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UNEARTHED

LOVE, ACCEPTANCE, AND OTHER LESSONS FROM AN ABANDONED GARDEN

A generous, poignant memoir.

A Canadian essayist’s account of how rehabilitating an abandoned garden helped her to better understand her hard-shelled Ukrainian-born parents.

In her first book, Risen chronicles how she and her husband decided to buy the “anonymous hidden house” with the overgrown garden shortly after her always-silent father died. The house was the least of their renovation worries, however; it was the junglelike garden that they knew would make the greatest demands on their time and budget. Yet the author relished the challenge, in part because the one-acre plot—located minutes from downtown Toronto—made her feel closer to the gardener-mother who always seemed to keep her at arm's length. As she began her landscape renovation project, her mother’s health declined rapidly. Risen soon realized that she would never be able to share her garden—with its duck pond, broken-down pagoda, secret paths, and hidden wildlife—with her too-frail, increasingly demented mother. The project also brought up memories of the life she had shared with her parents. The small river that ran through her property recalled the river to which she would escape as a youth, and apple trees she discovered in her garden recalled her mother’s cooking. The more that Risen worked on her garden, the more she realized that her task was not to transform it into a neatly manicured landscape but one that respected the local ecology. Learning to bring sustainable order to her patch of earth as well as uncovering family documents that offered clues to her parents’ difficult early lives helped the author come to terms with her mother and father. She could not change the people who raised her; she could only accept them and know that they “did the best they could.” Interspersed throughout with recipes for forager-style dishes and desserts, Risen’s book is as much a celebration of nature and family as it is feast for the heart and soul.

A generous, poignant memoir.

Pub Date: July 5, 2016

ISBN: 978-0-544-63336-0

Page Count: 304

Publisher: Houghton Mifflin Harcourt

Review Posted Online: April 17, 2016

Kirkus Reviews Issue: May 1, 2016

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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