Though the No. 1 Ladies’ Detective Agency increasingly feels more like a therapy group than a commercial enterprise, there’s...



A deceptively slow opening movement ushers in one of the most complicated dockets ever for the No. 1 Ladies’ Detective Agency.

“Life,” thinks Mma Precious Ramotswe, is “more or less perfect.” But only a few hours after this contented reflection, Mr. Polopetsi, the part-time chemistry teacher who volunteers his services at the agency, presents her with an unexpectedly vexing problem. Charity Mompoloki, the sister of a fellow teacher, has been fired from her job on the sales floor of The Office Place for speaking rudely to a customer—something she tearfully assures Mma Ramotswe she didn’t do, a statement Mma Grace Makutsi, the agency’s co-director and a fellow alumna of the Botswana Secretarial College, is prepared to defend to the death. If Charity wasn’t rude, then why did her boss, Mr. Gopolang, show her the door? Looking for answers, Mma Ramotswe (Precious and Grace, 2016, etc.) visits Charity’s mother, Mma Lentswe, in Mochudi, her own hometown, and inadvertently makes a discovery that seriously threatens to derail her from the increasingly puzzling case she’s agreed to investigate, a discovery that will lead to still further developments, some of them wonderful, some shattering. Meanwhile, word comes that Note Mokoti, Mma Ramotswe’s abusive first husband, has been spotted at the local branch of the Standard Bank. The traditionally built detective, normally a rock of strength and sanity, might well be overwhelmed by all this intrigue if her creator didn’t trot out perennial bad girl Violet Sephotho for one more round of villainy, provoking Mma Ramotswe’s unsurprising reaction: “Well, she does get around, doesn’t she?”

Though the No. 1 Ladies’ Detective Agency increasingly feels more like a therapy group than a commercial enterprise, there’s no denying the slow-burning power of its revelations in this 18th installment.

Pub Date: Nov. 7, 2017

ISBN: 978-1-101-87137-9

Page Count: 240

Publisher: Pantheon

Review Posted Online: Sept. 19, 2017

Kirkus Reviews Issue: Oct. 1, 2017

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Forget about solving all these crimes; the signal triumph here is (spoiler) the heroine’s survival.


Another sweltering month in Charlotte, another boatload of mysteries past and present for overworked, overstressed forensic anthropologist Temperance Brennan.

A week after the night she chases but fails to catch a mysterious trespasser outside her town house, some unknown party texts Tempe four images of a corpse that looks as if it’s been chewed by wild hogs, because it has been. Showboat Medical Examiner Margot Heavner makes it clear that, breaking with her department’s earlier practice (The Bone Collection, 2016, etc.), she has no intention of calling in Tempe as a consultant and promptly identifies the faceless body herself as that of a young Asian man. Nettled by several errors in Heavner’s analysis, and even more by her willingness to share the gory details at a press conference, Tempe launches her own investigation, which is not so much off the books as against the books. Heavner isn’t exactly mollified when Tempe, aided by retired police detective Skinny Slidell and a host of experts, puts a name to the dead man. But the hints of other crimes Tempe’s identification uncovers, particularly crimes against children, spur her on to redouble her efforts despite the new M.E.’s splenetic outbursts. Before he died, it seems, Felix Vodyanov was linked to a passenger ferry that sank in 1994, an even earlier U.S. government project to research biological agents that could control human behavior, the hinky spiritual retreat Sparkling Waters, the dark web site DeepUnder, and the disappearances of at least four schoolchildren, two of whom have also turned up dead. And why on earth was Vodyanov carrying Tempe’s own contact information? The mounting evidence of ever more and ever worse skulduggery will pull Tempe deeper and deeper down what even she sees as a rabbit hole before she confronts a ringleader implicated in “Drugs. Fraud. Breaking and entering. Arson. Kidnapping. How does attempted murder sound?”

Forget about solving all these crimes; the signal triumph here is (spoiler) the heroine’s survival.

Pub Date: March 17, 2020

ISBN: 978-1-9821-3888-2

Page Count: 352

Publisher: Scribner

Review Posted Online: Dec. 23, 2019

Kirkus Reviews Issue: Jan. 15, 2020

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Creepy, violent, and propulsive; a standout gothic mystery.


Lady detective Bridie Devine searches for a missing child and finds much more than she bargained for.

Bridie Devine is no stranger to the seedy underworld of Victorian London. An accomplished detective with medical training, she sometimes helps the police by examining bodies to determine the cause of death. Bridie recently failed to find a lost child, and when she’s approached about another missing child, the daughter of Sir Edmund Berwick, she isn’t enthusiastic about taking on the case. But Christabel Berwick is no ordinary child. Sir Edmund has hidden Christabel away her whole life and wants Bridie to believe this is an ordinary kidnapping. Bridie does a little digging and learns that Christabel isn’t his daughter so much as his prized specimen. Sir Edmund believes Christabel is a “merrow,” a darker and less romanticized version of a mermaid. Bridie is skeptical, but there are reports of Christabel’s sharp teeth, color-changing eyes, and ability to drown people on dry land. Given that Bridie’s new companion is a ghost who refuses to tell her why he’s haunting her, Bridie might want to open her mind a bit. There’s a lot going on in this singular novel, and none of it pretty. Bridie’s London is soaked with mud and blood, and her past is nightmarish at best. Kidd (Mr. Flood’s Last Resort, 2018, etc.) is an expert at setting a supernatural mood perfect for ghosts and merrows, but her human villains make them seem mundane by comparison. With so much detail and so many clever, Dickensian characters, readers might petition Kidd to give Bridie her own series.

Creepy, violent, and propulsive; a standout gothic mystery.

Pub Date: Feb. 4, 2020

ISBN: 978-1-9821-2128-0

Page Count: 384

Publisher: Atria

Review Posted Online: Sept. 30, 2019

Kirkus Reviews Issue: Oct. 15, 2019

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