Kliment, a member of the Prague Spring literary generation (Vaclav Havel, Josef Škvorecký, Milan Kundera, et al.), is...
Memory and meditation dominate this alternately static and absorbing 1977 tale, the first of this Czech author’s four novels to appear in English.
The story is presented as the first-person narrative of Mikulas Svoboda, an architect who upon turning 40, in 1967, looks back over his earlier life, loves, and submissive “accommodation” to a communist regime that stifled his lifelong desire to create living spaces “in harmony with . . . the landscape I had a personal connection to.” Instead, he has obeyed orders to “Build quickly, build cheaply,” and thus avoid the fates suffered by his brother Beda (accused of “sabotage” and gently decaying in a lunatic asylum), and by several other friends and colleagues who enter the novel only as quickly sketched memories. These latter include Stepan, a cautious Catholic priest; Mikulas’s pragmatic supervisor Dr. Rychta; and a former mentor Kormund, the unlucky perpetrator of a botched fake assassination attempt on a politician who “needed to show that people were threatening him.” Mikulas’s decision to “live parallel” (i.e., alongside, but detached from, the reality destroying his country’s landscape and its spirit) sets him at odds with almost everyone he encounters, and crystallizes in his tangled relations with three women: his former wife Jarmila, a petite, strong-minded literary translator; his sometime mistress Miladka, a “luggagette” whom he meets at a railroad station; and the love of his life Olga, a widowed painter whose imminent departure from Prague to live in Paris is the stimulus for Mikulas’s lengthy vacillations between her claims on him and those that his country and culture continue to exert. The resulting structure of episodic, nonsequential thematic clusters with virtually no narrative tension offers, at its best, echoes of Boris Pasternak’s ineffably meditative “novels”; at its worst, frequent tedium.
Kliment, a member of the Prague Spring literary generation (Vaclav Havel, Josef Škvorecký, Milan Kundera, et al.), is clearly a gifted, thoughtful writer, but Living Parallel isn’t much of a novel.Pub Date: Feb. 1, 2002
ISBN: 0-945774-51-6
Page Count: 222
Publisher: N/A
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Dec. 15, 2001
Miller makes Homer pertinent to women facing 21st-century monsters.
A retelling of ancient Greek lore gives exhilarating voice to a witch.
“Monsters are a boon for gods. Imagine all the prayers.” So says Circe, a sly, petulant, and finally commanding voice that narrates the entirety of Miller’s dazzling second novel. The writer returns to Homer, the wellspring that led her to an Orange Prize for The Song of Achilles (2012). This time, she dips into The Odyssey for the legend of Circe, a nymph who turns Odysseus’ crew of men into pigs. The novel, with its distinctive feminist tang, starts with the sentence: “When I was born, the name for what I was did not exist.” Readers will relish following the puzzle of this unpromising daughter of the sun god Helios and his wife, Perse, who had negligible use for their child. It takes banishment to the island Aeaea for Circe to sense her calling as a sorceress: “I will not be like a bird bred in a cage, I thought, too dull to fly even when the door stands open. I stepped into those woods and my life began.” This lonely, scorned figure learns herbs and potions, surrounds herself with lions, and, in a heart-stopping chapter, outwits the monster Scylla to propel Daedalus and his boat to safety. She makes lovers of Hermes and then two mortal men. She midwifes the birth of the Minotaur on Crete and performs her own C-section. And as she grows in power, she muses that “not even Odysseus could talk his way past [her] witchcraft. He had talked his way past the witch instead.” Circe’s fascination with mortals becomes the book’s marrow and delivers its thrilling ending. All the while, the supernatural sits intriguingly alongside “the tonic of ordinary things.” A few passages coil toward melodrama, and one inelegant line after a rape seems jarringly modern, but the spell holds fast. Expect Miller’s readership to mushroom like one of Circe’s spells.
Miller makes Homer pertinent to women facing 21st-century monsters.Pub Date: April 10, 2018
ISBN: 978-0-316-55634-7
Page Count: 400
Publisher: Little, Brown
Review Posted Online: Jan. 22, 2018
Kirkus Reviews Issue: Feb. 1, 2018
PROFILES
A modern day fable, with modern implications in a deceiving simplicity, by the author of Dickens. Dali and Others (Reynal & Hitchcock, p. 138), whose critical brilliance is well adapted to this type of satire. This tells of the revolt on a farm, against humans, when the pigs take over the intellectual superiority, training the horses, cows, sheep, etc., into acknowledging their greatness. The first hints come with the reading out of a pig who instigated the building of a windmill, so that the electric power would be theirs, the idea taken over by Napoleon who becomes topman with no maybes about it. Napoleon trains the young puppies to be his guards, dickers with humans, gradually instigates a reign of terror, and breaks the final commandment against any animal walking on two legs. The old faithful followers find themselves no better off for food and work than they were when man ruled them, learn their final disgrace when they see Napoleon and Squealer carousing with their enemies... A basic statement of the evils of dictatorship in that it not only corrupts the leaders, but deadens the intelligence and awareness of those led so that tyranny is inevitable. Mr. Orwell's animals exist in their own right, with a narrative as individual as it is apt in political parody.
Pub Date: Aug. 26, 1946
ISBN: 0452277507
Page Count: 114
Publisher: Harcourt, Brace
Review Posted Online: Nov. 2, 2011
Kirkus Reviews Issue: Aug. 1, 1946
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