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THE KALAHARI TYPING SCHOOL FOR MEN

Inspector Ghote meets Mr. Parker Pyne. Readers who haven’t yet discovered Mma Ramotswe will enjoy discovering how her quiet...

It’s a good thing that Precious Ramotswe (The No. 1 Ladies’ Detective Agency, 2001, etc.) has consolidated the No. 1 Ladies’ Detective Agency in anticipation of consolidating her personal life—moving its headquarters back of Tlokweng Road Speedy Motors, the establishment owned by Mr. J.L.B. Matekoni, her fiancé—because the not-so-mean streets of Gaborone are teeming with problems only she can solve. Mr. Molofelo, a prosperous civil engineer from Lobatse, throws himself on her as a confessor, then asks her to find two women he wronged when he was a young man years ago: Tebogo Bathopi, the nursing student whom he insisted have the abortion he made necessary, and Mma Tsolamosese, the landlady whose radio he stole in order to finance the abortion. While Mma Ramotswe looks for the women, her assistant, Mma Grace Makutsi, looks for men: if not the gentleman friend she pines for, then prospective students for her new typing school aimed at men who want to learn secretarial skills without embarrassing themselves in front of a classful of women. Bumptious Cephas Buthelezi, who’s opened the rival Satisfaction Guaranteed Detective Agency across town, has no chance against these women’s patient resolve—since although men may be tougher than women, they’re clearly not interested enough in other people to make good detectives.

Inspector Ghote meets Mr. Parker Pyne. Readers who haven’t yet discovered Mma Ramotswe will enjoy discovering how her quiet humor, understated observation, and resolutely domestic approach to detection promise to put Botswana on the sleuthing map for good.

Pub Date: April 29, 2003

ISBN: 0-375-42217-X

Page Count: 224

Publisher: Pantheon

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Feb. 15, 2003

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PERFECT LITTLE CHILDREN

Save a friendship, save a life—a surprising lesson for an unusual and absorbing thriller.

A woman reunited with an estranged friend discovers that nothing about her has changed in 12 years—including the ages of her children—and can’t rest until she solves the mystery.

Beth Leeson has always wondered what happened to Flora Braid after their friendship fell apart. But the Braids moved away, and they lost touch. Twelve years later, Beth decides to check on her and spies Flora coaxing her two small children, Thomas and Emily, ages 5 and 3, out of their car—which is crazy, because that’s how old the kids were when Beth knew them. By now they should be teenagers. And the Braids’ youngest child, Georgina, isn't there at all. Beth isn’t crazy. She knows what she saw. Her daughter, Zannah, serves as a precocious sounding board for her evolving, and sometimes outlandish, theories: “Even if a science genius invented a drug that stopped people aging, they wouldn’t freeze their kids in time at three and five. Those are pain-in-the-arse ages. You might freeze your kids at, like, nine and eleven,” Zannah says to refute the idea that Thomas and Emily were part of a genetic experiment. But the simplest explanation they can think of—that the children are Thomas and Emily’s younger siblings—doesn’t quite add up. Why would Flora give all her children the same names? The question then becomes, how well did Beth really know the Braids? With a combination of social media stalking and amateur detective work, Beth tracks down Flora and her husband, Lewis, in both England and Florida and discovers that her old friends are leading double lives in more ways than one. Initially, the bond between the two women seems too weak to warrant such an intense search, but as Beth considers the problems that Flora might’ve been dealing with years ago that she hadn’t noticed, her curiosity thaws into genuine concern that turns her mission into a moral imperative.

Save a friendship, save a life—a surprising lesson for an unusual and absorbing thriller.

Pub Date: Feb. 4, 2020

ISBN: 978-0-06-297820-2

Page Count: 336

Publisher: Morrow/HarperCollins

Review Posted Online: Nov. 24, 2019

Kirkus Reviews Issue: Dec. 15, 2019

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PIECES OF HER

Reading anything by Slaughter is like riding a particularly scary amusement park ride. Reading this one is like booking a...

A plain-Jane daughter’s 31st birthday celebration explodes into a nightmare within a nightmare in Slaughter’s latest stand-alone.

Andrea Oliver’s always felt inferior to her parents. Her father, Gordon Oliver, is a trusts and estates attorney; her mother, Dr. Laura Oliver, is a speech therapist. Andy herself has never aspired to any career goal higher than serving as an assistant to someone important. Even when she left Belle Isle, Georgia, for the Big Apple, she got nowhere, and she was only too eager to return home when her mother announced three years ago that she’d been diagnosed with breast cancer. As the two women mark Andy’s birthday by sharing lunch in a mall cafe, a crazed shooter opens fire on a mother-and-daughter pair who’ve stopped to greet Laura, and Andy’s life changes in an instant. Or rather two instants, the first when the shots ring out and the second when Laura, after inviting the killer to shoot her next, coolly and dispassionately dispatches him. It takes the dazed Andy hours to realize that her mother’s not at all who she seems to be, and by the time she’s ready to accept the fact that Laura Oliver is a woman with a past, that past is already racing to catch up with both mother and daughter. Cutting back and forth between Andy’s harrowing flight to nowhere after Laura pushes her out of her home and a backstory 30 years earlier involving the Army of the Changing World, a cell of amateur terrorists determined to strike a mortal blow against greedy capitalists and, it eventually turns out, each other as well, Slaughter (The Good Daughter, 2017, etc.) never abates her trademark intensity, and fans will feel that the story is pumping adrenalin directly into their bloodstreams. Long before the end, though, the impostures, secret identities, hidden motives, and double-crosses will have piled up past the point of no return, leaving the tale to run on adrenalin alone.

Reading anything by Slaughter is like riding a particularly scary amusement park ride. Reading this one is like booking a season ticket on a ride that never lets you off.

Pub Date: Aug. 21, 2018

ISBN: 978-0-06-243027-4

Page Count: 480

Publisher: Morrow/HarperCollins

Review Posted Online: May 14, 2018

Kirkus Reviews Issue: June 1, 2018

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