An uneven biography that should still find an audience with budding journalists and those interested in a significant period...
An account of the adventurous life of Alicia Patterson (1906-1963), founder and editor of Newsday.
Before screenwriter Alice Arlen died earlier this year, she teamed with her husband, former New Yorker staff writer and TV critic Michael Arlen (Say Goodbye to Sam, 1984, etc.), to document the life and premature passing of Patterson, Alice’s aunt. Descended from a wealthy, powerful Chicago newspaper family, Patterson could have lived as an idle heiress or a philanthropist or some other choice open only to the very rich. Until age 34, she seemed rather aimless, marrying twice unhappily to men chosen by her imperious father. Eventually, she became an accomplished horsewoman and learned about flying airplanes. Twice divorced, Patterson chose her third husband on her own. Harry Guggenheim had benefitted from a family fortune in the mining business and owned estates on Long Island. Although he attempted to control Alicia, she resisted, and together they purchased a tiny Long Island newspaper. She won editorial if not financial control and slowly built Newsday into a successful general circulation daily. Feeling ignored by her husband and clashing with him about politics (she was more liberal than her generally conservative husband), Patterson developed a deep friendship with Adlai Stevenson, who became the governor of Illinois and then sought the presidency as the Democratic Party candidate in 1952 and 1956. Stevenson fell deeply in love with Patterson, and she loved Stevenson as well, albeit with less ardor. Their off-again, on-again affair defined a large portion of their later lives. Unable to bear children, Patterson's health began to deteriorate during her two final decades. She hoped to outlive Guggenheim and take total control of Newsday, but she died before he did. The authors display impressive research, but the narrative is marred by an unpleasant writing style, at turns cloying, rhetorical, and packed with too many unnecessary compound-complex sentences.
An uneven biography that should still find an audience with budding journalists and those interested in a significant period in the history of print journalism.Pub Date: Aug. 23, 2016
ISBN: 978-1-101-87113-3
Page Count: 384
Publisher: Pantheon
Review Posted Online: May 17, 2016
Kirkus Reviews Issue: June 1, 2016
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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