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INDIAN SUMMER

THE SECRET HISTORY OF THE END OF AN EMPIRE

That story is better told elsewhere, most recently Ramachandra Guha’s India After Gandhi (2007).

Tepid account of the end of the Raj, though with a little imperialist-colonialist hanky-panky thrown in for good measure.

It is small news that Britain ceded its empire willingly, forgetting about little exceptions such as the U.S. and Malaysia. When it gave up India at midnight on August 14, 1947, the civil strife that led to the partition of India and Pakistan ensued almost instantly. The architect of empire’s end—and, at least in part, of that partition—was the viceroy, Lord Mountbatten of Burma, “Dickie” to his friends, who, British historian von Tunzelmann writes, had a jape two minutes before his tenure ran out by “creating the Australian wife of the Nawab of Palanpur a highness, in defiance of Indian caste customs and British policy.” Hardly an example of enlightened rule, one might think, but Dickie had a thoroughly modern attitude otherwise, even encouraging his wife Edwina to enjoy a ménage-a-trois with none other than Jawaharlal Nehru, on the way to becoming the father of his country. Edwina was the chief beneficiary of the arrangement; writes von Tunzelmann, “With Dickie, she was in an affectionate, sexless companionship; with Jawahar, she had found something more profound and more passionate.” All well and good, and even though Edwina would later threaten divorce and took off by herself for India annually once the couple had returned to England, Dickie was at ease, continuing a long correspondence with Nehru on such things as the status of Kashmir and the political makeup of Nehru’s new cabinet—the dry and boring stuff of history, in other words. Von Tunzelmann too frequently strives for effect (“Bose emerged from the foam off the coast of Singapore, a fascist Aphrodite spewed up from the deep”), and the Mountbattens’ unusual accommodation too often threatens to overshadow the real story, which is that of Indian independence.

That story is better told elsewhere, most recently Ramachandra Guha’s India After Gandhi (2007).

Pub Date: Aug. 1, 2007

ISBN: 978-0-8050-8073-5

Page Count: 416

Publisher: Henry Holt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: June 1, 2007

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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