Hannah (Keep Her Safe, 2017, etc.) strews clues and complications with such prodigal abandon that even readers who rub their...



A task force of police officers from across England struggles to apprehend the killer they’ve imprudently dubbed “Billy Dead Mates.”

The nickname, mercilessly ridiculed by feminist Lifeworld columnist Sondra Halliday, stems from the fact that the first two shooting victims, Linzi Birrell and Rhian Douglas, were best friends. So were the next two, Angela McCabe and Joshua Norbury. Shortly before getting murdered, each victim received a little white notebook whose pages were blank except for a single line from a poem by an American writer. As DI Gilles Proust and DC Simon Waterhouse of the Culver Valley Police work with their counterparts from Bournemouth and Poole and the London Metropolitan Police to identify Billy, comedian Kim Tribbeck, already stressed out by her long-estranged grandmother’s drawn-out demise in Rawndesley Hospital, has an alarming recollection: Somewhere, sometime during her most recent circuit of stand-up performances, someone slipped her a little white notebook as well. When she reports the matter to the police, she’s chagrined to find her own most urgent question (who’s planning to kill me?) humiliatingly transformed by them (since she received the notebook at least a few weeks ago, why hasn’t she been killed yet, and who’s the best friend who’s slated to be killed along with her?). Under every rock Proust, Waterhouse, and DC Chris Gibbs turn over, they find fresh suspects, from Kim’s ex-lover Liam Sturridge to Marjolein Baillie, the self-styled Ishaya of Bright Path (don’t ask). While Sondra Halliday loudly insists that the crimes are nothing more or less than femicide, Kim’s transgressive, tightrope-walking wit provides a welcome fulcrum between the extravagantly inventive mystery and the unrelenting exploration of even minor characters’ psychology.

Hannah (Keep Her Safe, 2017, etc.) strews clues and complications with such prodigal abandon that even readers who rub their eyes in disbelief at her solution will be impressed by the range and weight of her impassioned plotting.

Pub Date: Feb. 19, 2019

ISBN: 978-0-06-238835-3

Page Count: 416

Publisher: Morrow/HarperCollins

Review Posted Online: Nov. 12, 2018

Kirkus Reviews Issue: Dec. 1, 2018

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Forget about solving all these crimes; the signal triumph here is (spoiler) the heroine’s survival.


Another sweltering month in Charlotte, another boatload of mysteries past and present for overworked, overstressed forensic anthropologist Temperance Brennan.

A week after the night she chases but fails to catch a mysterious trespasser outside her town house, some unknown party texts Tempe four images of a corpse that looks as if it’s been chewed by wild hogs, because it has been. Showboat Medical Examiner Margot Heavner makes it clear that, breaking with her department’s earlier practice (The Bone Collection, 2016, etc.), she has no intention of calling in Tempe as a consultant and promptly identifies the faceless body herself as that of a young Asian man. Nettled by several errors in Heavner’s analysis, and even more by her willingness to share the gory details at a press conference, Tempe launches her own investigation, which is not so much off the books as against the books. Heavner isn’t exactly mollified when Tempe, aided by retired police detective Skinny Slidell and a host of experts, puts a name to the dead man. But the hints of other crimes Tempe’s identification uncovers, particularly crimes against children, spur her on to redouble her efforts despite the new M.E.’s splenetic outbursts. Before he died, it seems, Felix Vodyanov was linked to a passenger ferry that sank in 1994, an even earlier U.S. government project to research biological agents that could control human behavior, the hinky spiritual retreat Sparkling Waters, the dark web site DeepUnder, and the disappearances of at least four schoolchildren, two of whom have also turned up dead. And why on earth was Vodyanov carrying Tempe’s own contact information? The mounting evidence of ever more and ever worse skulduggery will pull Tempe deeper and deeper down what even she sees as a rabbit hole before she confronts a ringleader implicated in “Drugs. Fraud. Breaking and entering. Arson. Kidnapping. How does attempted murder sound?”

Forget about solving all these crimes; the signal triumph here is (spoiler) the heroine’s survival.

Pub Date: March 17, 2020

ISBN: 978-1-9821-3888-2

Page Count: 352

Publisher: Scribner

Review Posted Online: Dec. 23, 2019

Kirkus Reviews Issue: Jan. 15, 2020

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Creepy, violent, and propulsive; a standout gothic mystery.


Lady detective Bridie Devine searches for a missing child and finds much more than she bargained for.

Bridie Devine is no stranger to the seedy underworld of Victorian London. An accomplished detective with medical training, she sometimes helps the police by examining bodies to determine the cause of death. Bridie recently failed to find a lost child, and when she’s approached about another missing child, the daughter of Sir Edmund Berwick, she isn’t enthusiastic about taking on the case. But Christabel Berwick is no ordinary child. Sir Edmund has hidden Christabel away her whole life and wants Bridie to believe this is an ordinary kidnapping. Bridie does a little digging and learns that Christabel isn’t his daughter so much as his prized specimen. Sir Edmund believes Christabel is a “merrow,” a darker and less romanticized version of a mermaid. Bridie is skeptical, but there are reports of Christabel’s sharp teeth, color-changing eyes, and ability to drown people on dry land. Given that Bridie’s new companion is a ghost who refuses to tell her why he’s haunting her, Bridie might want to open her mind a bit. There’s a lot going on in this singular novel, and none of it pretty. Bridie’s London is soaked with mud and blood, and her past is nightmarish at best. Kidd (Mr. Flood’s Last Resort, 2018, etc.) is an expert at setting a supernatural mood perfect for ghosts and merrows, but her human villains make them seem mundane by comparison. With so much detail and so many clever, Dickensian characters, readers might petition Kidd to give Bridie her own series.

Creepy, violent, and propulsive; a standout gothic mystery.

Pub Date: Feb. 4, 2020

ISBN: 978-1-9821-2128-0

Page Count: 384

Publisher: Atria

Review Posted Online: Sept. 30, 2019

Kirkus Reviews Issue: Oct. 15, 2019

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