by Alicia D. Williams ; illustrated by April Harrison ‧ RELEASE DATE: June 1, 2021
A timely and inspiring biography of a great woman who broke barriers and used her voice to elevate those around her.
Shirley St. Hill was all the things a proper little girl was not: spirited, opinionated, and determined to get her way.
This picture-book biography of Shirley Chisholm opens with her early life in Brooklyn, New York, right before her immigrant parents send her and her younger sisters to live with their grandmother in Barbados. After six years the family is reunited in New York, where, nightly, Shirley listens to her father and his friends discuss politics, especially matters regarding Black people and women in America. Shirley becomes active in her community and frequently speaks up for others. She marries Conrad Chisholm and keeps up her activism. When a seat opens up in the New York State Assembly, Shirley runs for it and wins. She faces backlash for being a woman in politics, but Shirley remains undaunted. Three years later, Shirley makes history as the first Black woman elected to Congress. Williams imbues her account of Shirley Chisholm’s life with the voice of an oral storyteller, punctuating it with emphatic declarative statements that act as a refrain. It makes for an inspiring and rousing read-aloud that will give children an excellent sense of Chisholm’s determined character; such traditional elements of a biography as birth and death dates can be found in the author’s note. Harrison’s folk-art–inspired illustrations are as forthright as both the text and their subject. (This book was reviewed digitally.)
A timely and inspiring biography of a great woman who broke barriers and used her voice to elevate those around her. (Picture book/biography. 5-9)Pub Date: June 1, 2021
ISBN: 978-0-593-12368-3
Page Count: 48
Publisher: Anne Schwartz/Random
Review Posted Online: May 4, 2021
Kirkus Reviews Issue: May 15, 2021
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by Carolyn B. Otto ‧ RELEASE DATE: Sept. 5, 2017
A good-enough introduction to a contested festivity but one that’s not in step with the community it’s for.
An overview of the modern African-American holiday.
This book arrives at a time when black people in the United States have had intraracial—some serious, some snarky—conversations about Kwanzaa’s relevance nowadays, from its patchwork inspiration that flattens the cultural diversity of the African continent to a single festive story to, relatedly, the earnest blacker-than-thou pretentiousness surrounding it. Both the author and consultant Keith A. Mayes take great pains—and in painfully simplistic language—to provide a context that attempts to refute the internal arguments as much as it informs its intended audience. In fact, Mayes says in the endnotes that young people are Kwanzaa’s “largest audience and most important constituents” and further extends an invitation to all races and ages to join the winter celebration. However, his “young people represent the future” counterpoint—and the book itself—really responds to an echo of an argument, as black communities have moved the conversation out to listen to African communities who critique the holiday’s loose “African-ness” and deep American-ness and moved on to commemorate holidays that have a more historical base in black people’s experiences in the United States, such as Juneteenth. In this context, the explications of Kwanzaa’s principles and symbols and the smattering of accompanying activities feel out of touch.
A good-enough introduction to a contested festivity but one that’s not in step with the community it’s for. (resources, bibliography, glossary, afterword) (Nonfiction. 5-8)Pub Date: Sept. 5, 2017
ISBN: 978-1-4263-2849-7
Page Count: 40
Publisher: National Geographic Kids
Review Posted Online: Oct. 27, 2017
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by Ruby Bridges ; illustrated by Nikkolas Smith ‧ RELEASE DATE: Sept. 6, 2022
A unique angle on a watershed moment in the civil rights era.
The New Orleans school child who famously broke the color line in 1960 while surrounded by federal marshals describes the early days of her experience from a 6-year-old’s perspective.
Bridges told her tale to younger children in 2009’s Ruby Bridges Goes to School, but here the sensibility is more personal, and the sometimes-shocking historical photos have been replaced by uplifting painted scenes. “I didn’t find out what being ‘the first’ really meant until the day I arrived at this new school,” she writes. Unfrightened by the crowd of “screaming white people” that greets her at the school’s door (she thinks it’s like Mardi Gras) but surprised to find herself the only child in her classroom, and even the entire building, she gradually realizes the significance of her act as (in Smith’s illustration) she compares a small personal photo to the all-White class photos posted on a bulletin board and sees the difference. As she reflects on her new understanding, symbolic scenes first depict other dark-skinned children marching into classes in her wake to friendly greetings from lighter-skinned classmates (“School is just school,” she sensibly concludes, “and kids are just kids”) and finally an image of the bright-eyed icon posed next to a soaring bridge of reconciliation. (This book was reviewed digitally.)
A unique angle on a watershed moment in the civil rights era. (author and illustrator notes, glossary) (Autobiographical picture book. 6-8)Pub Date: Sept. 6, 2022
ISBN: 978-1-338-75388-2
Page Count: 48
Publisher: Orchard/Scholastic
Review Posted Online: June 21, 2022
Kirkus Reviews Issue: July 15, 2022
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