The joy of cooking—and family—brought to brilliant life.
James Beard Award–winning chef Smalls, acclaimed author and editor Millner, and celebrated illustrator Morrison team up for an ode to Sunday dinner.
After church each week, young Alexander’s whole family gathers on the porch for a sumptuous feast. To prepare, this tightknit Black family crowds into the kitchen on Saturday night; Alexander helps his mother peel eggs, shred cheese, and shell pecans. He also gathers garden-fresh ingredients with his grandfather, who reminds him, “Water and patience—that’s all anything living needs to grow.” But what Alexander wants most of all is to contribute something of his very own—something his often-preoccupied father will love. When Alexander cooks franks and beans one Saturday evening after the meal prep, his creation is so tasty that Mom tells him to whip up a dessert with which to grace the table that Sunday. Highlighting a young boy’s entree into the culinary arts, this delightful tale frames cooking as an important rite of passage—and a way to cement familial bonds. Smalls and Millner’s pitch-perfect dialogue imbues the various characters with life. Relying on his signature oil paintings, Morrison adds energy and verve; he captures Alexander’s nervousness in an especially captivating close-up of Dad gazing at the child’s lemon icebox pie, one eyebrow raised. Dad’s appreciative smile and words (“That’s some good pie”) say it all.
The joy of cooking—and family—brought to brilliant life. (recipe for lemon icebox pie) (Picture book. 4-7)Pub Date: Jan. 7, 2025
ISBN: 9781534488724
Page Count: 40
Publisher: Denene Millner Books/Simon & Schuster
Review Posted Online: Oct. 25, 2024
Kirkus Reviews Issue: Dec. 1, 2024
This warm family story is a splendid showcase for the combined talents of Medina, a Pura Belpré award winner, and Dominguez,...
Abuela is coming to stay with Mia and her parents. But how will they communicate if Mia speaks little Spanish and Abuela, little English? Could it be that a parrot named Mango is the solution?
The measured, evocative text describes how Mia’s español is not good enough to tell Abuela the things a grandmother should know. And Abuela’s English is too poquito to tell Mia all the stories a granddaughter wants to hear. Mia sets out to teach her Abuela English. A red feather Abuela has brought with her to remind her of a wild parrot that roosted in her mango trees back home gives Mia an idea. She and her mother buy a parrot they name Mango. And as Abuela and Mia teach Mango, and each other, to speak both Spanish and English, their “mouths [fill] with things to say.” The accompanying illustrations are charmingly executed in ink, gouache, and marker, “with a sprinkling of digital magic.” They depict a cheery urban neighborhood and a comfortable, small apartment. Readers from multigenerational immigrant families will recognize the all-too-familiar language barrier. They will also cheer for the warm and loving relationship between Abuela and Mia, which is evident in both text and illustrations even as the characters struggle to understand each other. A Spanish-language edition, Mango, Abuela, y yo, gracefully translated by Teresa Mlawer, publishes simultaneously.
This warm family story is a splendid showcase for the combined talents of Medina, a Pura Belpré award winner, and Dominguez, an honoree. (Picture book. 4-7)Pub Date: Aug. 25, 2015
ISBN: 978-0-7636-6900-3
Page Count: 32
Publisher: Candlewick
Review Posted Online: April 14, 2015
Kirkus Reviews Issue: May 1, 2015
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Nice enough but not worth repeat reads.
Emma deals with jitters before playing the guitar in the school talent show.
Pop musician Kevin Jonas and his wife, Danielle, put performance at the center of their picture-book debut. When Emma is intimidated by her very talented friends, the encouragement of her younger sister, Bella, and the support of her family help her to shine her own light. The story is straightforward and the moral familiar: Draw strength from your family and within to overcome your fears. Employing the performance-anxiety trope that’s been written many times over, the book plods along predictably—there’s nothing really new or surprising here. Dawson’s full-color digital illustrations center a White-presenting family along with Emma’s three friends of color: Jamila has tanned skin and wears a hijab; Wendy has dark brown skin and Afro puffs; and Luis has medium brown skin. Emma’s expressive eyes and face are the real draw of the artwork—from worry to embarrassment to joy, it’s clear what she’s feeling. A standout double-page spread depicts Emma’s talent show performance, with a rainbow swirl of music erupting from an amp and Emma rocking a glam outfit and electric guitar. Overall, the book reads pretty plainly, buoyed largely by the artwork. (This book was reviewed digitally.)
Nice enough but not worth repeat reads. (Picture book. 4-6)Pub Date: March 29, 2022
ISBN: 978-0-593-35207-6
Page Count: 40
Publisher: Razorbill/Penguin
Review Posted Online: Feb. 8, 2022
Kirkus Reviews Issue: March 1, 2022
BOOK REVIEW
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