An illuminating look at how the flowering of human imagination celebrated in the Renaissance was fertilized by the excesses...
Lee (Petrarch and St. Augustine: Classical Scholarship, Christian Theology and the Origins of the Renaissance in Italy, 2012, etc.) lays bare the base tendencies and avaricious impulses that undergirded much of the Renaissance’s artistic splendor.
Seeking to expose “the hidden story behind the paintings that have come to dominate perceptions of the Renaissance in Italy,” the author, a fellow at the Center for the Study of the Renaissance at the University of Warwick, turns his gaze from 15th-century Florence’s fabled facades downward to its sewage-filled alleys and the troubled lives of their inhabitants. Focusing progressively on the lived experiences of the period’s artists, the designs of their patrons and the broader political tendencies reshaping the continent, Lee provides an entertaining frolic buttressed by serious scholarship. Though the author makes rather too much of the originality of his thesis—few who have heard of the Borgias or de’ Medicis will be surprised that the paragons of high finance and religious authority were “shallow [and] underhanded” and “corrupt, deceitful, and cunning”—his account of a teenage Michelangelo having his nose broken by a jealous classmate and similar vignettes serve to humanize the figures who today seem to have been carved of the very marble with which they worked. Violence pervaded all levels of society, and fisticuffs were by no means limited to adolescence. As the author notes, the 1458 papal conclave was not a solemn ritual so much as “a violent, corrupt, and angry brawl that would shame even a modern rugby club.” The artwork itself reflects the prevalence of fleshly desires; blatantly pornographic frescoes at the Palazzo Farnese demonstrate what popes and cardinals preferred “when they were left to their own devices away from the public gaze.”
An illuminating look at how the flowering of human imagination celebrated in the Renaissance was fertilized by the excesses of human nature.Pub Date: Oct. 7, 2014
ISBN: 978-0385536592
Page Count: 448
Publisher: Doubleday
Review Posted Online: Aug. 25, 2014
Kirkus Reviews Issue: Sept. 15, 2014
Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.
Greed, depravity, and serial murder in 1920s Oklahoma.
During that time, enrolled members of the Osage Indian nation were among the wealthiest people per capita in the world. The rich oil fields beneath their reservation brought millions of dollars into the tribe annually, distributed to tribal members holding "headrights" that could not be bought or sold but only inherited. This vast wealth attracted the attention of unscrupulous whites who found ways to divert it to themselves by marrying Osage women or by having Osage declared legally incompetent so the whites could fleece them through the administration of their estates. For some, however, these deceptive tactics were not enough, and a plague of violent death—by shooting, poison, orchestrated automobile accident, and bombing—began to decimate the Osage in what they came to call the "Reign of Terror." Corrupt and incompetent law enforcement and judicial systems ensured that the perpetrators were never found or punished until the young J. Edgar Hoover saw cracking these cases as a means of burnishing the reputation of the newly professionalized FBI. Bestselling New Yorkerstaff writer Grann (The Devil and Sherlock Holmes: Tales of Murder, Madness, and Obsession, 2010, etc.) follows Special Agent Tom White and his assistants as they track the killers of one extended Osage family through a closed local culture of greed, bigotry, and lies in pursuit of protection for the survivors and justice for the dead. But he doesn't stop there; relying almost entirely on primary and unpublished sources, the author goes on to expose a web of conspiracy and corruption that extended far wider than even the FBI ever suspected. This page-turner surges forward with the pacing of a true-crime thriller, elevated by Grann's crisp and evocative prose and enhanced by dozens of period photographs.
Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.Pub Date: April 18, 2017
ISBN: 978-0-385-53424-6
Page Count: 352
Publisher: Doubleday
Review Posted Online: Feb. 1, 2017
Kirkus Reviews Issue: Feb. 15, 2017
BOOK TO SCREEN
BOOK TO SCREEN
BOOK TO SCREEN
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
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