An uneven collection from an exciting young author.
The author of Days of Distraction (2020) explores timeless themes in short fiction.
Unemployed after being replaced by a piece of software, a woman in her 30s is burning through her severance pay, spending her days eating weed gummies and binge-watching dating shows. When a former co-worker steers a housesitting gig her way, she finds the idea of an “escape into someone else’s house, someone else’s life” attractive. This job takes her to a secluded home in the hills owned by a couple embarking on a trip to Portugal. Our narrator is free to enjoy the home’s amenities—meditation room, swimming pool, Peloton, professional espresso machine—as long as she agrees to stay out of the wife’s painting studio and a dilapidated shed. Despite the contemporary details, this is a perfect setup for a gothic tale, and Chang delivers a story in which the unexplained takes on the power to chill because of how it occurs within the quotidian abnormality of extreme privilege. This story, “Unknown by Unknown,” is the first in the collection, and it is far and away the best. The title story is also very good. In it, a series of rituals meant to honor ancestors forces a young girl to reckon with a massacre that occurred long before she was born—a massacre that her now-dead grandfather had tried to make her understand. The rest of the stories presented here are substantially less satisfying. Chang’s debut novel was brilliantly executed. Most of the works we see here feel like warm-up exercises or not entirely successful experiments. The author seems to have a particular aversion to—or difficulty with—endings. The openness at the end of “Unknown by Unknown” feels both scary and weirdly thrilling. Elsewhere, though, stories end at a moment that is maybe supposed to seem portentous but comes across as arbitrary.
An uneven collection from an exciting young author.Pub Date: Aug. 8, 2023
ISBN: 9780062951847
Page Count: 256
Publisher: Ecco/HarperCollins
Review Posted Online: May 24, 2023
Kirkus Reviews Issue: June 15, 2023
BOOK REVIEW
SEEN & HEARD
An affecting portrait of a prickly woman.
A lifetime’s worth of letters combine to portray a singular character.
Sybil Van Antwerp, a cantankerous but exceedingly well-mannered septuagenarian, is the titular correspondent in Evans’ debut novel. Sybil has retired from a beloved job as chief clerk to a judge with whom she had previously been in private legal practice. She is the divorced mother of two living adult children and one who died when he was 8. She is a reader of novels, a gardener, and a keen observer of human nature. But the most distinguishing thing about Sybil is her lifelong practice of letter writing. As advancing vision problems threaten Sybil’s carefully constructed way of life—in which letters take the place of personal contact and engagement—she must reckon with unaddressed issues from her past that threaten the house of cards (letters, really) she has built around herself. Sybil’s relationships are gradually revealed in the series of letters sent to and received from, among others, her brother, sister-in-law, children, former work associates, and, intriguingly, literary icons including Joan Didion and Larry McMurtry. Perhaps most affecting is the series of missives Sybil writes but never mails to a shadowy figure from her past. Thoughtful musings on the value and immortal quality of letters and the written word populate one of Sybil’s notes to a young correspondent while other messages are laugh-out-loud funny, tinged with her characteristic blunt tartness. Evans has created a brusque and quirky yet endearing main character with no shortage of opinions and advice for others but who fails to excavate the knotty difficulties of her own life. As Sybil grows into a delayed self-awareness, her letters serve as a chronicle of fitful growth.
An affecting portrait of a prickly woman.Pub Date: May 6, 2025
ISBN: 9780593798430
Page Count: 304
Publisher: Crown
Review Posted Online: Feb. 15, 2025
Kirkus Reviews Issue: March 15, 2025
A dark and twisty look at just how far one woman is willing to go to find inspiration.
A struggling writer finds an unexpected muse when a mysterious man shows up at her cabin.
Petra Rose used to pump out a bestselling book every six months, but then the adaptation happened—that is, the disastrous film adaptation of her most famous book. The movie changed the book’s storyline so egregiously that fans couldn’t forgive her, and the ensuing harassment sent Petra into hiding and gave her a serious case of writer’s block. Petra’s one hope is her solo writing retreat at a remote cabin, where she can escape the distractions of real life and focus on her next book, a story about a woman having an affair with a cop. When officer Nathaniel Saint shows up at her cabin door, inspiration comes flooding back. Much like the character from Petra’s book, Saint is married, and he’s willing to be Petra’s muse, helping her get into her characters’ heads. Petra’s book is practically writing itself, but is the game she’s playing a little too dangerous? Does she know when to stop—and, more importantly, is Saint willing to stop? Hoover is no stranger to controversial movie adaptations and internet backlash, but she clarifies in a note to readers that she’s “just a writer writing about a writer” and that no further connections to her own life are contained in these pages—which is a good thing, because the book takes some horrifying twists and turns. Petra finds herself inexplicably attracted to Saint, even as she describes him as “such an asshole,” and her feelings for him veer between love and hate. The novel serves as a meta commentary on the dark romance genre—as Petra puts it, “Even though, as readers, we wouldn’t want to live out some of the fantasies we read about, it doesn’t mean we don’t enjoy reading those things.”
A dark and twisty look at just how far one woman is willing to go to find inspiration.Pub Date: Jan. 13, 2026
ISBN: 9781662539374
Page Count: -
Publisher: Montlake
Review Posted Online: Sept. 27, 2025
Kirkus Reviews Issue: Nov. 1, 2025
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