Enough stylish invention here for several novels, but this one’s center cannot hold. Maybe next time.
A teenaged girl’s prophetic powers constitute the eye of several storms brewed up in the magical-realist’s overstuffed, ungainly, improbably absorbing 16th novel.
Taking a page or two from her Practical Magic (1995), Hoffman (Blue Diary, 2001, etc.) once again creates a trio of women gifted and burdened with extrasensory powers. Stella Avery discovers on her 13th birthday that she is able to see people’s futures—an alarming phenomenon that causes her father Will to be falsely suspected of murder. Stella’s mother Jenny, contentedly divorced from the feckless Will (who has a long history of selfish and irresponsible behavior), similarly troubled by her own ability to “read” people’s dreams, sends Stella away from scandal and possible danger to live with maternal grandmother Elinor, a widowed recluse who tends her beloved garden and considers the fruits of her ability to “smell out” falsehood, while she’s dying of cancer. First Jenny, then Will follow Stella’s path, and the tale opens—often quite awkwardly—to involve Elinor’s physician and friend Brock Stewart (who has secretly loved her for decades); Jenny’s formerly mousy high-school classmate Liza Hull (a woman reawakened and transformed by love); Dr. Stewart’s affable grandson Hap, who befriends Stella and falls for her acerbic visiting girlfriend Juliet Aronson; Will’s “good” brother Matt, a scholarly bachelor who has never forgotten Jenny; and the 17th-century figure of Rebecca Sparrow, a troubled and doomed woman evoked by both Matt’s historical researches and the experiences of her descendants, which are eventually seen to be replicating Rebecca’s own. Hoffman flits from one center of interest to another like a distracted butterfly. The effect is both jarring and intriguing. We’re interested in all her people, but their subordination to the increasingly busy plot tends to drain away interest created by their beguiling individual eccentricities.
Enough stylish invention here for several novels, but this one’s center cannot hold. Maybe next time.Pub Date: June 24, 2003
ISBN: 0-385-50760-7
Page Count: 320
Publisher: Doubleday
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: March 15, 2003
Britisher Swift's sixth novel (Ever After, 1992 etc.) and fourth to appear here is a slow-to-start but then captivating tale of English working-class families in the four decades following WW II. When Jack Dodds dies suddenly of cancer after years of running a butcher shop in London, he leaves a strange request—namely, that his ashes be scattered off Margate pier into the sea. And who could better be suited to fulfill this wish than his three oldest drinking buddies—insurance man Ray, vegetable seller Lenny, and undertaker Vic, all of whom, like Jack himself, fought also as soldiers or sailors in the long-ago world war. Swift's narrative start, with its potential for the melodramatic, is developed instead with an economy, heart, and eye that release (through the characters' own voices, one after another) the story's humanity and depth instead of its schmaltz. The jokes may be weak and self- conscious when the three old friends meet at their local pub in the company of the urn holding Jack's ashes; but once the group gets on the road, in an expensive car driven by Jack's adoptive son, Vince, the story starts gradually to move forward, cohere, and deepen. The reader learns in time why it is that no wife comes along, why three marriages out of three broke apart, and why Vince always hated his stepfather Jack and still does—or so he thinks. There will be stories of innocent youth, suffering wives, early loves, lost daughters, secret affairs, and old antagonisms—including a fistfight over the dead on an English hilltop, and a strewing of Jack's ashes into roiling seawaves that will draw up feelings perhaps unexpectedly strong. Without affectation, Swift listens closely to the lives that are his subject and creates a songbook of voices part lyric, part epic, part working-class social realism—with, in all, the ring to it of the honest, human, and true.
Pub Date: April 5, 1996
ISBN: 0-679-41224-7
Page Count: 304
Publisher: Knopf
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Feb. 15, 1996
Not as thematically ambitious as Whitehead’s earlier work, but a whole lot of fun to read.
Another surprise from an author who never writes the same novel twice.
Though Whitehead has earned considerable critical acclaim for his earlier work—in particular his debut (The Intuitionist, 1999) and its successor (John Henry Days, 2001)—he’ll likely reach a wider readership with his warmest novel to date. Funniest as well, though there have been flashes of humor throughout his writing. The author blurs the line between fiction and memoir as he recounts the coming-of-age summer of 15-year-old Benji Cooper in the family’s summer retreat of New York’s Sag Harbor. “According to the world, we were the definition of paradox: black boys with beach houses,” writes Whitehead. Caucasians are only an occasional curiosity within this idyll, and parents are mostly absent as well. Each chapter is pretty much a self-contained entity, corresponding to a rite of passage: getting the first job, negotiating the mysteries of the opposite sex. There’s an accident with a BB gun and plenty of episodes of convincing someone older to buy beer, but not much really happens during this particular summer. Yet by the end of it, Benji is well on his way to becoming Ben, and he realizes that he is a different person than when the summer started. He also realizes that this time in his life will eventually live only in memory. There might be some distinctions between Benji and Whitehead, though the novelist also spent his youthful summers in Sag Harbor and was the same age as Benji in 1985, when the novel is set. Yet the first-person narrator has the novelist’s eye for detail, craft of character development and analytical instincts for sharp social commentary.
Not as thematically ambitious as Whitehead’s earlier work, but a whole lot of fun to read.Pub Date: April 28, 2009
ISBN: 978-0-385-52765-1
Page Count: 288
Publisher: Doubleday
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: March 1, 2009
BOOK TO SCREEN
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