A book that manages to be both disturbing and boring.

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DEATH BY THE RIVER

Beau Devereaux seems to have it all—a beautiful girlfriend, a high school football career, his dad’s business to inherit at the right time. Unfortunately, he’s also got an uncontrollable anger issue.

Beau manages to keep his murderous rage in check, but his girlfriend’s twin sister seems to bring it out in him the most. Not because he hates her, though that’s what everyone thinks. Instead, he’s obsessed with her. He wants to own her and hurt her while still maintaining his reputation as an all-around good guy. But his appetites seem to be growing, and when faced with temptation in the form of other girls, he can’t help himself. Weis (The Keeper of the Dead, 2017, etc.) and Astor (Blackwell, 2017, etc.) present a cast of mostly white characters who never manage to escape their respective personas and instead rely on well-worn, overly familiar thoughts and dialogue to convey their novelistic purposes. Likewise, the plot is predictable and repetitive. Again and again, Beau struggles with how to satisfy his urges while maintaining his rep, and his girlfriend wavers exhaustively on the question of true love. Descriptions of sexual brutality, rape, bondage, and violence against women are plentiful.

A book that manages to be both disturbing and boring. (Fiction. 16-18)

Pub Date: Oct. 2, 2018

ISBN: 978-1-944109-14-1

Page Count: 375

Publisher: Vesuvian Books

Review Posted Online: Sept. 4, 2018

Kirkus Reviews Issue: Sept. 15, 2018

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Few chills and even less logic.

BENT HEAVENS

Can Liv put the pieces of her life back together after her father’s mental breakdown?

In rural Bloughton, Iowa, Liv takes solace in the cross country team and the idea that she will be off to college before too long. Three years ago, her father, the high school’s former English and drama teacher, vanished only to return naked and talking about alien abduction. He disappeared for good eight months later. Liv and her friend Doug check the elaborate traps her father built in the woods during those eight months every Sunday. The teacher who replaced him decides to stage the same musical that was her father’s swan song, and after getting in trouble for an outburst over her insensitivity, Liv decides to destroy the traps…but discovers that one has caught an alien. After hiding the horrifying creature in her father’s shed, they discover it has her father’s compass. In anger, Liv attacks the beast and then she and Doug torture it repeatedly as revenge for her missing father…but the alien is not what they perceive him to be, and as the truth is revealed, the horror mounts. Kraus’ (Blood Sugar, 2019, etc.) newest horror fantasy (there is no science here) might inspire more anger than horror as the protagonists respond to otherness with violence. Outrage will likely be followed by laughter at the stagy, manipulative, over-the-top conclusion. Most characters seem to be white.

Few chills and even less logic. (Horror. 16-adult)

Pub Date: Feb. 25, 2020

ISBN: 978-1-250-15167-4

Page Count: 304

Publisher: Henry Holt

Review Posted Online: Nov. 19, 2019

Kirkus Reviews Issue: Dec. 15, 2019

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Bulky, balky, talky.

THE DA VINCI CODE

In an updated quest for the Holy Grail, the narrative pace remains stuck in slo-mo.

But is the Grail, in fact, holy? Turns out that’s a matter of perspective. If you’re a member of that most secret of clandestine societies, the Priory of Sion, you think yes. But if your heart belongs to the Roman Catholic Church, the Grail is more than just unholy, it’s downright subversive and terrifying. At least, so the story goes in this latest of Brown’s exhaustively researched, underimagined treatise-thrillers (Deception Point, 2001, etc.). When Harvard professor of symbology Robert Langdon—in Paris to deliver a lecture—has his sleep interrupted at two a.m., it’s to discover that the police suspect he’s a murderer, the victim none other than Jacques Saumière, esteemed curator of the Louvre. The evidence against Langdon could hardly be sketchier, but the cops feel huge pressure to make an arrest. And besides, they don’t particularly like Americans. Aided by the murdered man’s granddaughter, Langdon flees the flics to trudge the Grail-path along with pretty, persuasive Sophie, who’s driven by her own need to find answers. The game now afoot amounts to a scavenger hunt for the scholarly, clues supplied by the late curator, whose intent was to enlighten Sophie and bedevil her enemies. It’s not all that easy to identify these enemies. Are they emissaries from the Vatican, bent on foiling the Grail-seekers? From Opus Dei, the wayward, deeply conservative Catholic offshoot bent on foiling everybody? Or any one of a number of freelancers bent on a multifaceted array of private agendas? For that matter, what exactly is the Priory of Sion? What does it have to do with Leonardo? With Mary Magdalene? With (gulp) Walt Disney? By the time Sophie and Langdon reach home base, everything—well, at least more than enough—has been revealed.

Bulky, balky, talky.

Pub Date: March 18, 2003

ISBN: 0-385-50420-9

Page Count: 400

Publisher: Doubleday

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: Jan. 1, 2003

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