Next book

A PLACE TO CALL HOME

Seven rodent brothers outgrow their hole and venture out into a junkyard in search of a new home in this vastly retooled take on "The Blind Men and the Elephant."

Comic-book panels, speech bubbles and rapid-fire dialogue heighten the humor that builds during the brothers’ tiny odyssey. Before setting out, the pear-shaped critters cover their cowardly heads with dish gloves, a tea cup, a boot, a paper towel roll, a lampshade and a faucet to recreate the reassuring darkness of their hole. Seeing little, they grossly misinterpret every juncture of their journey. A mud puddle could only be the vast ocean; a desk, a mountain; a pile of dirt, a desert; the edge of a rusted-out dryer must be the end of the world. Intermittently, one little guy blindly calls out, “Brother?”—a sweet touch and a dependable giggle. Hysteria builds and readers hustle to keep up with the jumpy dialogue between seven furry speakers and the often-cluttered illustrations, which somehow seem both static (all the head pieces appear in yellow, all the animals’ bodies look very similar) and also busy with incremental changes. When a dog snatches one of the brothers, effective double-page spreads bring great dramatic crescendos, laughs and a rest for readers’ eyes. Kids will cheer as the brothers use their heads (and head gear) to subdue the beast and finally muster the courage to find a home out of the junkyard, out in the open.

Fast-paced with wit and heart, this ridiculous rodent road-trip will appeal to future comic-book lovers—and anyone part of a tight band of brothers (or sisters). (Picture book. 4-8)

Pub Date: July 12, 2011

ISBN: 978-0-7636-5360-6

Page Count: 40

Publisher: Candlewick

Review Posted Online: May 20, 2011

Kirkus Reviews Issue: June 1, 2011

Next book

PETE THE CAT'S 12 GROOVY DAYS OF CHRISTMAS

Pete’s fans might find it groovy; anyone else has plenty of other “12 Days of Christmas” variants to choose among

Pete, the cat who couldn’t care less, celebrates Christmas with his inimitable lassitude.

If it weren’t part of the title and repeated on every other page, readers unfamiliar with Pete’s shtick might have a hard time arriving at “groovy” to describe his Christmas celebration, as the expressionless cat displays not a hint of groove in Dean’s now-trademark illustrations. Nor does Pete have a great sense of scansion: “On the first day of Christmas, / Pete gave to me… / A road trip to the sea. / GROOVY!” The cat is shown at the wheel of a yellow microbus strung with garland and lights and with a star-topped tree tied to its roof. On the second day of Christmas Pete gives “me” (here depicted as a gray squirrel who gets on the bus) “2 fuzzy gloves, and a road trip to the sea. / GROOVY!” On the third day, he gives “me” (now a white cat who joins Pete and the squirrel) “3 yummy cupcakes,” etc. The “me” mentioned in the lyrics changes from day to day and gift to gift, with “4 far-out surfboards” (a frog), “5 onion rings” (crocodile), and “6 skateboards rolling” (a yellow bird that shares its skateboards with the white cat, the squirrel, the frog, and the crocodile while Pete drives on). Gifts and animals pile on until the microbus finally arrives at the seaside and readers are told yet again that it’s all “GROOVY!”

Pete’s fans might find it groovy; anyone else has plenty of other “12 Days of Christmas” variants to choose among . (Picture book. 4-8)

Pub Date: Sept. 18, 2018

ISBN: 978-0-06-267527-9

Page Count: 48

Publisher: Harper/HarperCollins

Review Posted Online: Aug. 19, 2018

Kirkus Reviews Issue: Sept. 1, 2018

Next book

THE MOST MAGNIFICENT THING

Spires’ understanding of the fragility and power of the artistic impulse mixes with expert pacing and subtle...

Making things is difficult work. Readers will recognize the stages of this young heroine’s experience as she struggles to realize her vision.

First comes anticipation. The artist/engineer is spotted jauntily pulling a wagonload of junkyard treasures. Accompanied by her trusty canine companion, she begins drawing plans and building an assemblage. The narration has a breezy tone: “[S]he makes things all the time. Easy-peasy!” The colorful caricatures and creations contrast with the digital black outlines on a white background that depict an urban neighborhood. Intermittent blue-gray panels break up the white expanses on selected pages showing sequential actions. When the first piece doesn’t turn out as desired, the protagonist tries again, hoping to achieve magnificence. A model of persistence, she tries many adjustments; the vocabulary alone offers constructive behaviors: she “tinkers,” “wrenches,” “fiddles,” “examines,” “stares” and “tweaks.” Such hard work, however, combines with disappointing results, eventually leading to frustration, anger and injury. Explosive emotions are followed by defeat, portrayed with a small font and scaled-down figures. When the dog, whose expressions have humorously mirrored his owner’s through each phase, retrieves his leash, the resulting stroll serves them well. A fresh perspective brings renewed enthusiasm and—spoiler alert—a most magnificent scooter sidecar for a loyal assistant.

Spires’ understanding of the fragility and power of the artistic impulse mixes with expert pacing and subtle characterization for maximum delight. (Picture book. 4-7)

Pub Date: April 1, 2014

ISBN: 978-1-55453-704-4

Page Count: 32

Publisher: Kids Can

Review Posted Online: Feb. 25, 2014

Kirkus Reviews Issue: March 15, 2014

Close Quickview