Revealing, sometimes snarky, always lively.
Illuminating descriptions of 30 artworks from the Centre Pompidou accompany strong reproductions.
The introduction delineates modern art (1860s to the late 1960s) from contemporary art—“everything after that”—but informs readers that the museum does not include any works before 1905 and that the book includes a few works from the late 20th and 21st centuries. A number of female artists are included as well as a commendable range of artists of color, several non-Western. Sections ranging from two to four pages feature a large reproduction, enhanced by Bloch’s amusing cartoons that pick out themes from the artworks and sometimes include caricatures of the artists. The unusual selection of artists working in different styles, media that vary from paint to bottle caps, and sassy commentary makes this volume stand out from others. With contemporary language, humorous titles, some stories about the artists’ love lives (comments about Pablo Picasso’s misogyny and relationships are especially pointed), and perspectives that encourage readers to consider these works on their own terms, the book becomes a lively tour conducted by a knowledgeable curator. In describing Slave Auction, 1982, by Jean-Michel Basquiat, Harman explains that the artist studied symbols and embedded them in his work. Noting some of those symbols, she asks: “Can you see how these signs and ideas might relate to slavery, and how black Americans might still experience danger today?”
Revealing, sometimes snarky, always lively. (timeline, glossary, list of artworks, index) (Nonfiction. 11-16)Pub Date: Oct. 6, 2020
ISBN: 978-0-500-65220-6
Page Count: 96
Publisher: Thames & Hudson
Review Posted Online: Aug. 17, 2020
Kirkus Reviews Issue: Sept. 1, 2020
BOOK REVIEW
BOOK REVIEW
The life of Manjiro Nakahama, also known as John Mung, makes an amazing story: shipwrecked as a young fisherman for months on a remote island, rescued by an American whaler, he became the first Japanese resident of the US. Then, after further adventures at sea and in the California gold fields, he returned to Japan where his first-hand knowledge of America and its people earned him a central role in the modernization of his country after its centuries of peaceful isolation had ended. Expanding a passage from her Commodore Perry in the Land of the Shogun (1985, Newbery Honor), Blumberg not only delivers an absorbing tale of severe hardships and startling accomplishments, but also takes side excursions to give readers vivid pictures of life in mid-19th-century Japan, aboard a whaler, and amidst the California Gold Rush. The illustrations, a generous mix of contemporary photos and prints with Manjiro’s own simple, expressive drawings interspersed, are at least as revealing. Seeing a photo of Commodore Perry side by side with a Japanese artist’s painted portrait, or strange renditions of a New England town and a steam train, based solely on Manjiro’s verbal descriptions, not only captures the unique flavor of Japanese art, but points up just how high were the self-imposed barriers that separated Japan from the rest of the world. Once again, Blumberg shows her ability to combine high adventure with vivid historical detail to open a window onto the past. (source note) (Biography. 10-13)
Pub Date: Feb. 28, 2001
ISBN: 0-688-17484-1
Page Count: 80
Publisher: HarperCollins
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Dec. 1, 2000
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Born in 1880 in a tiny backwater in Alabama, Helen Keller lived a life familiar to many from the play and movie The Miracle Worker, as well as countless biographies. There’s no denying the drama in the story of the deaf and blind child for whom the world of language became possible through a dedicated and fanatically stubborn teacher, Annie Sullivan. But Helen’s life after that is even more remarkable: she went to high school and then to Radcliffe; she was a radical political thinker and a member of the Wobblies; she supported herself by lecture tours and vaudeville excursions as well as through the kindness of many. Dash (The Longitude Prize, p. 1483) does a clear-sighted and absorbing job of examining Annie’s prickly personality and the tender family that she, Helen, and Annie’s husband John Macy formed. She touches on the family pressures that conspired to keep Helen from her own pursuit of love and marriage; she makes vivid not only Helen’s brilliant and vibrant intelligence and personality, but the support of many people who loved her, cared for her, and served her. She also does not shrink from the describing the social and class divisions that kept some from crediting Annie Sullivan and others intent on making Helen into a puppet and no more. Riveting reading for students in need of inspiration, or who’re overcoming disability or studying changing expectations for women. (Biography. 10-14)
Pub Date: Feb. 1, 2001
ISBN: 0-590-90715-8
Page Count: 256
Publisher: Scholastic
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Dec. 15, 2000
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