Lively, involving and largely cheerful (despite a graphic rape), but how readers respond will depend in part on their...
British travel writer Albinia’s (Empires of the Indus, 2008) first novel retells the Mahabharata in present-day Delhi.
The author makes the epic accessible to less knowledgeable Westerners while keeping its large scope. Elephant-headed Ganesh, the traditional scribe of the Mahabharata, narrates. He summarizes the original epic while explaining how its composer Vyasa, Vyasa’s second wife Meera, the slave girl Leela whom Vyasa impregnated and a slew of secondary characters have reappeared through the ages, reliving the original story of egotism, sexual conquest and intrigue, as well as love and loyalty. In his current incarnation, egotistical, womanizing Vyasa is a professor, internationally famous for his controversial take on ancient texts. He has raised his twin son and daughter alone since the death of his wife Meera, whose poetry he published posthumously to great acclaim. Now his son is marrying the daughter of a reactionary right-wing Hindu named Shiva, whose moral rigidity is pure hypocrisy. Meera’s adopted sister Leela lives in New York City with her husband Hari, who happens to be Shiva’s brother. After 20 years of self-imposed exile, Leela returns to Delhi with Hari to attend the wedding. But she has never told Hari, a sweet-natured businessman, that she knows Vyasa, or anything about her past. A poor orphan, she was adopted by Meera’s parents and raised as Meera’s sister. The two girls were inseparable until Meera fell in love with the young professor Vyasa, a proponent of free love; attracted to both Meera and Leela he unwittingly impregnated them both. Meera pretended both children were hers and cut off communication with Leela before her death when the “twins” were toddlers. Leela comes face-to-face with her past at the Midsummer’s Night Dream of a wedding that causes all the characters to discover their true selves for good or ill.
Lively, involving and largely cheerful (despite a graphic rape), but how readers respond will depend in part on their reaction to a white British woman presuming to author sharp satire of Indian culture.Pub Date: Jan. 9, 2012
ISBN: 978-0-393-08270-8
Page Count: 400
Publisher: Norton
Review Posted Online: Nov. 5, 2011
Kirkus Reviews Issue: Nov. 15, 2011
Hoover is one of the freshest voices in new-adult fiction, and her latest resonates with true emotion, unforgettable...
Sydney and Ridge make beautiful music together in a love triangle written by Hoover (Losing Hope, 2013, etc.), with a link to a digital soundtrack by American Idol contestant Griffin Peterson.
Hoover is a master at writing scenes from dual perspectives. While music student Sydney is watching her neighbor Ridge play guitar on his balcony across the courtyard, Ridge is watching Sydney’s boyfriend, Hunter, secretly make out with her best friend on her balcony. The two begin a songwriting partnership that grows into something more once Sydney dumps Hunter and decides to crash with Ridge and his two roommates while she gets back on her feet. She finds out after the fact that Ridge already has a long-distance girlfriend, Maggie—and that he's deaf. Ridge’s deafness doesn’t impede their relationship or their music. In fact, it creates opportunities for sexy nonverbal communication and witty text messages: Ridge tenderly washes off a message he wrote on Sydney’s hand in ink, and when Sydney adds a few too many e’s to the word “squee” in her text, Ridge replies, “If those letters really make up a sound, I am so, so glad I can’t hear it.” While they fight their mutual attraction, their hope that “maybe someday” they can be together playfully comes out in their music. Peterson’s eight original songs flesh out Sydney’s lyrics with a good mix of moody musical styles: “Living a Lie” has the drama of a Coldplay piano ballad, while the chorus of “Maybe Someday” marches to the rhythm of the Lumineers. But Ridge’s lingering feelings for Maggie cause heartache for all three of them. Independent Maggie never complains about Ridge’s friendship with Sydney, and it's hard to even want Ridge to leave Maggie when she reveals her devastating secret. But Ridge can’t hide his feelings for Sydney long—and they face their dilemma with refreshing emotional honesty.
Hoover is one of the freshest voices in new-adult fiction, and her latest resonates with true emotion, unforgettable characters and just the right amount of sexual tension.Pub Date: March 18, 2014
ISBN: 978-1-4767-5316-4
Page Count: 384
Publisher: Atria
Review Posted Online: May 6, 2014
Still, a respectful and absorbing page-turner.
Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.
In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.
Still, a respectful and absorbing page-turner.Pub Date: Feb. 3, 2015
ISBN: 978-0-312-57722-3
Page Count: 448
Publisher: St. Martin's
Review Posted Online: Nov. 19, 2014
Kirkus Reviews Issue: Dec. 1, 2014
BOOK TO SCREEN
SEEN & HEARD
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