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BLACK RIVER LANTERN

A bleak family story that’s both unnerving and enthralling.

Awards & Accolades

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Dark, sinister forces surround a seasonal carnival and its disturbing owner in this debut supernatural novel.

The Marivicos Summerlong Carnivalé Festival is a popular event in the American city of Kayjigville. Papa Marivicos took over the carnival from his father, but his son, Eddie, is less enthusiastic regarding the family business. In fact, a little over two years ago, Eddie ran away, met a woman, and got married only for Papa to track him down and bring him back. But since returning, Eddie has apparently developed telepathy. Displaying his gift at the carnival attracts large crowds, though the overload of people’s thoughts tends to make him physically ill. Eddie finds solace in Lexi, who works at a local brothel and whose thoughts, for some reason, he mercifully can’t hear. Elsewhere in Kayjigville, Papa may have competition. Businesswoman Clara Guadali is certain the riverboat Commodora will draw the carnival’s patrons. But Papa is more formidable and diabolical than Clara anticipates, thanks largely to a particular book he possesses. Inside the tome are “indescribable words” that, when written in a “blood-ink inscription,” give Papa specific abilities that may surpass Eddie’s. These can be lethal powers when there’s a threat like Clara, who, in addition to taking some of his business, attempts to blackmail Papa with something she believes to be incriminating. Meanwhile, a gangster’s son tries using Eddie’s gift for his own selfish benefit. As these people’s acts ultimately jeopardize the Marivicos family, Papa’s response is potent and leaves many bodies in its wake.

Grass’ novel is mostly grim. Papa, for example, is an appalling man, with or without potential magic, and Eddie’s efforts to drown out others’ thoughts include drinking, which isn’t always effective. But parts of the book alleviate this somber tone, such as Eddie’s understated and genuinely appealing romance with Lexi. And Eddie’s carnival pal Abakoum provides some humor—his delightful ramblings showcase a refreshing bluntness. The author highlights the story with a discernible theme of fatherhood. This is bolstered by the inclusion of Dr. Chain (pronounced “Kha-Yeen”), whose simple trip to the carnival finds him embroiled with the Marivicoses. Since Dr. Chain wants children (which he and his wife are unable to have), he essentially becomes a surrogate parent to Eddie, whose father is relentlessly vicious and cruel. As the tale progresses, it elucidates Papa and Eddie’s history, which involves that enigmatic book and strained familial ties. The narrative also turns increasingly violent, and later scenes entail viscera, severed limbs, and accompanying deaths. Throughout the tale, Grass’ prose displays a sharp, confident voice flavored with indelible metaphors. Eddie, experiencing a new power, “felt as though fingers ran along the backs of his eyes, fingers laced with gunpowder—igniting and burning the insides of his orbits, flaring in excruciating bursts.” Despite illuminating moments, the narrative retains a fair amount of ambiguity, allowing for an ending that, while definitive, is open to interpretation.

A bleak family story that’s both unnerving and enthralling. (acknowledgements, author bio)

Pub Date: Sept. 30, 2020

ISBN: 978-1-73588-850-7

Page Count: 352

Publisher: Dickinson Publishing Group

Review Posted Online: Oct. 26, 2020

Kirkus Reviews Issue: Dec. 15, 2020

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EXTINCTION

Fast-moving fun and a highly creative plot.

Bloody murder spoils folks’ fun while megafauna return from extinction.

What a glorious way to spend a honeymoon: Mark and Olivia Gunnerson go backpacking through the vast Erebus Resort in the mountains of Colorado, where scientists have “de-extincted” species like the woolly mammoth and other Pleistocene megafauna. Just watch the peaceful beasts at their watering holes. Behold the giant armadillos, and the indricothere that make mammoths look like dwarfs. The scientists have removed genes for aggression in these re-creations, so humans will be safe unless they’re accidentally stepped on. And yet, someone doesn’t want the newlyweds camping there, made evident by their disappearance without a trace, save only a copious amount of blood outside their tent. Colorado Bureau of Investigation Agent in Charge Frankie Cash takes the case. What happened to Mark and Olivia, and why? The park has no predators, so humans must be responsible. But where are the bodies? A doctor suggests that due to the amount of blood found, the victims may have—gasp!—been decapitated. The matter gathers national attention, and things only get worse as more people die. The late groom’s aggrieved billionaire father demands immediate answers, and of course he interferes with the investigation: “You’ll see me now, you son of a bitch, and tell me what the fuck you’re doing to find my son!” And speaking of F-bombs, surely it is possible to write a thriller with fewer—maybe use one or two to establish a character and then move on to more creative language? Anyway, the investigators are doing a lot. The action seldom lets up, and readers will feel the mounting tension and excitement. The setting itself is a scientific wonder, and it must tie into the murders somehow. Meanwhile, Hollywood is filming an action movie in the park, and the pièce de résistance will be the spectacular explosion of a train. But wouldn’t you know, Preston has other plans. Imagine Jurassic Park with the timeline brought forward to the Pleistocene, and you have the Erebus Resort. Science, imagination, storytelling, and action are all here.

Fast-moving fun and a highly creative plot.

Pub Date: April 23, 2024

ISBN: 9780765317704

Page Count: 384

Publisher: Forge

Review Posted Online: Feb. 12, 2024

Kirkus Reviews Issue: March 15, 2024

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YOU'D LOOK BETTER AS A GHOST

Squeamish readers will find this isn’t their cup of tea.

Dexter meets Killing Eve in Wallace’s dark comic thriller debut.

While accepting condolences following her father’s funeral, 30-something narrator Claire receives an email saying that one of her paintings is a finalist for a prize. But her joy is short-circuited the next morning when she learns in a second apologetic note that the initial email had been sent to the wrong Claire. The sender, Lucas Kane, is “terribly, terribly sorry” for his mistake. Claire, torn between her anger and suicidal thoughts, has doubts about his sincerity and stalks him to a London pub, where his fate is sealed: “I stare at Lucas Kane in real life, and within moments I know. He doesn’t look sorry.” She dispatches and buries Lucas in her back garden, but this crime does not go unnoticed. Proud of her meticulous standards as a serial killer, Claire wonders if her grief for her father is making her reckless as she seeks to identify the blackmailer among the members of her weekly bereavement support group. The female serial killer as antihero is a growing subgenre (see Oyinkan Braithwaite’s My Sister, the Serial Killer, 2018), and Wallace’s sociopathic protagonist is a mordantly amusing addition; the tool she uses to interact with ordinary people while hiding her homicidal nature is especially sardonic: “Whenever I’m unsure of how I’m expected to respond, I use a cliché. Even if I’m not sure what it means, even if I use it incorrectly, no one ever seems to mind.” The well-written storyline tackles some tough subjects—dementia, elder abuse, and parental cruelty—but the convoluted plot starts to drag at the halfway point. Given the lack of empathy in Claire’s narration, most of the characters come across as not very likable, and the reader tires of her sneering contempt.

Squeamish readers will find this isn’t their cup of tea.

Pub Date: April 16, 2024

ISBN: 9780143136170

Page Count: 336

Publisher: Penguin

Review Posted Online: Feb. 3, 2024

Kirkus Reviews Issue: March 1, 2024

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