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THE LAST DIARY OF TSARITSA ALEXANDRA

Sketchy diary notes from Alexandra's final days of captivity will interest only experts and the most dogged devotees of the doomed Romanovs. The collapse of the Soviet Union has enabled publication, for the first time in complete form, of the final diary of Tsaritsa Alexandra, edited by two staffers of the State Archive of the Russian Federation. Alexandra's diary conveys the tightening restrictions (i.e., painted windows, less outdoor time) imposed on the Romanovs during their final months under house arrest. It also attests to her intense religious faith and her boundless love for her children, especially the tsarevitch. But its style is terse and dry; notations are mere jottings, and full sentences are rare. Helpful footnotes include biographical details, explanations of religious terms, and excerpts of other diaries. (Nicholas's diary, with its narrative drive and attention to the outside world, stands in stark contrast to his wife's inwardly turned journal.) This perfunctorily written text receives an overwritten presentation. Nicholas and Alexandra author Massie and Jonathan Brent (editor of Yale University Press), who both contribute introductions, assert that the secret significance of Alexandra's diary lies in its tedium: the tsaritsa's personal record of time, weather, Russian Orthodox holidays, and birthdays. Such details, Massie claims, record ``her symbolic accommodation of the new and her resistance to the destruction of a traditional order of thought, action, and belief.'' Brent's approach is guided by both semiotics and psychoanalysis; in Alexandra's recourse to a private language he finds ``a complicated relationship to herself.'' The implication is that one must read Alexandra's diary as a semiotic text encoding the clash between the old and new, the sacred and the profane. Readers who are inclined to accept this task will find food for thought in the tsaritsa's diary. Those skeptical about having to decode the diary's ``mute pathos and ironic witness'' will simply be bored.

Pub Date: Nov. 1, 1997

ISBN: 0-300-07212-0

Page Count: 256

Publisher: Yale Univ.

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Sept. 1, 1997

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KILLERS OF THE FLOWER MOON

THE OSAGE MURDERS AND THE BIRTH OF THE FBI

Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.

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Greed, depravity, and serial murder in 1920s Oklahoma.

During that time, enrolled members of the Osage Indian nation were among the wealthiest people per capita in the world. The rich oil fields beneath their reservation brought millions of dollars into the tribe annually, distributed to tribal members holding "headrights" that could not be bought or sold but only inherited. This vast wealth attracted the attention of unscrupulous whites who found ways to divert it to themselves by marrying Osage women or by having Osage declared legally incompetent so the whites could fleece them through the administration of their estates. For some, however, these deceptive tactics were not enough, and a plague of violent death—by shooting, poison, orchestrated automobile accident, and bombing—began to decimate the Osage in what they came to call the "Reign of Terror." Corrupt and incompetent law enforcement and judicial systems ensured that the perpetrators were never found or punished until the young J. Edgar Hoover saw cracking these cases as a means of burnishing the reputation of the newly professionalized FBI. Bestselling New Yorkerstaff writer Grann (The Devil and Sherlock Holmes: Tales of Murder, Madness, and Obsession, 2010, etc.) follows Special Agent Tom White and his assistants as they track the killers of one extended Osage family through a closed local culture of greed, bigotry, and lies in pursuit of protection for the survivors and justice for the dead. But he doesn't stop there; relying almost entirely on primary and unpublished sources, the author goes on to expose a web of conspiracy and corruption that extended far wider than even the FBI ever suspected. This page-turner surges forward with the pacing of a true-crime thriller, elevated by Grann's crisp and evocative prose and enhanced by dozens of period photographs.

Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.

Pub Date: April 18, 2017

ISBN: 978-0-385-53424-6

Page Count: 352

Publisher: Doubleday

Review Posted Online: Feb. 1, 2017

Kirkus Reviews Issue: Feb. 15, 2017

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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