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RESTLESS SOULS

THE SHARON TATE FAMILY'S ACCOUNT OF STARDOM, THE MANSON MURDERS, AND A CRUSADE FOR JUSTICE

Unsavory account of the suffering of Sharon Tate’s family in the aftermath of her murder and her mother Doris' and sister Patti's subsequent rise to national prominence as advocates of victims' rights.

It would be impossible not to feel sympathy for the Tate family following the horrifying events of 1969. After witnessing the murders of three of her friends, Tate, who was eight months pregnant at the time of her death, was hanged and fatally stabbed. Unfortunately, this book by Statman and Brie Tate, Sharon’s niece, is luridly exploitative and shrilly self-righteous. It may be unfair to ascribe less-than-saintly motives to any member of the Tate family, who arguably have the right to tell (and sell) their story in any way they choose, but it’s difficult to imagine what noble purpose is served by lingering over Sharon's dying words or the exact dimensions of her stab wounds. The authors would likely argue that emphasizing the killers' savagery is crucial to securing the public's opposition to their release. Throughout the book, Statman and Tate shift perspectives and time so much that readers will become disoriented. Furthermore, the prose is overly cliché-ridden—e.g., Sharon's eyes “twinkle with the faith of her dreams”; her parents were both “as set in their ways as a grape stain to white pants and equally as stubborn”; “their love was as preserved and age-worn as a pressed rose hidden in a Bible”; cancer is “a thief in the night.” Indeed, many sentences read like bad translations: “My inflamed opinion may have a biased tone, but the hippie trend is not my favorite culture.” The authors' most laudable goal is to pay tribute to Sharon's mother, Doris. Though some readers will disagree with her politics, she was also an admirably determined person who channeled her grief and rage into decades of service to others. Horrifies more often than it enlightens. Not recommended.  

 

Pub Date: March 1, 2012

ISBN: 978-0-06-200804-6

Page Count: 384

Publisher: It Books/HarperCollins

Review Posted Online: Jan. 29, 2012

Kirkus Reviews Issue: March 1, 2012

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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