Gently but invincibly obtuse, von Igelfeld is too much an elephantine cartoon to inspire the love readers have given...
Prolific McCall Smith, who’s unaccountably neglected Professor Dr. Dr. (honoris causa) (mult.) Moritz-Maria von Igelfeld ever since the trilogy that ended with At the Villa of Reduced Circumstances (2004), presents five more adventures for the eminent but clueless philologist.
“Adventures” is a relative term, for von Igelfeld’s life, like Kant’s, is so regulated that the slightest departure from his normal routine or the comfort zone circumscribed by his advanced but recondite knowledge of Portuguese irregular verbs can be traumatic. Merely reading over an announcement that Professor Dr. Dr. Detlev-Amadeus Unterholzer, his incomparably less-celebrated colleague in Regensburg’s Institute of Romance Philology, has been shortlisted for an award is enough to launch him in an unaccustomed direction—this time to Berlin, where he asks the Director of the Leonhardt Stiftung as delicately as he can whether there might possibly have been some mistake among the nominating committee. Subsequent episodes bring von Igelfeld together with Kitty Benz, the well-heeled widow to whom his colleague Professor Dr. Dr. Florianus Prinzel and his wife, Ophelia, are bent on introducing him, and then to an intimate lunch with Frau Benz at Schloss Dunkelberg, the modest home that features a ceiling painted with a scene depicting her late husband’s entrance to heaven. Although this episode (spoiler alert) leaves von Igelfeld as unmarried as ever, he undergoes a different and utterly unexpected sort of change when he takes a group of graduate students on a study trip to an Alpine retreat—an experience that makes him a celebrity invited to give an after-dinner talk to a gathering of Hamburg businessmen in the final (for now) story.
Gently but invincibly obtuse, von Igelfeld is too much an elephantine cartoon to inspire the love readers have given Precious Ramotswe and Isabel Dalhousie.Pub Date: Dec. 26, 2012
ISBN: 978-0-307-27989-7
Page Count: 224
Publisher: Anchor
Review Posted Online: Oct. 28, 2012
Kirkus Reviews Issue: Nov. 15, 2012
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
A strict report, worthy of sympathy.
A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.
"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….
A strict report, worthy of sympathy.Pub Date: June 15, 1951
ISBN: 0316769177
Page Count: -
Publisher: Little, Brown
Review Posted Online: Nov. 2, 2011
Kirkus Reviews Issue: June 15, 1951
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
APPRECIATIONS
Genetically engineered dinosaurs run amok in Crichton's new, vastly entertaining science thriller. From the introduction alone—a classically Crichton-clear discussion of the implications of biotechnological research—it's evident that the Harvard M.D. has bounced back from the science-fantasy silliness of Sphere (1987) for another taut reworking of the Frankenstein theme, as in The Andromeda Strain and The Terminal Man. Here, Dr. Frankenstein is aging billionaire John Hammond, whose monster is a manmade ecosystem based on a Costa Rican island. Designed as the world's ultimate theme park, the ecosystem boasts climate and flora of the Jurassic Age and—most spectacularly—15 varieties of dinosaurs, created by elaborate genetic engineering that Crichton explains in fascinating detail, rich with dino-lore and complete with graphics. Into the park, for a safety check before its opening, comes the novel's band of characters—who, though well drawn, double as symbolic types in this unsubtle morality play. Among them are hero Alan Grant, noble paleontologist; Hammond, venal and obsessed; amoral dino-designer Henry Wu; Hammond's two innocent grandchildren; and mathematician Ian Malcolm, who in long diatribes serves as Crichton's mouthpiece to lament the folly of science. Upon arrival, the visitors tour the park; meanwhile, an industrial spy steals some dino embryos by shutting down the island's power—and its security grid, allowing the beasts to run loose. The bulk of the remaining narrative consists of dinos—ferocious T. Rex's, voracious velociraptors, venom-spitting dilophosaurs—stalking, ripping, and eating the cast in fast, furious, and suspenseful set-pieces as the ecosystem spins apart. And can Grant prevent the dinos from escaping to the mainland to create unchecked havoc? Though intrusive, the moralizing rarely slows this tornado-paced tale, a slick package of info-thrills that's Crichton's most clever since Congo (1980)—and easily the most exciting dinosaur novel ever written. A sure-fire best-seller.
Pub Date: Nov. 7, 1990
ISBN: 0394588169
Page Count: 424
Publisher: Knopf
Review Posted Online: Sept. 21, 2011
Kirkus Reviews Issue: Oct. 15, 1990
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