A novel and author richly deserving of renewed attention.
In this lost 1963 British classic set in postwar London, a Jewish inveterate gambler’s involvement with the troubled family that moves in downstairs awakens painful losses from his past.
A lifelong East Ender who fought in gangs as a boy and whose mother was killed when a German bomb dropped on their house, 45-year-old Harryboy Boas resides in a small room in a scruffy boardinghouse, sleeps with prostitutes, and prides himself on his reading acumen (“This Zola is a terrific writer. He can be tougher than Mickey Spillane, and when he gets on to sex he’s red hot”). He sometimes works in a laundry but mostly gets by on his winnings at the dog track—despite his hopeless tendency to gamble them away. When a quarreling couple moves in downstairs with their demanding 4-year-old son, Gregory, it’s only a matter of time before the father, Vic Deaner, impressed with Harry’s cool detachment, accompanies him to the track. A bookkeeper, he hopes he can win enough to soothe his wife, Evelyn, who flays him for not being able to afford better circumstances—ones that don’t include living near Black immigrants. But those hopes are quickly dashed, leaving Vic in debt from which a guilty Harry must save him—at his own peril. It’s also left for Harry to save Gregory, who latches onto him for attention, from neglect. Soon after a scary incident involving the unattended boy that Harry might have prevented, Harry finds himself thinking of the son or daughter he himself might have had he not, on the eve of the Nazi occupation, abandoned his pregnant Jewish girlfriend in Paris. Coming from a writer as relaxed and lightly satirical as Baron, Harry’s reckoning with memories he has spent his life avoiding couldn’t be more powerful.
A novel and author richly deserving of renewed attention.Pub Date: May 6, 2026
ISBN: 9780571393473
Page Count: 256
Publisher: Faber & Faber
Review Posted Online: March 9, 2026
Kirkus Reviews Issue: April 1, 2026
An affecting portrait of a prickly woman.
A lifetime’s worth of letters combine to portray a singular character.
Sybil Van Antwerp, a cantankerous but exceedingly well-mannered septuagenarian, is the titular correspondent in Evans’ debut novel. Sybil has retired from a beloved job as chief clerk to a judge with whom she had previously been in private legal practice. She is the divorced mother of two living adult children and one who died when he was 8. She is a reader of novels, a gardener, and a keen observer of human nature. But the most distinguishing thing about Sybil is her lifelong practice of letter writing. As advancing vision problems threaten Sybil’s carefully constructed way of life—in which letters take the place of personal contact and engagement—she must reckon with unaddressed issues from her past that threaten the house of cards (letters, really) she has built around herself. Sybil’s relationships are gradually revealed in the series of letters sent to and received from, among others, her brother, sister-in-law, children, former work associates, and, intriguingly, literary icons including Joan Didion and Larry McMurtry. Perhaps most affecting is the series of missives Sybil writes but never mails to a shadowy figure from her past. Thoughtful musings on the value and immortal quality of letters and the written word populate one of Sybil’s notes to a young correspondent while other messages are laugh-out-loud funny, tinged with her characteristic blunt tartness. Evans has created a brusque and quirky yet endearing main character with no shortage of opinions and advice for others but who fails to excavate the knotty difficulties of her own life. As Sybil grows into a delayed self-awareness, her letters serve as a chronicle of fitful growth.
An affecting portrait of a prickly woman.Pub Date: May 6, 2025
ISBN: 9780593798430
Page Count: 304
Publisher: Crown
Review Posted Online: Feb. 15, 2025
Kirkus Reviews Issue: March 15, 2025
Great crime fiction.
An apparent suicide threatens to destroy an Irish farm town in the final volume of French’s Cal Hooper trilogy.
In the fictional western Ireland townland of Ardnakelty, “there’s a girl going after missing.” Soon young Rachel Holohan is found dead in the river. Shortly before, she had stopped at Lena Dunne’s home, and nothing had seemed amiss. The medical examiner determines she’d swallowed antifreeze, and he presumes she then fell from a bridge into the water. The medical examiner and the town agree she’d died by suicide. But there is far more to the plot: 16-year-old Trey Reddy thinks Tommy Moynihan murdered Rachel. Moynihan doles out favors and punishments to the local townsfolk, who know it’s best not to cross him. Now rumors spread that Moynihan wants land and has a secret plan to forcibly buy up parcels from the locals. A factory will be built, or a great big data center, or who knows what. If Tommy’s son, Eugene, can get elected to the local council, then compulsory purchase orders for land will follow, and the farms will disappear. Eugene, who’d been romantically involved with Rachel, is wonderfully described as “on the weedy edge of good-looking” and just fine as long as you “don’t have high expectations in the way of chins.” Lena is engaged to the American Cal Hooper, an ex-cop turned woodworker. They are “more or less raising” Trey, and these three core characters are drawn into the mystery of Rachel’s death and may have to face the looming clouds of civilizational change for Ardnakelty. Lena is chastised for “asking your wee questions all round the townland,” and Trey wants to quit school, against Cal’s advice. Finally, the story’s best line: “You can’t go killing people just because they deserve it.”
Great crime fiction.Pub Date: March 31, 2026
ISBN: 9780593493465
Page Count: 496
Publisher: Viking
Review Posted Online: Dec. 26, 2025
Kirkus Reviews Issue: Feb. 1, 2026
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