by Alex Tresniowski ‧ RELEASE DATE: Feb. 9, 2021
High-velocity historical true crime lacking supporting data that would have enhanced its credibility.
Journalist Tresniowski links the work of a fearless detective and the anti-lynching crusader Ida B. Wells as he reconstructs the case of a Black man arrested on a trumped-up murder charge.
This suspenseful, well-written true-crime tale will be an eye-opener for anyone who assumes that after Reconstruction, lynching remained a serious threat only in the South. The author tells the story of Thomas Williams, a Black odd-jobs man wrongfully accused of murdering Marie Smith, a 10-year-old White girl who was also sexually assaulted, in Asbury Park, New Jersey, in 1910. Shortly after the crime, the police arrested Williams on circumstantial evidence and had to sneak him out of town to protect him from a lynch mob. With the consent of the police, a businessman skeptical of Williams’ guilt hired private detective Raymond C. Schindler—later praised as “the most brilliant and charismatic investigator of his time”—who developed his own theory of the case. In order to get a more plausible suspect to confess, the resourceful Schindler set up an elaborate sting, full of cloak-and-dagger intrigue that unfolds with mounting tension. Wells wasn’t involved in the Asbury Park murder, but the author gives that case a broad context by weaving in accounts of her anti-lynching campaigns and of her role in founding the NAACP, which helped with Williams’ legal defense. Unfortunately, Tresniowski supplies no endnotes, bibliography, or other data on how he reconstructed the details of his narrative, and their absence leaves open to question some aspects of his story. The section recounting the killer’s confession will be painful reading for sexual assault victims or parents of sexually abused children. Still, Tresniowski more than proves his point that early in the 20th century, “even in a northern state like New Jersey, a black prisoner had no guarantee of any safety in jail anywhere.”
High-velocity historical true crime lacking supporting data that would have enhanced its credibility.Pub Date: Feb. 9, 2021
ISBN: 978-1-982114-02-2
Page Count: 336
Publisher: 37 Ink/Simon & Schuster
Review Posted Online: Nov. 25, 2020
Kirkus Reviews Issue: Dec. 15, 2020
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by Laura Schroff & Alex Tresniowski ; illustrated by Barry Root
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by Laura Schroff and Alex Tresniowski
by David Grann ‧ RELEASE DATE: April 18, 2017
Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.
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New York Times Bestseller
IndieBound Bestseller
National Book Award Finalist
Greed, depravity, and serial murder in 1920s Oklahoma.
During that time, enrolled members of the Osage Indian nation were among the wealthiest people per capita in the world. The rich oil fields beneath their reservation brought millions of dollars into the tribe annually, distributed to tribal members holding "headrights" that could not be bought or sold but only inherited. This vast wealth attracted the attention of unscrupulous whites who found ways to divert it to themselves by marrying Osage women or by having Osage declared legally incompetent so the whites could fleece them through the administration of their estates. For some, however, these deceptive tactics were not enough, and a plague of violent death—by shooting, poison, orchestrated automobile accident, and bombing—began to decimate the Osage in what they came to call the "Reign of Terror." Corrupt and incompetent law enforcement and judicial systems ensured that the perpetrators were never found or punished until the young J. Edgar Hoover saw cracking these cases as a means of burnishing the reputation of the newly professionalized FBI. Bestselling New Yorkerstaff writer Grann (The Devil and Sherlock Holmes: Tales of Murder, Madness, and Obsession, 2010, etc.) follows Special Agent Tom White and his assistants as they track the killers of one extended Osage family through a closed local culture of greed, bigotry, and lies in pursuit of protection for the survivors and justice for the dead. But he doesn't stop there; relying almost entirely on primary and unpublished sources, the author goes on to expose a web of conspiracy and corruption that extended far wider than even the FBI ever suspected. This page-turner surges forward with the pacing of a true-crime thriller, elevated by Grann's crisp and evocative prose and enhanced by dozens of period photographs.
Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.Pub Date: April 18, 2017
ISBN: 978-0-385-53424-6
Page Count: 352
Publisher: Doubleday
Review Posted Online: Feb. 1, 2017
Kirkus Reviews Issue: Feb. 15, 2017
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BOOK TO SCREEN
BOOK TO SCREEN
BOOK TO SCREEN
by Michelle Obama with Meredith Koop ‧ RELEASE DATE: Nov. 4, 2025
Not so deep, but a delightful tip of the hat to the pleasures—and power—of glamour.
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A coffee-table book celebrates Michelle Obama’s sense of fashion.
Illustrated with hundreds of full-color photographs, Obama’s chatty latest book begins with some school portraits from the author’s childhood in Chicago and fond memories of back-to-school shopping at Sears, then jumps into the intricacies of clothing oneself as the spouse of a presidential candidate and as the first lady. “People looked forward to the outfits, and once I got their attention, they listened to what I had to say. This is the soft power of fashion,” she says. Obama is grateful and frank about all the help she got along the way, and the volume includes a long section written by her primary wardrobe stylist, Koop—28 years old when she first took the job—and shorter sections by makeup artists and several hair stylists, who worked with wigs and hair extensions as Obama transitioned back to her natural hair, and grew out her bangs, at the end of her husband’s second term. Many of the designers of the author’s gowns, notably Jason Wu, who designed several of her more striking outfits, also contribute appreciative memories. Besides candid and more formal photographs, the volume features many sketches of her gowns by their designers, closeups on details of those gowns, and magazine covers from Better Homes & Gardens to Vogue. The author writes that as a Black woman, “I was under a particularly white-hot glare, constantly appraised for whether my outfits were ‘acceptable’ and ‘appropriate,’ the color of my skin somehow inviting even more judgment than the color of my dresses.” Overall, though, this is generally a canny, upbeat volume, with little in the way of surprising revelations.
Not so deep, but a delightful tip of the hat to the pleasures—and power—of glamour.Pub Date: Nov. 4, 2025
ISBN: 9780593800706
Page Count: 304
Publisher: Crown
Review Posted Online: Nov. 7, 2025
Kirkus Reviews Issue: Jan. 1, 2026
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