by Alfred Kazin ‧ RELEASE DATE: May 22, 1996
With over 50 years' worth of raw material to plunder and pick through, Kazin unearths pieces of autobiographical and critical prototypes, along with literary gossip, academic kvetching, private rhapsodies, and 20th-century angst. Overlapping with Starting Out in the Thirties (1965), New York Jew (1978), and Writing Was Everything (1995), these journal selections naturally lose out by comparison, being fragmentary and, for Kazin, unpolished. Yet they still have their own allure, offering the freshness of first impressions and (relatively) uncensored honesty and self-examination. Many of the entries on Kazin's intimate life—several failed marriages, feelings of inadequacy, and old-age ailments—read embarrassingly, but the passages on his public, intellectual life, amplified by the 20th- century history he has witnessed, more than make up for any longueurs. From vantages in London, Italy, Amherst, Yaddo, Stanford, and, naturally, New York, Kazin's portraits of five decades are vivid but sometimes hit-and-miss, but his personal portraits are winning throughout, with vibrant cameos of Zero Mostel, Arthur Miller, Robert Frost, Saul Steinberg, Harold Bloom, and Jerzy Kosinski, to name a few described in these populous pages. Perhaps the most touching portrait here is of his friendship in the 1950s with Josephine Herbst, a penniless, ``politically exhausted relic'' of a leftist activist and proletarian novelist, who shows Kazin her indomitable spunk while reliving the 1930s for him. Other friendships prove more complicated over time: Kazin had an intense but increasingly difficult relationship with Hannah Arendt and became estranged from Saul Bellow. His intellectual relationships, chiefly revolving around his love of America, his hatred of ideology, and his independent Jewish identity, are even more complicated. A composite intellectual and literary album, travelogue, commonplace book, and confessional diary from a leading critic still ``writing up things in my notebook as if my peace depended on it.''
Pub Date: May 22, 1996
ISBN: 0-06-019037-X
Page Count: 352
Publisher: HarperCollins
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: April 1, 1996
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by Alfred Kazin & edited by Ted Solotaroff
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by Alfred Kazin
by E.T.A. Hoffmann ‧ RELEASE DATE: Oct. 28, 1996
This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)
Pub Date: Oct. 28, 1996
ISBN: 0-15-100227-4
Page Count: 136
Publisher: Harcourt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 1996
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by E.T.A. Hoffmann ; adapted by Natalie Andrewson ; illustrated by Natalie Andrewson
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by E.T.A. Hoffmann & illustrated by Julie Paschkis
by Ludwig Bemelmans ‧ RELEASE DATE: Feb. 23, 1955
An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.
Pub Date: Feb. 23, 1955
ISBN: 0670717797
Page Count: -
Publisher: Viking
Review Posted Online: Oct. 25, 2011
Kirkus Reviews Issue: Feb. 1, 1955
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developed by Ludwig Bemelmans ; illustrated by Steven Salerno
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by Ludwig Bemelmans ; illustrated by Steven Salerno
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