by Alice B. McGinty & Alan B. Havis ; illustrated by Stephanie Laberis ‧ RELEASE DATE: May 5, 2020
An imperfect yet captivating introduction to the ocean habitat.
An introduction to the sea and some of the creatures that inhabit it.
Using the concepts of “sea” and “ocean” interchangeably, the book presents the ocean world in short rhythmic sentences that anthropomorphize it: “We are young. The sea is old. / The sea has secrets to unfold. / The sea knows.” Dynamic, colorful, semirealistic illustrations accompany the text. As the book progresses, readers find out what the sea knows: “The sea knows huge.” “The sea knows short.” “The sea knows bold.” “The sea knows bright.” “The sea knows wind, and waves that tower.” Sacrificing information for form, the evocative text provides no information alongside the illustrations to expand on these statements. For that, readers must rely on the backmatter. Since the intended audience is presumably not one familiar with marine life but rather one only just learning about it, reading the book becomes a cumbersome exercise of flipping back and forth between illustrations and backmatter. By doing this, readers find out “huge” is the blue whale; “short” are flat-topped crabs; “bold” are the clownfish that live among poisonous anemones; and “bright” is the luminescent comb jelly. The book has alluring illustrations and well-researched, interesting, and age-appropriate information; it is a pity the two were kept apart.
An imperfect yet captivating introduction to the ocean habitat. (Informational picture book. 4-8)Pub Date: May 5, 2020
ISBN: 978-1-5344-3822-4
Page Count: 48
Publisher: Paula Wiseman/Simon & Schuster
Review Posted Online: Feb. 8, 2020
Kirkus Reviews Issue: March 1, 2020
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by James Dean ; illustrated by James Dean ‧ RELEASE DATE: Sept. 18, 2018
Pete’s fans might find it groovy; anyone else has plenty of other “12 Days of Christmas” variants to choose among
Pete, the cat who couldn’t care less, celebrates Christmas with his inimitable lassitude.
If it weren’t part of the title and repeated on every other page, readers unfamiliar with Pete’s shtick might have a hard time arriving at “groovy” to describe his Christmas celebration, as the expressionless cat displays not a hint of groove in Dean’s now-trademark illustrations. Nor does Pete have a great sense of scansion: “On the first day of Christmas, / Pete gave to me… / A road trip to the sea. / GROOVY!” The cat is shown at the wheel of a yellow microbus strung with garland and lights and with a star-topped tree tied to its roof. On the second day of Christmas Pete gives “me” (here depicted as a gray squirrel who gets on the bus) “2 fuzzy gloves, and a road trip to the sea. / GROOVY!” On the third day, he gives “me” (now a white cat who joins Pete and the squirrel) “3 yummy cupcakes,” etc. The “me” mentioned in the lyrics changes from day to day and gift to gift, with “4 far-out surfboards” (a frog), “5 onion rings” (crocodile), and “6 skateboards rolling” (a yellow bird that shares its skateboards with the white cat, the squirrel, the frog, and the crocodile while Pete drives on). Gifts and animals pile on until the microbus finally arrives at the seaside and readers are told yet again that it’s all “GROOVY!”
Pete’s fans might find it groovy; anyone else has plenty of other “12 Days of Christmas” variants to choose among . (Picture book. 4-8)Pub Date: Sept. 18, 2018
ISBN: 978-0-06-267527-9
Page Count: 48
Publisher: Harper/HarperCollins
Review Posted Online: Aug. 19, 2018
Kirkus Reviews Issue: Sept. 1, 2018
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by Ashley Spires ; illustrated by Ashley Spires ‧ RELEASE DATE: April 1, 2014
Spires’ understanding of the fragility and power of the artistic impulse mixes with expert pacing and subtle...
Making things is difficult work. Readers will recognize the stages of this young heroine’s experience as she struggles to realize her vision.
First comes anticipation. The artist/engineer is spotted jauntily pulling a wagonload of junkyard treasures. Accompanied by her trusty canine companion, she begins drawing plans and building an assemblage. The narration has a breezy tone: “[S]he makes things all the time. Easy-peasy!” The colorful caricatures and creations contrast with the digital black outlines on a white background that depict an urban neighborhood. Intermittent blue-gray panels break up the white expanses on selected pages showing sequential actions. When the first piece doesn’t turn out as desired, the protagonist tries again, hoping to achieve magnificence. A model of persistence, she tries many adjustments; the vocabulary alone offers constructive behaviors: she “tinkers,” “wrenches,” “fiddles,” “examines,” “stares” and “tweaks.” Such hard work, however, combines with disappointing results, eventually leading to frustration, anger and injury. Explosive emotions are followed by defeat, portrayed with a small font and scaled-down figures. When the dog, whose expressions have humorously mirrored his owner’s through each phase, retrieves his leash, the resulting stroll serves them well. A fresh perspective brings renewed enthusiasm and—spoiler alert—a most magnificent scooter sidecar for a loyal assistant.
Spires’ understanding of the fragility and power of the artistic impulse mixes with expert pacing and subtle characterization for maximum delight. (Picture book. 4-7)Pub Date: April 1, 2014
ISBN: 978-1-55453-704-4
Page Count: 32
Publisher: Kids Can
Review Posted Online: Feb. 25, 2014
Kirkus Reviews Issue: March 15, 2014
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