A tender, wry homage to Native American wisdom and lore.
A lyrical tale of life on the Rez.
British-born Fuller (Leaving Before the Rains Come, 2015, etc.), who has written several captivating memoirs about growing up in Africa as well as a biography, of sorts, about the short life of a cowboy, makes her fiction debut with a story set on the Pine Ridge Indian Reservation in South Dakota. Now living in Wyoming, Fuller visited the reservation in 2011 to witness the annual commemoration of the murder of Crazy Horse, where she felt an “unexpected homecoming.” In short chapters and spare language, Fuller spins a narrative that reads like a parable about two markedly different cousins, born within a month of each other: the contemplative Rick Overlooking Horse, “a child, and then a man, of shockingly few words”; and the volatile You Choose Watson, “half Cowboy, half Indian,” and all trouble. Severely burned by friendly fire when he was in the Army, Rick Overlooking Horse (as in a fairy tale, Fuller always refers to him by his full name) returned home and moved far out in the desert, refusing his military pension or disability allowance, which he called “the diseased currency of the White Man.” Eking out a living selling herbal medicine, he earned a reputation as a sage. When people came to him “with their wounded hearts and curdled souls,” he gently guided them “out of all the noisy unbecoming we do between birth and death.” Rick Overlooking Horse did not become the Lakota Oglala’s shaman or chief: he “simply became.” You Choose, though, boiled with anger: “it was as if everything that had happened to him—or failed to happen to him—turned toxic in his brain, flooded his veins with urgency.” Not surprisingly, he ends up in prison. Twins orphaned at birth; You Choose’s unexpected release from jail; a protest siege; and a death propel a plot that gets overly complicated at the end. But Fuller is interested less in events than kinship (“rocks are grandfathers, plants are nations”), forgiveness, and “mild spiritual epiphanies.”
A tender, wry homage to Native American wisdom and lore.Pub Date: June 27, 2017
ISBN: 978-0-7352-2334-9
Page Count: 288
Publisher: Penguin Press
Review Posted Online: April 1, 2017
Kirkus Reviews Issue: April 15, 2017
Still, a respectful and absorbing page-turner.
Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.
In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.
Still, a respectful and absorbing page-turner.Pub Date: Feb. 3, 2015
ISBN: 978-0-312-57722-3
Page Count: 448
Publisher: St. Martin's
Review Posted Online: Nov. 19, 2014
Kirkus Reviews Issue: Dec. 1, 2014
BOOK TO SCREEN
SEEN & HEARD
BOOK TO SCREEN
A modern day fable, with modern implications in a deceiving simplicity, by the author of Dickens. Dali and Others (Reynal & Hitchcock, p. 138), whose critical brilliance is well adapted to this type of satire. This tells of the revolt on a farm, against humans, when the pigs take over the intellectual superiority, training the horses, cows, sheep, etc., into acknowledging their greatness. The first hints come with the reading out of a pig who instigated the building of a windmill, so that the electric power would be theirs, the idea taken over by Napoleon who becomes topman with no maybes about it. Napoleon trains the young puppies to be his guards, dickers with humans, gradually instigates a reign of terror, and breaks the final commandment against any animal walking on two legs. The old faithful followers find themselves no better off for food and work than they were when man ruled them, learn their final disgrace when they see Napoleon and Squealer carousing with their enemies... A basic statement of the evils of dictatorship in that it not only corrupts the leaders, but deadens the intelligence and awareness of those led so that tyranny is inevitable. Mr. Orwell's animals exist in their own right, with a narrative as individual as it is apt in political parody.
Pub Date: Aug. 26, 1946
ISBN: 0452277507
Page Count: 114
Publisher: Harcourt, Brace
Review Posted Online: Nov. 2, 2011
Kirkus Reviews Issue: Aug. 1, 1946
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