Elegantly structured, beautifully written, and altogether diverting, with a powerful message about land ownership in America.
A sweeping story of lifelong best friends from Philadelphia Quaker families who share a vacation spot and a moral exigency.
Dark confesses in her acknowledgments that she had “doubts about the appeal of two old ladies,” but she's written the rare 592-page novel you'll be sorry to finish. Eighty-year-old spinster Agnes Lee is the successful author of two series of books. She’s known for one of them, 30-plus children’s tales about a 9-year-old named Nan. The other is written under a pseudonym, six sharp social satires following a circle of upper-class Philadelphia girls like the ones Agnes grew up with. But as the curtain opens in March 2000, Agnes is having her very first experience of writer's block, described in one of many astute passages about the writing life: “Agnes had lost hope for today, too, but her allotted writing time wasn’t up yet. So she sat. Her rule was five hours, and dammit she’d put in five hours.” Just as she packs it in for the day, her best friend, Polly Wister, a devoted wife and mother, arrives for a drink. “We have a problem,” says Agnes. The problem is that they are two of the last three shareholders in Fellowship Point, a large, and largely undeveloped, piece of coastal property in Maine where their families have vacationed for generations. After the two of them are gone, Agnes’ cousin, a wealthy dolt, seems likely to sell out to a developer who would tear down the 19th-century dwellings, destroy a nature sanctuary, and overrun an ancient Indigenous meeting ground to build a resort. Agnes and Polly have other problems, too, each of them held back by choices made long in the past, some of which will be dug out by a nosy young New York editor who’s determined to make Agnes write a memoir. You will surely want to read this book, but you may be able to use its essential wisdom right now: “There wasn’t time for withholding, not in this short life when you were only given to know a few people, and to have a true exchange with one or two.”
Elegantly structured, beautifully written, and altogether diverting, with a powerful message about land ownership in America.Pub Date: July 5, 2022
ISBN: 978-1-982131-81-4
Page Count: 592
Publisher: Marysue Rucci Books
Review Posted Online: April 12, 2022
Kirkus Reviews Issue: May 1, 2022
PERSPECTIVES
PERSPECTIVES
PERSPECTIVES
An affecting portrait of a prickly woman.
A lifetime’s worth of letters combine to portray a singular character.
Sybil Van Antwerp, a cantankerous but exceedingly well-mannered septuagenarian, is the titular correspondent in Evans’ debut novel. Sybil has retired from a beloved job as chief clerk to a judge with whom she had previously been in private legal practice. She is the divorced mother of two living adult children and one who died when he was 8. She is a reader of novels, a gardener, and a keen observer of human nature. But the most distinguishing thing about Sybil is her lifelong practice of letter writing. As advancing vision problems threaten Sybil’s carefully constructed way of life—in which letters take the place of personal contact and engagement—she must reckon with unaddressed issues from her past that threaten the house of cards (letters, really) she has built around herself. Sybil’s relationships are gradually revealed in the series of letters sent to and received from, among others, her brother, sister-in-law, children, former work associates, and, intriguingly, literary icons including Joan Didion and Larry McMurtry. Perhaps most affecting is the series of missives Sybil writes but never mails to a shadowy figure from her past. Thoughtful musings on the value and immortal quality of letters and the written word populate one of Sybil’s notes to a young correspondent while other messages are laugh-out-loud funny, tinged with her characteristic blunt tartness. Evans has created a brusque and quirky yet endearing main character with no shortage of opinions and advice for others but who fails to excavate the knotty difficulties of her own life. As Sybil grows into a delayed self-awareness, her letters serve as a chronicle of fitful growth.
An affecting portrait of a prickly woman.Pub Date: May 6, 2025
ISBN: 9780593798430
Page Count: 304
Publisher: Crown
Review Posted Online: Feb. 15, 2025
Kirkus Reviews Issue: March 15, 2025
A welcome literary resurrection that deserves a place alongside Wright’s best-known work.
A falsely accused Black man goes into hiding in this masterful novella by Wright (1908-1960), finally published in full.
Written in 1941 and '42, between Wright’s classics Native Son and Black Boy, this short novel concerns Fred Daniels, a modest laborer who’s arrested by police officers and bullied into signing a false confession that he killed the residents of a house near where he was working. In a brief unsupervised moment, he escapes through a manhole and goes into hiding in a sewer. A series of allegorical, surrealistic set pieces ensues as Fred explores the nether reaches of a church, a real estate firm, and a jewelry store. Each stop is an opportunity for Wright to explore themes of hope, greed, and exploitation; the real estate firm, Wright notes, “collected hundreds of thousands of dollars in rent from poor colored folks.” But Fred’s deepening existential crisis and growing distance from society keep the scenes from feeling like potted commentaries. As he wallpapers his underground warren with cash, mocking and invalidating the currency, he registers a surrealistic but engrossing protest against divisive social norms. The novel, rejected by Wright’s publisher, has only appeared as a substantially truncated short story until now, without the opening setup and with a different ending. Wright's take on racial injustice seems to have unsettled his publisher: A note reveals that an editor found reading about Fred’s treatment by the police “unbearable.” That may explain why Wright, in an essay included here, says its focus on race is “rather muted,” emphasizing broader existential themes. Regardless, as an afterword by Wright’s grandson Malcolm attests, the story now serves as an allegory both of Wright (he moved to France, an “exile beyond the reach of Jim Crow and American bigotry”) and American life. Today, it resonates deeply as a story about race and the struggle to envision a different, better world.
A welcome literary resurrection that deserves a place alongside Wright’s best-known work.Pub Date: April 20, 2021
ISBN: 978-1-59853-676-8
Page Count: 240
Publisher: Library of America
Review Posted Online: March 16, 2021
Kirkus Reviews Issue: April 1, 2021
BOOK TO SCREEN
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