A quietly fulfilling and even subversive read.
A young girl sets out on a path to realize spiritual satisfaction in Anton’s novel.
Are pilgrims born or made? In Santiaga’s case, maybe both are true. Searching for answers and quickly realizing she can’t live stagnating “on a raft in vast waters with no current,” Santiaga leaves home, escaping an alcoholic mother who’s emotionally abandoned her. With friend and fellow seeker Gloria, Santiaga journeys into the forest, where they become samanas (ascetics) under the tutelage of Guru Pierre. The girls live humbly, shaving their heads and practicing skills like baking and sewing. Santiaga embraces asceticism, yet she recognizes that there’s “a black, cold void inside of her that could never be filled.” Landing in a bustling city, she finds employment in a restaurant. One day she approaches a handsome customer, Kamal, requesting that he teach her about love. Amused by her boldness, he takes her up on the offer. Soon enough, she’s occupying a higher stratum of society, wearing fine clothing and mingling with the wealthy. But more big changes lie ahead in Santiaga’s journey. Anton shows that wandering, not the unnamed destinations, is the point for the title character. Santiaga has the capacity to enjoy any landscape; a brook is her “quiet companion” in the forest, where she squeezes damp earth merely for the feel. Yet in the city, she appreciates a constructed civilization of “squares, rectangles, boxes” and “skyscrapers angled toward the heavens.” Characters use simple language but encompass complexity. Santiaga’s mom neglects yet admires her daughter. Fellow samana Rebecca gives up her child to follow her own path but still aches. When Santiaga relinquishes another, believing it necessary to salvage her own life, she also suffers great guilt. Using the structure of a hero’s journey, Anton shows that heroines tread an arduous road. While male pilgrims nobly “untether,” women attempting the same are condemned.
A quietly fulfilling and even subversive read.Pub Date: N/A
ISBN: 9798995041603
Page Count: -
Publisher: Self
Review Posted Online: April 13, 2026
Review Program: Kirkus Indie
Fans of Stockett’s bestselling debut will love this engaging follow-up.
Stockett heads to Mississippi for another historical novel about feisty women.
This time, perhaps recalling criticisms of cultural appropriation in The Help (2009), she sticks to feisty white women, with one exception. The setting is Oxford in 1933. For two miserable years, 11-year-old Meg has lived in “the Orphan,” a county asylum for parentless girls. Chairlady Garnett—a villain so one-note she’d twirl a mustache if she had one—makes it her mission to ostracize the older girls she deems unadoptable, stigmatizing them as offspring of the “feebleminded” mothers who abandoned them. She particularly has it in for smart, sassy Meg, who refuses to believe her mother’s mysterious disappearance was deliberate. Elsewhere in Oxford, Birdie Calhoun comes to visit her sister Frances, who married a wealthy banker, to ask for money on behalf of their mother and grandmother back in Footely. Frances isn’t thrilled by this reminder of her impoverished small-town origins. But she’s trying to climb up in Oxford society by volunteering at the Orphan, the asylum’s books need to be done before the state inspector shows up in a few weeks, and Birdie is a bookkeeper. Having neatly arranged to keep Birdie in town and draw these two storylines together, Stockett goes on to spin a compulsively readable yarn with enough plot for a half-dozen novels. Birdie and Meg become friends, Meg is adopted despite Garnett’s best efforts, Meg’s mother turns up at the Orphan demanding to know where her child is—and that’s less than a quarter of the way through a long, winding narrative that keeps piling on more dramatic developments until all loose ends are neatly, if hastily, wrapped up in the final pages. Stockett might be making a point about Southern women facing facts and standing up for themselves, but mostly this is just a satisfyingly twisty tale that should make a great miniseries.
Fans of Stockett’s bestselling debut will love this engaging follow-up.Pub Date: May 5, 2026
ISBN: 9781954118812
Page Count: 656
Publisher: Spiegel & Grau
Review Posted Online: Feb. 2, 2026
Kirkus Reviews Issue: March 1, 2026
BOOK REVIEW
A classic Green portrait of young love…but here the fault is in our social media.
A relationship between young screen actors is magical, fraught, and relentlessly public in Green’s first novel for adults.
“Every movie romance needs an Obstacle, a reason the characters don’t naturally fall into each other.” In the off-screen romance between actors Juniper Castillo and Kai Laramie, the obstacle is a moving target. Juniper notices early on that as flirty and forward as Kai is, he seems “closed off to a romantic connection”; that turns out to be the tip of a very problematic iceberg. The two meet in the lobby of a Pittsburgh hotel where they will be spending the evening with Matthew Malone, the megastar playing Andy Warhol in a movie they’re about to begin shooting, Andy Warhol Never Gets Old. Kai has been cast as Andy’s intern, Juniper as a journalist who gets in over her head. This is Juniper’s first adult role after a long run as a Nickelodeon child star, and newcomer Kai’s first role of any kind. Green evokes in compelling detail all the phases and aspects of the film project, from the table read to the screening of the rough cut, from the social media fanfare to the public premiere and the press junket, moving back and forth between Juniper’s and Kai’s first-person perspectives. In a meeting with one of the ubiquitous publicists, Kai learns that somehow “the high school stuff” he never talks about—despite their growing inseparability and seemingly profound connection, he hasn’t even brought himself to share it with Juniper—has surfaced. Details emerge slowly, then blow up in the media; the book’s third act focuses on the destructive potential of celebrity culture in a climate that makes Warhol’s milieu look innocent by comparison. After a long break from writing fiction—his last two books were Everything Is Tuberculosis (2025) and The Anthropocene Reviewed (2021)—Green fills this novel with carefully observed details of Hollywood culture and characters, including running jokes about vegan cuisine, media training, and the way Kai’s agent constantly and boorishly consults his young female assistant on points of political correctness. Can he talk about “hot girls”? Can he quote T.S. Eliot? OK to say “dog vomit”?
A classic Green portrait of young love…but here the fault is in our social media.Pub Date: Sept. 22, 2026
ISBN: 9780525426073
Page Count: 304
Publisher: Dutton
Review Posted Online: Sept. 4, 2026
Kirkus Reviews Issue: Oct. 15, 2026
BOOK REVIEW
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