A fun, sun-drenched homage to camp memories.
Estranged best friends reunite for one last summer at their beloved camp.
Jessie Pederson and Hillary Goldberg spent their childhoods waiting all year to get back to summer camp. Camp Chickawah was where Jessie found a home in the midst of her parents’ divorce and where Hillary could finally be herself. But most importantly, they had each other, and they were going to be camp counselors together…until Hillary took a job opportunity that her father thought was a better fit, leaving Jessie alone at camp. Hillary grew into a successful consultant, while Jessie worked her way up to camp director. Now, Jessie gets the bad news that Camp Chickawah is about to be sold, and she’s devastated. She decides to give the camp one last hurrah, inviting former campers back for an adult summer session that will celebrate everything that made her favorite place so special. Hillary comes back to run the arts and crafts program and to try to rekindle her friendship with Jessie. As the two of them work together, they realize that their friendship never really died. There are also romantic sparks with returning campers. Hillary reconnects with the cook, Cooper, who was her first kiss. And Jessie is in turns infuriated and intrigued by Luke, the grumpy novelist who’s there to work on his book. As the summer goes on, Hillary and Jessie start to wonder if they might be able to keep the camp—as well as their renewed friendship and their budding romances—going. Brady, the author team behind beach reads like The Comeback Summer (2023), creates a nostalgic and entertaining look at camp life. Jessie and Hillary both have satisfying character arcs, and it’s especially nice to see Jessie begin to realize that camp isn’t the only good thing in her life. While the romances have their steamy moments, this story is ultimately proof that platonic soulmates are just as important as romantic ones.
A fun, sun-drenched homage to camp memories.Pub Date: July 9, 2024
ISBN: 9780593640821
Page Count: 448
Publisher: Berkley
Review Posted Online: May 4, 2024
Kirkus Reviews Issue: June 1, 2024
BOOK REVIEW
An affecting portrait of a prickly woman.
A lifetime’s worth of letters combine to portray a singular character.
Sybil Van Antwerp, a cantankerous but exceedingly well-mannered septuagenarian, is the titular correspondent in Evans’ debut novel. Sybil has retired from a beloved job as chief clerk to a judge with whom she had previously been in private legal practice. She is the divorced mother of two living adult children and one who died when he was 8. She is a reader of novels, a gardener, and a keen observer of human nature. But the most distinguishing thing about Sybil is her lifelong practice of letter writing. As advancing vision problems threaten Sybil’s carefully constructed way of life—in which letters take the place of personal contact and engagement—she must reckon with unaddressed issues from her past that threaten the house of cards (letters, really) she has built around herself. Sybil’s relationships are gradually revealed in the series of letters sent to and received from, among others, her brother, sister-in-law, children, former work associates, and, intriguingly, literary icons including Joan Didion and Larry McMurtry. Perhaps most affecting is the series of missives Sybil writes but never mails to a shadowy figure from her past. Thoughtful musings on the value and immortal quality of letters and the written word populate one of Sybil’s notes to a young correspondent while other messages are laugh-out-loud funny, tinged with her characteristic blunt tartness. Evans has created a brusque and quirky yet endearing main character with no shortage of opinions and advice for others but who fails to excavate the knotty difficulties of her own life. As Sybil grows into a delayed self-awareness, her letters serve as a chronicle of fitful growth.
An affecting portrait of a prickly woman.Pub Date: May 6, 2025
ISBN: 9780593798430
Page Count: 304
Publisher: Crown
Review Posted Online: Feb. 15, 2025
Kirkus Reviews Issue: March 15, 2025
A dark and twisty look at just how far one woman is willing to go to find inspiration.
A struggling writer finds an unexpected muse when a mysterious man shows up at her cabin.
Petra Rose used to pump out a bestselling book every six months, but then the adaptation happened—that is, the disastrous film adaptation of her most famous book. The movie changed the book’s storyline so egregiously that fans couldn’t forgive her, and the ensuing harassment sent Petra into hiding and gave her a serious case of writer’s block. Petra’s one hope is her solo writing retreat at a remote cabin, where she can escape the distractions of real life and focus on her next book, a story about a woman having an affair with a cop. When officer Nathaniel Saint shows up at her cabin door, inspiration comes flooding back. Much like the character from Petra’s book, Saint is married, and he’s willing to be Petra’s muse, helping her get into her characters’ heads. Petra’s book is practically writing itself, but is the game she’s playing a little too dangerous? Does she know when to stop—and, more importantly, is Saint willing to stop? Hoover is no stranger to controversial movie adaptations and internet backlash, but she clarifies in a note to readers that she’s “just a writer writing about a writer” and that no further connections to her own life are contained in these pages—which is a good thing, because the book takes some horrifying twists and turns. Petra finds herself inexplicably attracted to Saint, even as she describes him as “such an asshole,” and her feelings for him veer between love and hate. The novel serves as a meta commentary on the dark romance genre—as Petra puts it, “Even though, as readers, we wouldn’t want to live out some of the fantasies we read about, it doesn’t mean we don’t enjoy reading those things.”
A dark and twisty look at just how far one woman is willing to go to find inspiration.Pub Date: Jan. 13, 2026
ISBN: 9781662539374
Page Count: -
Publisher: Montlake
Review Posted Online: Sept. 27, 2025
Kirkus Reviews Issue: Nov. 1, 2025
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