A disturbing, morally gray, intense page-turner.

FIRST WE WERE IV

Four friends cement their bond with a secret society that gets beyond out of hand.

Opening with the arrival of the police and the statement that “First we were four. Now we are three,” the story then jumps back to relate how the four became friends, leaving the mystery of what happens to one of them (and to which one) to tantalize and pull readers through the story. The complicated bond among the four is born when they discover a dead body—it’s a teenage girl, a written-off runaway, a murder never really investigated. Years later, now seniors in high school and wanting permanence for their friendship, the four invent a secret society, IV, to rebel against authority with meaningful pranks. Turned toward justice when they take down a pervy educator, they step things up by prodding at the long-buried murder. The destruction and cultlike mythos continue to escalate (brutally, for some animals), as popular kids—some their tormentors—want in on the action. The intoxicating power morphs justice to vengeance as the secrets unravel. Of the four, two are white and two are people of color; class tensions play the primary role in the conflicts, from the dead girl to school bullying. Sirowy’s emphasis is on moral complexity, nailing the way good intentions can have catastrophic unintended consequences

A disturbing, morally gray, intense page-turner. (Thriller. 16-adult)

Pub Date: July 25, 2017

ISBN: 978-1-4814-7842-7

Page Count: 448

Publisher: Simon & Schuster

Review Posted Online: May 1, 2017

Kirkus Reviews Issue: May 15, 2017

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An unflinching portrayal of the devastating effects of domestic violence.

WATCH OVER ME

After a horrific domestic violence incident, Zoey Ward and her family finally find their footing in Las Vegas only to have their lives overturned by a house fire.

Learning that her father has been recently released from prison, Zoey suspects he had something to do with the blaze. After their lives go up in flames, literally, Zoey along with her mom and her younger siblings, Kate and Cole, flee Las Vegas with the help of her older brother, Will, and his best friend, Tristan. They take refuge in California, where Tristan and his sister welcome them into a world where things seem hopeful and more stable than anything they have ever known. Yet the fear of being hunted down by her father consumes Zoey. The story is narrated from Zoey’s and Tristan’s first-person perspectives, and Gray (Run Away With Me, 2017, etc.) has masterfully captured the uncertainty and terror that come from domestic violence. Tristan and Zoey share a budding romance in which Zoey slowly but surely learns to love and be loved in a nondestructive, healthy way despite her fears and reservations. With everything she has been through, Zoey is the underdog readers will find themselves rooting for. Gray spares no detail in this intense tale. All characters are assumed to be white; Tristan is dyslexic, and there are several queer characters.

An unflinching portrayal of the devastating effects of domestic violence. (Fiction. 16-adult)

Pub Date: Dec. 3, 2019

ISBN: 978-1-5344-4281-8

Page Count: 352

Publisher: Simon Pulse/Simon & Schuster

Review Posted Online: Sept. 10, 2019

Kirkus Reviews Issue: Oct. 1, 2019

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A sweet, slow-paced novel about a teen learning to love her body.

MY EYES ARE UP HERE

Greer Walsh wishes she were one person...unfortunately, with her large breasts, she feels like she’s actually three.

High school sophomore and math whiz Greer is self-conscious about her body. Maude and Mavis, as she’s named her large breasts, are causing problems for her. When Greer meets new kid Jackson Oates, she wishes even more that she had a body that she didn’t feel a need to hide underneath XXL T-shirts. While trying to impress Jackson, who has moved to the Chicago suburbs from Cleveland, Greer decides to try out for her school’s volleyball team. When she makes JV, Greer is forced to come to terms with how her body looks and feels in a uniform and in motion as well as with being physically close with her teammates. The story is told in the first person from Greer’s point of view. Inconsistent storytelling as well as Greer’s (somewhat distracting) personified inner butterfly make this realistic novel a slow but overall enjoyable read. The story contains elements of light romance as well as strong female friendships. Greer is white with a Christian mom and Jewish dad; Jackson seems to be white by default, and there is diversity among the secondary characters.

A sweet, slow-paced novel about a teen learning to love her body. (Fiction. 12-18)

Pub Date: June 23, 2020

ISBN: 978-1-9848-1524-8

Page Count: 352

Publisher: Dutton

Review Posted Online: March 29, 2020

Kirkus Reviews Issue: April 15, 2020

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