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Ravioli Rules

A MANAGER'S GUIDE TO GET THE WORKPLACE COOKING

A charming use of pasta creation as a learning metaphor for managers.

A seasoned administrator employs the analogy of making ravioli to convey key team concepts in this debut business book.

In his introduction, Manganiello, who currently works for a Delaware-based nonprofit and has held several other managerial positions in the public and private sectors, notes that his childhood memory of his grandparents’ homemade ravioli inspired this book. Even he had “perceived the planning, preparation and work that went into their making.” He then unspools an instructive tale featuring 10-year-old cousins Abigail and Theresa, who oversleep and miss out on the delicious ravioli whipped up by their 60-year-old grandfathers, twin brothers Alfredo and Mario. The men then tell the girls how they, too, had failed to savor some ravioli by similarly failing to get out of bed at the same age, but then learned how to make the pasta. They ultimately built a successful ravioli business by visiting various people (including relatives) to fully understand how the dish was concocted, respectfully handling their growing teams, and responding appropriately to many challenges, including saying no to an order that was too large to be handled in the time frame requested. Their tale concludes on page 96, with the text then transitioning to a flash-forward of the girls, now graduated from college, thanking their grandfathers, who are in their 80s, for their insights. The women share the themes that they’ve learned, grouped under the acronym RAVIOLI (with “V” including one-paragraph discussions of “vision,” “values,” “variety,” and “valuable”). Recipes to make ravioli dough and filling as well as accompanying meatballs and sauces complete the text. Manganiello has certainly chosen a more enjoyable, indeed mouth-watering, product for his business discussion than those classic— and boring—widgets. He sprinkles a bit too many “Ravioli Rules” callout boxes throughout this narrative, however, which serves to interrupt the flow of the grandfathers’ saga. The author also introduces an array of less-than-memorable secondary characters the two men hire or otherwise interact with. Still, the women’s acronym becomes a delightful, succinct wrap-up for this pleasingly folksy, intergenerational tale, with the included recipes an especially tasty takeaway.

A charming use of pasta creation as a learning metaphor for managers.

Pub Date: July 14, 2014

ISBN: 978-0-9887532-0-4

Page Count: 126

Publisher: TribeSound

Review Posted Online: July 20, 2016

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NUTCRACKER

This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)

Pub Date: Oct. 28, 1996

ISBN: 0-15-100227-4

Page Count: 136

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 1996

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TO THE ONE I LOVE THE BEST

EPISODES FROM THE LIFE OF LADY MENDL (ELSIE DE WOLFE)

An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.

Pub Date: Feb. 23, 1955

ISBN: 0670717797

Page Count: -

Publisher: Viking

Review Posted Online: Oct. 25, 2011

Kirkus Reviews Issue: Feb. 1, 1955

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