After an initial wrong turn, this rich novel careens down a road lined with complex personalities and some wonderful scenery. Mattison (The Flight of Andy Burns, 1993, etc.) mistakenly leads off by focusing on Frances, a blank youngster who is on vacation in the 1950s with her parents, Hilda and Nathan; her Uncle Mike and Aunt Pearl, and their son Simon. Pearl and Hilda have an easy intimacy that Frances admires. She worries about her parents: A few small clues lead her to believe that she is not Hilda's only child, and Nathan, suspected of being a Communist, may lose his job. After setting all this up, Mattison flashes back to the real story—stories, actually, since the narrative combines different, interlocking tales with shifting voices and points of view. Among those stories: Pearl and Mike's first meeting when both are working in an Adirondack hotel; Nathan's early involvement in Communism and his sympathy for Spain's Loyalists; the accidental death of Nathan and Hilda's first daughter, Rachel; the crisis that comes after Nathan and Pearl make love, just once. (All four decide to overlook the transgression and pretend it never happened, despite Pearl's belief that the child she carries is her brother-in-law's, not her husband's.) When Frances finally pops up again, she interrupts the rhythm of the novel, which—as indicated by the title—turns out to be about the development of a female friendship. Mattison's characters are by turns emotional and tough as they explain how it is that people who love each other very much can hurt each other too. The author is technically accomplished—details in the flashbacks ultimately help clarify questions Frances asks in the opening pages—but her thickly layered plot hardly needs such gimmicks: Human nature supplies enough mystery on its own. Restrained and poignant drama.
Pub Date: Feb. 20, 1995
ISBN: 0-688-13127-1
Page Count: 288
Publisher: Morrow/HarperCollins
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Dec. 15, 1994
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.
Coelho is a Brazilian writer with four books to his credit. Following Diary of a Magus (1992—not reviewed) came this book, published in Brazil in 1988: it's an interdenominational, transcendental, inspirational fable—in other words, a bag of wind.
The story is about a youth empowered to follow his dream. Santiago is an Andalusian shepherd boy who learns through a dream of a treasure in the Egyptian pyramids. An old man, the king of Salem, the first of various spiritual guides, tells the boy that he has discovered his destiny: "to realize one's destiny is a person's only real obligation." So Santiago sells his sheep, sails to Tangier, is tricked out of his money, regains it through hard work, crosses the desert with a caravan, stops at an oasis long enough to fall in love, escapes from warring tribesmen by performing a miracle, reaches the pyramids, and eventually gets both the gold and the girl. Along the way he meets an Englishman who describes the Soul of the World; the desert woman Fatima, who teaches him the Language of the World; and an alchemist who says, "Listen to your heart" A message clings like ivy to every encounter; everyone, but everyone, has to put in their two cents' worth, from the crystal merchant to the camel driver ("concentrate always on the present, you'll be a happy man"). The absence of characterization and overall blandness suggest authorship by a committee of self-improvement pundits—a far cry from Saint- Exupery's The Little Prince: that flagship of the genre was a genuine charmer because it clearly derived from a quirky, individual sensibility.
Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.Pub Date: July 1, 1993
ISBN: 0-06-250217-4
Page Count: 192
Publisher: N/A
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 1, 1993
SEEN & HEARD
SEEN & HEARD
BOOK TO SCREEN
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