book is hamstrung by cliched characters, hackneyed dialogue (both spoken and internal), and motives that feel both convoluted and overly simplistic. King shines brightest when he gets to the heart of our darkest fears and desires, but here the dangers seem a bit cerebral. In his warning letter to the police, the serial killer wonders if his cryptic rationale to murder will make sense to others, concluding, “It does to me, and that is enough.” Is it enough? In another writer’s work, it might not be, but in King’s skilled hands, it probably is.

Even when King is not at his best, he’s still good.

Pub Date: May 27, 2025

ISBN: 9781668089330

Page Count: 448

Publisher: Scribner

Review Posted Online: Feb. 1, 2025

Kirkus Reviews Issue: March 1, 2025

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