A groundbreaking and excellent queer historical romance.
A second chance for a duke and his best friend.
The Battle of Waterloo changed Viola Carroll’s life, because everyone believes she died there. In fact, after recovering from her wounds, she made the bold decision to walk away from her inheritance and her title and into a new life: She was finally free to live as a woman. Unbeknownst to her, however, her best friend’s life was also changed by the loss of the friend he thinks he left on the battlefield. Justin de Vere, Duke of Gracewood, hides in the country, debilitated by symptoms of PTSD, terrible war injuries, and an addiction to laudanum and alcohol. His would be a solitary life except that he still serves as his sister Miranda’s guardian. When Miranda writes to Lady Marleigh, Viola’s sister-in-law, describing her brother’s decline over the past two years, Lady Marleigh decides that she and Viola (who now serves as her paid companion) must go save Miranda. Viola is terrified to travel, not only because Gracewood thinks his best friend is dead, but also because he’s never known her as a woman. When they arrive, Gracewood is depressed, drunk, and doesn’t realize he already knows Viola, so she agrees when Lady Marleigh suggests she try to help him get better. From their respective hiding places, Viola and Gracewood find they share an undeniable connection; eventually Gracewood realizes he’s known Viola his whole life, and the best friends begin to fall in love despite the complications. Author Hall is a consistently beautiful writer, but this story, the first in a new series, may be his best yet. The plot elegantly balances period details and classic tropes to create a queer love story with a pitch-perfect blend of reality and hope. Though the steamy intimate scenes are electric, the story’s momentum comes not from Viola and Gracewood’s slow burn but from the genuine emotional connections among a full cast of charming characters. Despite the centering of Viola and Gracewood’s love story, this is a book that celebrates the many ways people love and are loved. The story is complex and long but never lags, and readers will be glued to the book through the satisfying epilogue. As a bonus, Hall also wrote the funny, insightful discussion questions at the back, allowing readers space to dwell a bit longer on the story.
A groundbreaking and excellent queer historical romance.Pub Date: May 24, 2022
ISBN: 978-1-5387-5375-0
Page Count: 480
Publisher: Forever
Review Posted Online: March 29, 2022
Kirkus Reviews Issue: April 15, 2022
Fans of Stockett’s bestselling debut will love this engaging follow-up.
Stockett heads to Mississippi for another historical novel about feisty women.
This time, perhaps recalling criticisms of cultural appropriation in The Help (2009), she sticks to feisty white women, with one exception. The setting is Oxford in 1933. For two miserable years, 11-year-old Meg has lived in “the Orphan,” a county asylum for parentless girls. Chairlady Garnett—a villain so one-note she’d twirl a mustache if she had one—makes it her mission to ostracize the older girls she deems unadoptable, stigmatizing them as offspring of the “feebleminded” mothers who abandoned them. She particularly has it in for smart, sassy Meg, who refuses to believe her mother’s mysterious disappearance was deliberate. Elsewhere in Oxford, Birdie Calhoun comes to visit her sister Frances, who married a wealthy banker, to ask for money on behalf of their mother and grandmother back in Footely. Frances isn’t thrilled by this reminder of her impoverished small-town origins. But she’s trying to climb up in Oxford society by volunteering at the Orphan, the asylum’s books need to be done before the state inspector shows up in a few weeks, and Birdie is a bookkeeper. Having neatly arranged to keep Birdie in town and draw these two storylines together, Stockett goes on to spin a compulsively readable yarn with enough plot for a half-dozen novels. Birdie and Meg become friends, Meg is adopted despite Garnett’s best efforts, Meg’s mother turns up at the Orphan demanding to know where her child is—and that’s less than a quarter of the way through a long, winding narrative that keeps piling on more dramatic developments until all loose ends are neatly, if hastily, wrapped up in the final pages. Stockett might be making a point about Southern women facing facts and standing up for themselves, but mostly this is just a satisfyingly twisty tale that should make a great miniseries.
Fans of Stockett’s bestselling debut will love this engaging follow-up.Pub Date: May 5, 2026
ISBN: 9781954118812
Page Count: 656
Publisher: Spiegel & Grau
Review Posted Online: Feb. 2, 2026
Kirkus Reviews Issue: March 1, 2026
BOOK REVIEW
An evocative and moving tribute to the death-defying, heart-opening, infinitely redemptive power of storytelling.
A chance meeting in a museum unlocks a long-closed door in a family’s past.
Of a piece with her last three novels—Commonwealth (2016), The Dutch House (2019), and Tom Lake (2023)—Patchett’s latest explores the evolution of families over time, romantic secrets, and step-relationships, again giving these topics the wry and tender treatment that is distinctively hers. As it begins, Daphne Fuller’s attentive husband, Jonathan, notices that a man has been following them through the Metropolitan Museum of Art. At first they chalk it up to the fact that “old guys love [Daphne],” as she told Jonathan decades ago, a notion he has held onto "like a souvenir postcard from another era." But it turns out that, though Daphne doesn’t recognize him, Eddie Triplett is her former stepfather. Like the author herself, as recalled in her 2020 essay “Three Fathers,” Daphne has had three dads. Her biological father, a deep-sea fisherman named Buddy Zabriskie, left the family early; her current stepfather, Lucas Ekker, lives with her mother in retirement in Massachusetts. Ekker is an unprepossessing sort Abby met working as the publicist for his self-help books, Positivity!, Positively Positive!, The Positivity Workbook!, Positive Every Day!, ad infinitum. The man in the museum, Eddie Triplett, was also someone her mother met through her job in publishing, and once Daphne realizes who he is, she remembers that “[their] hearts were forever stitched together.” This is because Daphne and Eddie were in a serious car accident when she was 9 years old, after which her mother immediately divorced him and evicted him from their lives. The details of that accident—among them lies the reason the novel is named after a horse called Whistler—are gradually wheedled out of Daphne by her younger sister, Leda, a clinical psychologist in New York and a reliable source of insight on the narrative’s key issues. “‘You make it sound like I’ve been keeping all this from you, but I’m not,’ [Daphne] said. ‘Who goes through life thinking about what happened when they were nine?’ ‘It’s all people think about,’ Leda said.”
An evocative and moving tribute to the death-defying, heart-opening, infinitely redemptive power of storytelling.Pub Date: June 2, 2026
ISBN: 9780063511637
Page Count: 304
Publisher: Harper/HarperCollins
Review Posted Online: April 6, 2026
Kirkus Reviews Issue: May 1, 2026
PERSPECTIVES
PERSPECTIVES
SEEN & HEARD
© Copyright 2026 Kirkus Media LLC. All Rights Reserved.
Follow
Popular in this Genre
We can’t wait for you to join Kirkus!
It’s free and takes less than 10 seconds!
Already have an account? Log in.
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
Welcome Back!
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
