A tour de force.
Carey’s debut is at once an Irish home-reconstruction comedy, a requiem for Fire Island friends, and a treasury of Broadway gossip, all for the love of Mammie.
In the early 1960s, 12-year-old Alice and her mother sail to Ireland to visit relatives in County Kerry. There they find Mammie’s brother Bob, a pedophile priest; cow-milking cousin DD; bog fires, excellent tea, and good whiskey. They continue on to Father Bob's meager Liverpool parish and to London, the trip’s highlight. Forty years later, Carey and her husband sell their beloved Fire Island home off Long Island and buy a “ruin” near Bantry Bay, County Cork. The main narrative covers the repair of this pre-Famine building: architect, laborers, and neighbors appear on an unpredictable schedule; New York friends visit and travel to such local sights as the Skellig Rocks. Between commutes to Ireland, Carey remembers her Catholic childhood in Queens, maintaining the present-tense narrative that gives all of her memoir such immediacy. Keeping her pugnacious father in the background (and never calling him “Dad,” always Carey), she recalls struggling in school and sneaking into weddings with her mother. When Mammie is hired as housekeeper to Broadway producer Jean Dalrymple and, later, Jed Harris, life changes dramatically. Big Alice brings in Little Alice to help after school. They love the Manhattan good life: wonderful clothes, Christmas cards from Cartier, piles of sweets from East Side bakeries, all the showbiz gossip from Homer Poupart, Dalrymple's gay assistant. Carey's affection for Homer later leads to her summering in Cherry Grove, Fire Island's gayest community. Harris, a heart of gold behind the ruthless facade, provides Alice with front row seats for Peter Pan, and helps her switch to a first-rate high school, where she does well. The sentimental subtitle belies a powerful, earthy, affectionate story whose disparate sections are knit together by Carey’s skillful characterizations, authentic dialogue, and witty observations.
A tour de force.Pub Date: Feb. 1, 2001
ISBN: 0-609-60984-X
Page Count: 304
Publisher: N/A
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Nov. 15, 2001
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
PERSPECTIVES
© Copyright 2025 Kirkus Media LLC. All Rights Reserved.
Follow
Popular in this Genre
We can’t wait for you to join Kirkus!
It’s free and takes less than 10 seconds!
Already have an account? Log in.
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
Welcome Back!
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
