by Alex Grass ‧ RELEASE DATE: Sept. 30, 2020
A bleak family story that’s both unnerving and enthralling.
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Dark, sinister forces surround a seasonal carnival and its disturbing owner in this debut supernatural novel.
The Marivicos Summerlong Carnivalé Festival is a popular event in the American city of Kayjigville. Papa Marivicos took over the carnival from his father, but his son, Eddie, is less enthusiastic regarding the family business. In fact, a little over two years ago, Eddie ran away, met a woman, and got married only for Papa to track him down and bring him back. But since returning, Eddie has apparently developed telepathy. Displaying his gift at the carnival attracts large crowds, though the overload of people’s thoughts tends to make him physically ill. Eddie finds solace in Lexi, who works at a local brothel and whose thoughts, for some reason, he mercifully can’t hear. Elsewhere in Kayjigville, Papa may have competition. Businesswoman Clara Guadali is certain the riverboat Commodora will draw the carnival’s patrons. But Papa is more formidable and diabolical than Clara anticipates, thanks largely to a particular book he possesses. Inside the tome are “indescribable words” that, when written in a “blood-ink inscription,” give Papa specific abilities that may surpass Eddie’s. These can be lethal powers when there’s a threat like Clara, who, in addition to taking some of his business, attempts to blackmail Papa with something she believes to be incriminating. Meanwhile, a gangster’s son tries using Eddie’s gift for his own selfish benefit. As these people’s acts ultimately jeopardize the Marivicos family, Papa’s response is potent and leaves many bodies in its wake.
Grass’ novel is mostly grim. Papa, for example, is an appalling man, with or without potential magic, and Eddie’s efforts to drown out others’ thoughts include drinking, which isn’t always effective. But parts of the book alleviate this somber tone, such as Eddie’s understated and genuinely appealing romance with Lexi. And Eddie’s carnival pal Abakoum provides some humor—his delightful ramblings showcase a refreshing bluntness. The author highlights the story with a discernible theme of fatherhood. This is bolstered by the inclusion of Dr. Chain (pronounced “Kha-Yeen”), whose simple trip to the carnival finds him embroiled with the Marivicoses. Since Dr. Chain wants children (which he and his wife are unable to have), he essentially becomes a surrogate parent to Eddie, whose father is relentlessly vicious and cruel. As the tale progresses, it elucidates Papa and Eddie’s history, which involves that enigmatic book and strained familial ties. The narrative also turns increasingly violent, and later scenes entail viscera, severed limbs, and accompanying deaths. Throughout the tale, Grass’ prose displays a sharp, confident voice flavored with indelible metaphors. Eddie, experiencing a new power, “felt as though fingers ran along the backs of his eyes, fingers laced with gunpowder—igniting and burning the insides of his orbits, flaring in excruciating bursts.” Despite illuminating moments, the narrative retains a fair amount of ambiguity, allowing for an ending that, while definitive, is open to interpretation.
A bleak family story that’s both unnerving and enthralling. (acknowledgements, author bio)Pub Date: Sept. 30, 2020
ISBN: 978-1-73588-850-7
Page Count: 352
Publisher: Dickinson Publishing Group
Review Posted Online: Oct. 26, 2020
Kirkus Reviews Issue: Dec. 15, 2020
Review Program: Kirkus Indie
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by Stephen King ‧ RELEASE DATE: May 27, 2025
Even when King is not at his best, he’s still good.
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New York Times Bestseller
Two killers are on the loose. Can they be stopped?
In this ambitious mystery, the prolific and popular King tells the story of a serial murderer who pledges, in a note to Buckeye City police, to kill “13 innocents and 1 guilty,” in order, we eventually learn, to avenge the death of a man who was framed and convicted for possession of child pornography and then killed in prison. At the same time, the author weaves in the efforts of another would-be murderer, a member of a violently abortion-opposing church who has been stalking a popular feminist author and women’s rights activist on a publicity tour. To tell these twin tales of murders done and intended, King summons some familiar characters, including private investigator Holly Gibney, whom readers may recall from previous novels. Gibney is enlisted to help Buckeye City police detective Izzy Jaynes try to identify and stop the serial killer, who has been murdering random unlucky citizens with chilling efficiency. She’s also been hired as a bodyguard for author and activist Kate McKay and her young assistant. The author succeeds in grabbing the reader’s interest and holding it throughout this page-turning tale of terror, which reads like a big-screen thriller. The action is well paced, the settings are vividly drawn, and King’s choice to focus on the real and deadly dangers of extremist thought is admirable. But the book is hamstrung by cliched characters, hackneyed dialogue (both spoken and internal), and motives that feel both convoluted and overly simplistic. King shines brightest when he gets to the heart of our darkest fears and desires, but here the dangers seem a bit cerebral. In his warning letter to the police, the serial killer wonders if his cryptic rationale to murder will make sense to others, concluding, “It does to me, and that is enough.” Is it enough? In another writer’s work, it might not be, but in King’s skilled hands, it probably is.
Even when King is not at his best, he’s still good.Pub Date: May 27, 2025
ISBN: 9781668089330
Page Count: 448
Publisher: Scribner
Review Posted Online: Feb. 1, 2025
Kirkus Reviews Issue: March 1, 2025
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by Alex Michaelides ‧ RELEASE DATE: Feb. 5, 2019
Amateurish, with a twist savvy readers will see coming from a mile away.
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New York Times Bestseller
IndieBound Bestseller
A woman accused of shooting her husband six times in the face refuses to speak.
"Alicia Berenson was thirty-three years old when she killed her husband. They had been married for seven years. They were both artists—Alicia was a painter, and Gabriel was a well-known fashion photographer." Michaelides' debut is narrated in the voice of psychotherapist Theo Faber, who applies for a job at the institution where Alicia is incarcerated because he's fascinated with her case and believes he will be able to get her to talk. The narration of the increasingly unrealistic events that follow is interwoven with excerpts from Alicia's diary. Ah, yes, the old interwoven diary trick. When you read Alicia's diary you'll conclude the woman could well have been a novelist instead of a painter because it contains page after page of detailed dialogue, scenes, and conversations quite unlike those in any journal you've ever seen. " 'What's the matter?' 'I can't talk about it on the phone, I need to see you.' 'It's just—I'm not sure I can make it up to Cambridge at the minute.' 'I'll come to you. This afternoon. Okay?' Something in Paul's voice made me agree without thinking about it. He sounded desperate. 'Okay. Are you sure you can't tell me about it now?' 'I'll see you later.' Paul hung up." Wouldn't all this appear in a diary as "Paul wouldn't tell me what was wrong"? An even more improbable entry is the one that pins the tail on the killer. While much of the book is clumsy, contrived, and silly, it is while reading passages of the diary that one may actually find oneself laughing out loud.
Amateurish, with a twist savvy readers will see coming from a mile away.Pub Date: Feb. 5, 2019
ISBN: 978-1-250-30169-7
Page Count: 304
Publisher: Celadon Books
Review Posted Online: Nov. 3, 2018
Kirkus Reviews Issue: Nov. 15, 2018
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