by Alida Bremer ; translated by Ruth Ahmedzai Kemp ‧ RELEASE DATE: Jan. 1, 2024
A thoroughly researched novel that's bogged down with unnecessary detail.
This murder mystery, set in the city of Split in what is now Croatia, is steeped in early-20th-century Europe’s roiling politics.
The year is 1936. The action takes place against the forthcoming Olympics in Hitler’s Germany. Split is a cultural mélange, including remnants of the Austro-Hungarian Empire along with Croats, Czechs, Italians, Russians, Germans, and others who conduct business in the bustling port. Split is also a favorite spot for German film crews, notably the group scouting locations for White Slaves, a real movie released in 1937 as anti-Soviet propaganda. We learn that there are fascist, anti-fascist, and other forces at work in town, as well as Jewish refugees. Who is responsible for stabbing the man entangled in fishing nets at the port? An extensive list of characters at the beginning distinguishes real historical characters from fictional ones and is indispensable to following the plot. The author does an excellent job describing the geography and atmospherics of Split. We feel the sea's salt air and smell the fishing boats in the harbor. Descriptions of food are mouthwatering and varied. Untranslated Croatian expressions peppered across the pages also remind readers where we are. Unfortunately, an overabundance of backstory and too many unnecessary details bog down the action all the way through. The translation from German can feel stiff at times, and some sentences jar: “Unperturbed, the sun continued to rise over Split, waking up the remaining sleepers.” This book would have benefited from some streamlining to keep things moving and the suspense over whodunit alive.
A thoroughly researched novel that's bogged down with unnecessary detail.Pub Date: Jan. 1, 2024
ISBN: 9781662507045
Page Count: 271
Publisher: Amazon Crossing
Review Posted Online: Oct. 7, 2023
Kirkus Reviews Issue: Nov. 1, 2023
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by Kathryn Stockett ‧ RELEASE DATE: May 5, 2026
Fans of Stockett’s bestselling debut will love this engaging follow-up.
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New York Times Bestseller
Stockett heads to Mississippi for another historical novel about feisty women.
This time, perhaps recalling criticisms of cultural appropriation in The Help (2009), she sticks to feisty white women, with one exception. The setting is Oxford in 1933. For two miserable years, 11-year-old Meg has lived in “the Orphan,” a county asylum for parentless girls. Chairlady Garnett—a villain so one-note she’d twirl a mustache if she had one—makes it her mission to ostracize the older girls she deems unadoptable, stigmatizing them as offspring of the “feebleminded” mothers who abandoned them. She particularly has it in for smart, sassy Meg, who refuses to believe her mother’s mysterious disappearance was deliberate. Elsewhere in Oxford, Birdie Calhoun comes to visit her sister Frances, who married a wealthy banker, to ask for money on behalf of their mother and grandmother back in Footely. Frances isn’t thrilled by this reminder of her impoverished small-town origins. But she’s trying to climb up in Oxford society by volunteering at the Orphan, the asylum’s books need to be done before the state inspector shows up in a few weeks, and Birdie is a bookkeeper. Having neatly arranged to keep Birdie in town and draw these two storylines together, Stockett goes on to spin a compulsively readable yarn with enough plot for a half-dozen novels. Birdie and Meg become friends, Meg is adopted despite Garnett’s best efforts, Meg’s mother turns up at the Orphan demanding to know where her child is—and that’s less than a quarter of the way through a long, winding narrative that keeps piling on more dramatic developments until all loose ends are neatly, if hastily, wrapped up in the final pages. Stockett might be making a point about Southern women facing facts and standing up for themselves, but mostly this is just a satisfyingly twisty tale that should make a great miniseries.
Fans of Stockett’s bestselling debut will love this engaging follow-up.Pub Date: May 5, 2026
ISBN: 9781954118812
Page Count: 656
Publisher: Spiegel & Grau
Review Posted Online: Feb. 2, 2026
Kirkus Reviews Issue: March 1, 2026
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by Seishi Yokomizo ; translated by Louise Heal Kawai ‧ RELEASE DATE: Sept. 15, 2026
The delightful debut of a classic, prolific detective.
It takes a quirky sleuth to solve a baffling closed-door murder.
The author himself or, more accurately, some version of him, walks the reader through a “gruesome murder” that occurred in a rural farming village. At the center of the crime is the wealthy Ichiyanagi family, including the widow Itoko and her five children. The “heinous crime” occurs in the evening after the festive wedding of eldest son Kenzo to schoolteacher Katsuko. Yokomizo, part narrator and part raconteur, liberally shares digressions such as the fact that his favorite British author is A.A. Milne, who wrote The Red House Mystery as well as the books about Winnie-the-Pooh. Written in 1946 but set in 1937 before the devastation of World War II, this is the first novel featuring Kosuke Kindaichi, the legendary detective who appeared in more than 70 stories by Yokomizo. If Yokomizo is the Japanese Agatha Christie, Kindaichi may seem the Japanese Hercule Poirot—although actually, given his unkempt hair and apparently distracted manner, he’s more a cross between Poirot and Columbo. Shrewdly, his entrance is delayed until midway through the novel, after the police have stalled and both the family and the reader are anxious for a solution. The narrator’s garrulous charm, in a mystery long on logistics and forensic clues but short on detailed character portraits or extended interactions, is a key to the novel’s success, leavening the more intricate pieces of the puzzle. Armchair detectives will welcome the helpful character list that precedes the story.
The delightful debut of a classic, prolific detective.Pub Date: Sept. 15, 2026
ISBN: 9781805336549
Page Count: 192
Publisher: Pushkin Vertigo
Review Posted Online: July 20, 2026
Kirkus Reviews Issue: Aug. 15, 2026
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by Seishi Yokomizo ; translated by Jesse Kirkwood
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by Seishi Yokomizo ; translated by Bryan Karetnyk
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